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Flay's Pencil Flailings: Bentomology [NSFW/NSF56K]
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EDIT: Updated
Old animated version
http://www.youtube.com/watch?v=syEYVHMe0i8
http://www.youtube.com/watch?v=sp3N7xgSg6Y
Animation is hard.
Also some changes to this:
This is cool! Do more of these!
Also, I 'finished' this:
looks cool though
But as a comment to a serial killer I'd say: Good jerb, looks terrifying.
TUMBLR
This completely creeped me out. I hope I can get it out of my head before trying to sleep... excellent work.
Mission complete.
@M3nace: I'm not promising anything.
Current plan is to tweak a few of the movements and add some static in during the 'quiet' sections. I know there isn't really enough time at the end, unfortunately I have a 10 second limit.
1.5 hours from a live model:
Sorry for the shitty photo, it's too big to scan. Also that face is stupidly small and weird looking.
Here's horror:
I can't seem to get the lighting on the deer in the top right to look right, at the doodles on the wall are pretty much placeholders at the moment. Any feedback for this? I have a long time before hand-in so I'll definitely be working on this some more.
Also, if I want to learn anything I'm going to have to start posting more sketches for feedback. Here's yesterday's sketch of a skull from life, about one hour:
I'm going to focus on still-life drawing for a little while instead of figure drawing. I need to pay less attention to the paper and more to the subject.
...but when I do I feel like I have about a quater of the control over the pencil that I normally do, especially on small sketchbooks. Should I be being so anal about this, how important is the way you hold your pencil?
Also some drawings:
Negative space drawing of a dragon figurine:
I absolutely cannot get guesture right, so I'm trying a different method where I don't take the pencil off of the page. Not much success:
More shitty gestures. I've been trying to do at least half an hour of them each day, these ones are five minutes each:
And a master study (Sargent, a little rushed after I realised I was working much too small and wouldn't be able to do any sort of fine detailing):
Reference
I only hold my pencil like that when working larger. Probably anything 8x10 and smaller I just hold the pencil like I do when I write. There certainly can be benefits to working with the pencil like that small...but only for blocking in large areas of value quickly.
Oh good, I'd pretty much given up.
but it does look better.
still love that bear (maybe I should do a rotating av again).
it's on my hard-drive, anyway.
@Tynic: No probs, it was fun to draw.
I go through phases of forcing myself to properly hold a pencil, and it feel so unnatural, like my body is just rejecting my whole arm, I can't get past it.
A painter friend of mine does wonderful sketchbook drawings just dangling a pen by it's very end, all the control coming from the elbow. It's nuts.
I know the feeling, if I'm drawing on small paper and using a loose grip I feel like I've just lost an entire life's worth of coordination.
Here's a rough version of the animation I'm working on. I'm still using the old walk cycle at the moment, I'm going to get started on fixing the details now and the obvious errors now.
Prints for sale, make your wall the happiest wall in the universe:
http://mcjohnstable.bigcartel.com/
you silly twit
Have another:
Personally, if I were doing something similar, I'd go with 2 (maybe 3) colours and suggest a lot more than you show.
Still nice work though, good to see new stuff from you mate.
they have sprays for that