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Knock. Knock. (Poem)

LilnoobsLilnoobs Alpha Queue Registered User regular
Hey all, glistening for some feedback on this here poem of mine.


Thanks.


Knock. Knock.
Spoiler:

Lilnoobs on

Posts

  • tapeslingertapeslinger utter Yog-Sothothery mmm, soulsRegistered User regular
    Is there a specific reason that you've chosen to give line breaks here at 4-line intervals? I can't tell from the content if this is meant to be a formed poem or not. If it's not a specific form, ditch the random line breaks as they don't seem to do anything but break the poem up arbitrarily and make it flow less.

    The poem itself has a morose quality that vaguely reminds me of Richard Brautigan or other Beat poets.

    see Boo, Forever by Brautigan:
    Spinning like a ghost
    on the bottom of a
    top,
    I'm haunted by all
    the space that I
    will live without you.

    -- your turn of phrase about the 'present' is reminiscent of this kind of thing, and I think good use of line breaks to add pacing could improve the meaning behind your words.

    I like the abstraction in this piece but I can see where other readers may be turned off by it.

    Overall, I'm interested to see what you might do with this. :)

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  • LilnoobsLilnoobs Alpha Queue Registered User regular
    Hey thanks.

    I tend to default to 4 line stanzas and ~10 sylls just as a constrain during creation.

    I see this one may require line finesse. Let me see what I can do. Thanks for the input.
    Spoiler:

  • tapeslingertapeslinger utter Yog-Sothothery mmm, soulsRegistered User regular
    yeah, this poem IMO would benefit from breaking the syllable constraints and maybe breaking up or rearranging some of the lines to lend more impact to specific words/ phrases. typing this from my phone, I'll post a more concrete example when I get home :)

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  • zombiedogzombiedog Registered User
    I have no idea what the heck this is. But i will reread.

  • tapeslingertapeslinger utter Yog-Sothothery mmm, soulsRegistered User regular
    OK-- I like the new formatting in the spoilered post (which I couldn't get to from my phone). The only thing I would do is reserve line breaks for the end of sentences-- line breaks in poetry act like the beginning of a new paragraph in an essay; it indicates a pause.

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  • LilnoobsLilnoobs Alpha Queue Registered User regular
    What do you think about this one I've been working on in my blog? I think it lies more in the concrete and less in the abstract, mainly because I consider a broader audience for its inception. Maybe I'm wrong.
    Spoiler:

  • bibblingprophetbibblingprophet Registered User
    From what I know about poetry, you can change up the line breaks. They don't need to stop at the end of a sentence or phrase. But there should be meaning when you do something out of the ordinary. For instance, in the second poem, why is "of bread" significant? Did you mean for us to take pause and consider the bread closely?

    Conversely, the line "a kiss and you" seems like it could have simply been "a kiss" alone. Why did you add "and you" to that line in particular? Is there something we need to be considering there?

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  • LilnoobsLilnoobs Alpha Queue Registered User regular
    Good call on "of bread" and "and you".

    Oddly enough when I read it aloud I separate the "and you" as the "a kiss/ and you" suggests.

    The "of bread" was more for suspension or surprise. Perhaps I was trying to create a surprise in a place that doesn't really need it just to create a "surprise".

    Thank you for your feedback.

  • LilnoobsLilnoobs Alpha Queue Registered User regular
    How do you think this one is working out?



    Journal


    Memory is the underside
    of a pillow I've left
    cooling under the shadow of itself. His thoughts
    of her last night embraced between
    his folded arms. She warms one
    soft cheek on his rising
    and falling chest. Untucked, their smiles
    curl like burning paper. Informally,
    her hands spiral
    around his waist. His fingers
    flip through
    the pages of her hair, returning
    to their favorite passages.


    Alternative line breakage.


    Journal

    Memory is the underside of a
    pillow I've left cooling under the shadow
    of itself. His thoughts of her last night embraced
    between his folded arms. She warms one soft
    cheek on his rising and falling chest. Un-
    tucked, their smiles curl like burning paper.
    Informally, her hands spiral around
    his waist. His fingers flip through the pages
    of her hair, returning to their favorite
    passages.

  • LilnoobsLilnoobs Alpha Queue Registered User regular
    Here's a 1 sentence poem. I'm always worried about these because, well, it's one sentence: is that enough? I don't know. Care to help me out? =p




    Alaska

    A loft
    in a cabin down
    a potted road, through underbrush
    overgrown, where I sleep
    behind windows nailed with blankets
    breaking sun, the scattered
    light through fibers, my thoughts
    of us.

  • tapeslingertapeslinger utter Yog-Sothothery mmm, soulsRegistered User regular
    re Journal: the first format is better, though I think that the end of a sentence also works best as the end of a line.

    I personally really like the Alaska poem and I don't think I would change anything about it-- it carries well and the line breaks work to add emphasis in ways the straight sentence would not.

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  • LilnoobsLilnoobs Alpha Queue Registered User regular
    Thank you.

  • LilnoobsLilnoobs Alpha Queue Registered User regular
    Anyone got some quick tips for this poem?





    Like a lugie from above
    love flew into my palm. I clawed
    my fingers as one might to carry an egg
    or a bleeding hand to a sink.

    After many washes and even the alcoholic
    sanitizer evaporating as quickly as it hit,
    the mucus felt as if it remained. A phantom
    pain? Days, weeks, months later,

    as I hold out my hand to shake yours,
    the thought of phlegm over my palm like a coat
    my mind will not disrobe; I wonder
    do we feel the same thing?

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