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[Feedback]Rough intro to an aspiring larger work.

benit59benit59 Registered User regular
Thanks ahead of time for reading. I am struggling a bit with cadence and format. I would really like to get the dialogue down on the page so to speak, but I keep getting hung up on grammatical nuances and the like. Any and all feedback is appreciated. It is a very small piece of what I aspire to be an extremely large work. Please don't expect a complete narrative, many details remain to be revealed.
Spoiler:

benit59 on

Posts

  • liquiddarkliquiddark Registered User
    Let's try something very simple out.
    benit59 wrote:
    “Why is it so dark?”

    “Wasn’t there something important I was doing?”

    “What smells so bad?”

    Charles bolted completely upright at the waist and blinked around the landscape feverously trying to get his bearings.

    “What just happened?” Charles asked.

    “You were rendered quite unconscious by a musket ball fired at close range to the head,” said Neville. He motioned toward a pistol in the grass nearby.

    That explained the intense pain in the back of Charles’s head.

    How do you feel about this?
    Spoiler:

    liquiddark on
    Current project: Old Man Hero, a graphic novel in three parts
    @oldmanhero tumblr
  • benit59benit59 Registered User regular
    liquiddark wrote: »
    Let's try something very simple out.
    benit59 wrote:
    “Why is it so dark?”

    “Wasn’t there something important I was doing?”

    “What smells so bad?”

    Charles bolted completely upright at the waist and blinked around the landscape feverously trying to get his bearings.

    “What just happened?” Charles asked.

    “You were rendered quite unconscious by a musket ball fired at close range to the head,” said Neville. He motioned toward a pistol in the grass nearby.

    That explained the intense pain in the back of Charles’s head.

    How do you feel about this?
    Spoiler:

    I feel like its a little too concatenated. It neglects to explain "smell" and fails to establish any relationship between the characters. I get what you are saying though. There is a bit that leaves the stream of consciousness a little disconnected. The reader doesn't necessarily need to be spoon fed some info in the middle of that exchange.

    benit59 on
  • liquiddarkliquiddark Registered User
    The problem is not disconnection. You do not need to explain smell, and I would suggest that you have very firmly established a relationship by having one of them wake the other up after he has been shot. You are overtelling. Let's try another experiment. What part of this can you cut?
    Neville had more than once referred to Charles’s hair as “pretty”. This was a back-handed comment meant to rile Charles to anger, but Charles knew quite well that his golden locks were one of his most prized features with the ladies. Neville was unconvinced of this however, and suggested that it might have more to do with the gold of his coin and not necessarily his hair that the ladies found so titillating.
    Spoiler:

    Current project: Old Man Hero, a graphic novel in three parts
    @oldmanhero tumblr
  • MagellMagell Registered User regular
    What liquiddark is trying make you realize on your own is that you have setup a ridiculous situation, which does allow you to show your characters being themselves instead of just saying who they are, and around that situation you have dumped so much exposition that it doesn't really feel like anything is happening, and it takes away from the piece of story that you do have.

    Although this line is off even in dark's rewrite.
    Charles bolted completely upright at the waist and blinked around the landscape feverously trying to get his bearings.

    'blinked around the landscape' makes me think he is teleporting around and not blinking as he looks around at the landscape.

    I think you'd be much better served jumping into the actual story you want to tell and dribbling the exposition around throughout a larger story.

  • benit59benit59 Registered User regular
    You are both absolutely right. Thanks.

    I'm trying to work through some things as I figure out how to accomplish telling the story, establishing my characters and defining the relationships between them. I have edited my work already to some extent since posting this as I decide how to accomplish the things I just outlined through action and dialogue as opposed to just hitting the reader over the head with it all and hoping they stick around to try and expunge an actual story from everything.

  • benit59benit59 Registered User regular
    Edited. Additional content included.

    I feel like I removed the superfluous and narrowed my focus on the action and dialogue. I tried to develop a sense of setting to some degree so that I didn't feel as though my characters were interacting in a vacuum of sorts.

    Let me know if you think this is a step in the right direction.

  • liquiddarkliquiddark Registered User
    Now it is moving like an actual story. And now you should go write the rest of it.

    Current project: Old Man Hero, a graphic novel in three parts
    @oldmanhero tumblr
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