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Falling Empire

cshadow42cshadow42 Registered User regular
<This is a start I've made on making a blovel (blog novel). Please let me know what you think.>

Falling Empire

Scavenging is an art form. It is the interpretation of the world around an individual, and how it can serve oneself. Sandra Redman has yet to find an object that she couldn’t find some use for. Paper clips? Use them as make shift hangers and twist them up to hold things together. Plus, they make great soldering material. Banana peels? She’s got friends who can make cloth out of the peels. Other friends, they’ll take the peels and stew them up to make backyard biofuel. And any biomass makes great fertilizer or biofuel. Sand? Great building material, and its also the poorman’s alternative to salt used to create traction during the winter months.

Scavenging is different from recycling. Recycling is the reuse of materials to benefit others; scavenging is reusing materials for your own personal benefit. There’s a big distinction between the two. Recycling is a luxury good that only wealthy countries can afford. Scavenging is what poor countries do to survive.

Sandra was in the business of surviving. Actually, if you listen to the folks across the river in DC, she was in the business of stealing. But Sandra compromised between surviving and stealing and chose to call herself a scavenger. Stealing denotes taking from other people what they own. Stealing is defined as being outside the System, of being a drain and a detriment on others. A scavenger though is part of the System. A scavenger culls through the debris left by others and finds a use for it. Without scavengers, the System would be clogged up by its own refuse. And not only do Scavengers clean up after those above them, but they’re an essential part of the food-chain. Someone has to be on the bottom, to be eaten up by those above. Granted, those above are in turn preyed upon by those higher than them, but someone has to form the base. Maybe that’s why those above call Sandra’s debris clearing ‘stealing’, because otherwise she and hers would be the only innocent party.

Tonight finds Sandra hanging 30 feet off the floor of an abandoned electronics store, carving away at its carcass. Her weapon of choice tonight is a box cutter, which she’s using to cut out sections of insulation. She didn’t feel any recriminations about what she was doing; this store had been abandoned for a good while now; long enough for the lettering imprint on the exteriors paint to have faded away so as to make the chain name unrecognizable. And Sandra wasn’t the first scavenger to come along, just one of the last in the final moments of this store’s life-cycle.

The insulation Sandra is after tonight is usually a prize acquired early, but because of this store’s construction, the majority of the good stuff is high up out of reach. Sandra was applying some wall climbing classes she had taken several years ago for fun, but was now finding them handy for pilfering the desired insulation.

Sandra grunted as she plunged the box cutter into the midst of the furry insulation. With great care, she pushed down on the box cutter as she tried to cut as straight a line as possible. A jagged cut would mean she would take a hit on the resell value of the insulation. Buyers didn’t want to purchase insulation that didn’t fit well together in their own homes. Once she had cut out her swaths of insulation, she would then need to go back and pry out the staples. The staples she saved in a little pouch on her vest; with a little heat and careful manipulation, they could be made serviceable again.

Sandra would pause in her work every once in a while and keep silent. This was so she could listen for the soft whirling sound that indicated flutters that could be nearby.

‘Flutters’ were an overworked police force’s answer to insufficient manning. The basic flutter models were essentially balloons with a rigid aluminum structure with attached propellers and rudders. The police, with funding from real estate companies, would outfit the flutters with a GPS and an infrared camera. At night, the flutters would be deployed to patrol their routes. If a flutter detected a large enough heat signature in a restricted locale, the police would be notified. This allowed the police to monitor a large area using only a couple operators.

If captured, punishment was rarely a jail sentence. If you were employed, which Sandra was, the preferred punishment was ‘garnishment’. They’d take your salary, and tack on a percentage penalty. For what Sandra was doing, it was probably a five-percenter over 4 years. Granted, Sandra supplemented her income from ‘non-approved’ sources, such as her current insulation reclaiming endeavor. But she was barely scraping by as it was. Granted, she at least had a roof over her head and a reasonably steady supply of food. She and her children weren’t so bad off that they were forced to resort to a tent city.

