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Bat-Thread: Bruce Wayne, International Hairy Chested Love God of Mystery
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When Joker lost his face in Daniels' book, it just seemed like a cheap way to make a new villain seem threatening at the expense of another character.
But I dunno, Snyder's pretty good in general so maybe it'll turn out alright.
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I'm guessing the face cutting off has to do with when Dick found him in Detective Comics going off about rebirthing for Bruce's return.
Morrison started his run by shooting the Joker in the head. He later did something fucked up to his jaws. Then he had the Joker cut his own tongue in half length-wise.
He did come back from all that pretty normally, admittedly after a very long time of wearing a black hood and pretending to not be the Joker.
I can't say I really gave a toss about the Joker's face being found and weirdos worshipping it or whatever that whole thing was before the relaunch. Now that whole damn face reuniting with the Joker...?
What's next? He just uses really, really thick makeup, and during fights it smears off to show the facial muscles underneath?
They're pushing him too far in a direction he can't really come back from.
I like the weirdness. I like all the chaos-art infusions and the Joker's bi-lateral prescience coupling his 'very, very hard to kill' reputation.
But, sometimes, I just want him in a smartly-dressed suit, with a single Beretta in his vest, stepping out of a car and out-Caponing every two-bit thug who thought he could just set up a little territory and use a restaurant as a front for his operations.
We need the Joker back in the street, scaring the shit out of the other criminals.
i agree with everything you say here especially the last part about him scaring the other baddies
Dude was around for a while and beaten into the ground, so it's understandable that people might be wary of returning to that well.
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holy shit
go layman!
Maybe Layman will be the guy to embrace the absurdity of the DC universe while still telling a well-crafted, mature story. I have only read the first hardcover of Chew, but it has a perfect balance of grim and goofy. Batman and his Rogues are both grim and goofy, fun and frightening, The Brave and the Bold got that some times and nothing else really has before or since
I'm really excited to see what Layman does with the title, even if I dislike Jay Fabok's art. Approaching the series like Chew, where each issue is self-contained, but ties into a larger arc, could be really great.
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But in this new origin, Nora was frozen 50 years ago because she had a condition that was incurable at the time. But now there is a cure for her condition and Victor Fries wants to thaw her out so she can be cured. So why was Bruce against finding a way to thaw out people who were put in cryostasis? The whole reason why those people were frozen is because they were sick and wanted to be thawed out again when cures were found. Now that there are cures for their diseases, why is Bruce is against researching what is essentially the final part of the project?
And why is Fries so damned impatient? Nora is perfectly safe as long as she's in stasis. She won't age, she won't get sick, she's basically immortal as long as she's frozen. Why not do some more tests on the thawing procedure before using it on her? Fries is putting Nora in unnecessary danger by trying to thaw her out with a brand new experimental procedure that he developed without testing or approval. Fries studied Nora for years, where did this sudden sense of urgency come from?
And what's the deal with Bruce saying that Nora can't consent to being unfrozen? Wouldn't the patient leave behind instructions on when to be thawed out, presumably when there's a cure for their disease and when they can be safely thawed out? That just makes the false sense of urgency even dumber since all Fries had to do is fulfilled the instructions Nora left behind to legally thaw her.
He's playing things close to his chest, so all you really get out of it is that this is going to be another huge crossover with Joker individually attacking every member of the Bat-Family.
Also, apparently the higher-ups are refusing to let anyone use Cass Cain or Steph. You could've inferred that from their absence since the reboot, except for that one issue of Batman Inc., but it's weird to have a creator explicitly state that.
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and re: cass and steph, i'm of the mind it's not a great loss but i'm sorry for people who miss them
of course, the subtle implication there is that if you didn't like it, it wasn't his fault
You think Snyder was afraid of losing face?
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Well, that is obvious but I'm pointing out how the new origin made no sense in addition to ruining a great character.
Here's two other problems I noticed:
And why did Bruce confront Fries in the lab? Why not just lock Fries out of the lab or arrest him when he's just coming into work? Why confront a mentally unstable man in a room full of dangerous chemicals and highly sensitive equipment? Again, they're just creating a false sense of urgency to create drama where none exists.
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this is incredible
anyway i'm kind of curious about snyder's joker
i haven't given a shit about his batman so far but it's entirely possible he'll write the joker in an interesting way and that's all i really want
that sounds awful
seconded
I actually stuck with it up until # 4.
I feel dirty for lasting that long.
And there's this scene where Bruce is literally fighting against being sucked in to a jet turbine (no cape to worry about ala Incredibles), but somehow escapes the turbine and gets on the wing of a plane and plummets back down to earth and the new Wayne Tower collapses from explosions but no one died, despite being pretty well completed and usually construction is around the clock. Buildings collapsing like the way it was drawn makes me uncomfortable and I think would be done these days to carry more emotional weight because they know what it represents, but here it's almost like "a skyscraper collapsed, but no one died, no big deal." It just didn't jive with the comic, especially against the backdrop of Gotham being a place where the undead just went on a killing spree hours earlier.
The backup story also didn't need to exist, because it's basically all explained in three panels this issue in a rather good exposition by March.
There have been a lot worse endings out there, but compared to say, B&R #8 where it had a real emotional connection between Bruce and Damian, here it just felt a bit too cartoony, in that nothing really gets resolved and everyone goes back to their respective corners to do a clean slate for the next story that's supposed to turn Batman upside down.
edit: B&R #11 is really good, and an interesting way to make Gotham fear Batman. It also has a lovely splash page that very clearly is meant to sync up with the Dark Knight Rises movie, it can't be unseen. And Damian gets one of his trophies like he promised last issue, he's a real go-geter
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http://www.comicsalliance.com/2012/07/12/batman-panel-comic-con-2012-scott-snyder-owls-ed-benes-john-layman/
Let me be on record as saying that if the Joker rapes anybody I will burn every copy of that book I can find.
But I'd be much more interested in seeing him play that part than seeing him go on a bloody revenge spree because Batman's "forgotten the Joker's necessity" as his jester. Revenge isn't a bold new take on the character but rather something we've already seen several times before.
And really, the way Snyder's hyping this story makes it sound like The Killing Joke BUT BIGGER.
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And I'd like to point out that comics can address Rape well.
Its just very very very rare.
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And when they mention that the Talon they're using was an escape artist in his former life, it makes me think some kind of backdoor way to introduce Mister Miracle for the DCnU.
er, wait...
Almost want to try and find one on eBay, but it'd probably just languish in storage since I'm not much of a collector.
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