Sandra grunted to herself when she didn’t hear anything on the wind. She was almost done for the night; she had about as much as she could carry tonight. A couple more jabs netted her some insulation panels that came free fairly easily once she had pried out the staples. She was a bit worried that the insulation panels weren’t fluffy enough. If they had been exposed to humidity, the fiber would clump together and form thick mats.

Sandra, having gotten what she needed, rappelled down from the ceiling, retrieving her rope rig as she descended. Climbing by oneself is highly risky, so she tried to offset it by taking extra precautions. Finally, she made it down to the ground, and replaced her climbing gear in their nylon bags. Gathering the insulation panels, she carefully tied them down on the Kiddie Flyer wagon she had hooked up to her bicycle. Originally intended to allow children to ride along with their bicycling parents, it now doubled as a convenient way to haul goods around. Sandra would have preferred to have used a car, but that would entail shelling out on gas and hacking out the Vehicular Automated Trafficking Chip. Gas was prohibitively expensive without the right permits. While Sandra had friends who could probably hack out the chip, she didn’t trust them enough for them not to try to lean in on the action.

After covering the panels with a tarp to conceal them, she hopped on her bicycle. Sandra carefully pedaled to the broken wall windows, following the clear path she had swept when she had entered earlier this evening. No point in puncturing the tires again she thought to herself. She looked around quickly, making sure she was alone, then wheeled her bicycle out onto the street, leaving the pilfered corpse of the electronic store behind her.

There was a particular order to the deconstruction of this commercial behemoth, akin to those found in the natural world. Upon the store’s closing, there is still hope held by the owners; be they an individual, a corporation, or even more frequently lately, the government. Always advertised as a prime commercial plot, the store is tidily taken care of. Air conditioners are running to preserve homeostasis, and the lights still work to provide the appearance of life. There may even be a working security system, with a promised prompt response by the local law enforcement. But the store still remains a patient on life-support, and the breathing machines can only fool scavengers for so long.

The death-blow usually comes from the copper miners. The larger the building, the more access points there are. Sandra knew miners who will dig through the ceiling, bypassing the security system. Some of the more violent miners will use a brute force method, breaking in and grabbing all they can before the alarm brings the law. The fancier crews have an expert in electronics (usually a former electrician or engineer) who can bypass the alarms. The store owners are reluctant to replace the fixtures or repair any of the damage once the initial illusion of safety has been violated. With the copper piping and wiring gone, the store’s homeostasis rapidly deteriorates. Humidity and heat build up, which brings in the fungus. Probably the biggest result is that the lights go out in the store. A darkened store is the signal to the other scavengers that feeding has begun.

The feeding process doesn’t occur all at once. After all, large numbers of people are hard to conceal, and the more people there are the greater the likelihood of someone’s lips flapping, or a flutter spotting them and alerting the police. So over the course of a year or so, small entrepreneurs such as Sandra come by in the dark of night. The higher value items usually get scooped up early by the clever, and the easy to acquire items get grabbed by the desperate. Wood, drywall, electronic appliances and wiring are all coveted.

And insulation, which was Sandra’s prize tonight. As she pedaled down the vacant streets, she pondered to herself what she was going to do with the insulation panels. The best ones she would probably keep for herself; the apartment building she managed wasn’t in the best of shape, and leaked like a sieve. She was a bit concerned that the building wouldn’t pass the upcoming building inspection, not that she had been managing the building long enough to be responsible for its state of disrepair or had the funds to make the necessary repairs.

She had managed to scrounge enough extra panels that she could probably sell a few on the gray market. Or, she could try holding on to them for a while to see if they appreciated in value. The current government building boom had started to trickle away, and the way things had been going there would be another round of finger-pointing. While there was plenty of pork around the District, there was also a lot of people setup to take the blame, rightly or wrongly. And now was the time when it was best to keep one’s head down low, and hope the scythe didn’t go low enough to catch you.

cshadow42 on
MTGO Handle - ArtfulDodger
Diablo 3 - ArtfulDodger#1572
Minecraft - ArtfulDodger42

Posts

  • MuncieMuncie Registered User
    It is apparent you've put a lot of thought into the world building process.

    Too bad you're trying to write a piece of narrative fiction and not an encyclopaedia.

    In other words you are telling us everything and showing us nothing. The little details you are proud of can come out later in your narrative. We will know about the flutters when she comes in contact with one. We will know about the value of insulation when her possession of it causes conflict. We will know she manages a dilapidated old building when she is in it.

    We don't need to know the life cycle of salvaged buildings or the differences between a recycler and scavenger. These details add depth to your setting, the setting acts as a backdrop for your story, and your story is made up of characters doing things.

    There is no tension, direct or implied, in this opening bit. She has broken into a building, is hanging from the rafters with a knife cutting out something most of us never even think about, and she is constantly afraid of being caught by robots.

    This should really be more exciting than you've lead us to believe. You decided to start the story here for some reason, so start the story. Save the world building masturbation for your notes.

    Blovel? Sounds like a slang term for bloody stool.

  • cshadow42cshadow42 Registered User regular
    Muncie, you pinpointed exactly what I was concerned about. While I was writing this portion, I kept moving the world building parts in and out. Its good to know that my uneasiness about including them was warranted. I suppose I kept jumping the gun; I'd get an idea I thought was cool in my head, and I couldn't wait to include it.

    I'm going to take a crack at rewriting this section, with more emphasis on the action and a lot less on the world-building. I thought opening up on her scavenging would be an interesting intro, but apparently I do need more conflict. While I don't think adding an external source of conflict would mesh well, perhaps I could place more emphasis on the difficulty on what she is doing.

    Again, great comments Muncie.

    Heh, bloody stool...

    EDIT:
    Found this from good ol' Wikipedia. Nice to know there is a name for what I need to focus on.
    Incluing
    Incluing is a technique of world building, in which the reader is gradually exposed to background information about the world in which a story is set. The idea is to clue the readers into the world the author is building, without them being aware of it.

    This in opposition to infodumping, where a concentrated amount of background material is given all at once in the story, often in the form of a conversation between two characters, both of whom should already know the material under discussion. (The so-called As you know, Bob conversation.)

    Both incluing and infodumping are forms of exposition and are frequently used in science fiction and fantasy, genres where the author has the task to make the reader believe in a world that does not exist. Writers in other genres have less use for these techniques, as they can often depend on the reader's familiarity with the "real world".

    Incluing can be done in a number of ways: through conversation between characters, through background details or by establishing scenes where a character is followed through daily life. One famous example of incluing is the door dilated, a phrase created by Robert A. Heinlein and used in several of his stories and novels. In real life, few doors (if any) open like pupils; the offhand mention establishes the familiarity of this strange thing, and does not call attention to itself.

    The word incluing is attributed to fantasy and science fiction author Jo Walton. She defined it as "the process of scattering information seamlessly through the text, as opposed to stopping the story to impart the information."

    MTGO Handle - ArtfulDodger
    Diablo 3 - ArtfulDodger#1572
    Minecraft - ArtfulDodger42
  • Chronos21Chronos21 Registered User regular
    I know I'm just going to sound like an echo here, but the exposition is overpowering in this story. It seems to me like 60% of the content here is world-building, and the rest of the story exists merely to tie the world-building together. As Muncie said, there's no tension, and there really should be in this case. Every sentence reads like Morgan Freeman narrating the March of Sandra. "Tonight we find The Sandra hanging 30 feet in the air. Her weapon of choice for this task is the box cutter. The Sandra feels no recriminations for what it does..." It all feels very distant, very academic.

    Consider starting right in on the action, and use short, cutting sentences to build tension.

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