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Old 04-29-2008, 08:57 PM
There's been good stuff, but it seems like there hasn't been much in the way of amazing black metal this year. And, you know, you could always follow this thread
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Old 04-30-2008, 12:15 AM
Sombres Forets - Royaume de Glace is my favorite bm album so far of this year, unless I'm forgetting one.
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Old 04-30-2008, 12:44 AM
Jaldaboath is obviously the best black metal we're going to see this year.

Spoiler:
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Old 04-30-2008, 02:24 AM
hahaha

Oh yeah, I forgot about Horn. That was some good shit.
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Old 04-30-2008, 06:59 AM
One to keep an eye out for:

Cough
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Old 04-30-2008, 07:07 AM
That's right up the ol' alley.

Thanks, Gith.
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Old 04-30-2008, 07:45 AM
yakul wrote: View Post
New Senmuth is really good though. But I guess that's redundant at this point.
It's been awhile since there was a real masterful Senmuth album, but I've had the Sthana Eskhata (sp?) for a few months now, and at least it's better than the rather mediocre bunch he put out before that.
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Old 04-30-2008, 10:15 AM
Just dropping by to say that if you anyone was thinking about going to Pagan Fest USA tour, do it. My only complaint was that Tyr didn't get to play long enough. It was a really great show last night in Cleveland.
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Old 04-30-2008, 01:06 PM
Githzerai wrote: View Post
One to keep an eye out for:

Cough
Sigillum Luciferi


http://www.myspace.com/cough666

Classic Electric Wizard meets EyeHateGod sludgisms.
This.

Yes.
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Old 04-30-2008, 01:43 PM
OK - My buddy is telling me that the new Testament album reminds him a lot of CoC's Deliverance.

I haven't heard the new Testament album yet, but I know he is wrong. I just know it.

(Is he wrong?)
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Old 04-30-2008, 04:15 PM
Yall wrote: View Post
OK - My buddy is telling me that the new Testament album reminds him a lot of CoC's Deliverance.

I haven't heard the new Testament album yet, but I know he is wrong. I just know it.

(Is he wrong?)
Very wrong...

The new Testament sounds like Testament, and excellent Testament at that.

Deliverance was the first album at which C.O.C. decided to go heavily into their stoner rock phase, after all but abandoning their crust-crossover-punk and thrash roots. This is the album with "Albatross" on it, after all.
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Old 04-30-2008, 06:15 PM
autothrall wrote: View Post
Yall wrote: View Post
OK - My buddy is telling me that the new Testament album reminds him a lot of CoC's Deliverance.

I haven't heard the new Testament album yet, but I know he is wrong. I just know it.

(Is he wrong?)
Very wrong...

The new Testament sounds like Testament, and excellent Testament at that.

Deliverance was the first album at which C.O.C. decided to go heavily into their stoner rock phase, after all but abandoning their crust-crossover-punk and thrash roots. This is the album with "Albatross" on it, after all.
Oh I know all about CoC and Testament, which is why I immediately called BS on his statement without even having heard the new Testament. He is one of those people that "likes all music" which really means he knows nothing about music and has no fucking taste at all.

This is also a dude who had an argument with me trying to convince me that there was a genre of music called "grass roots" (he meant blue grass).
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Old 04-30-2008, 09:24 PM
there are no grass roots - only bloody roots

Pyramids - Pyramids

http://www.myspace.com/pyramidsmusic
I saw this described as psychedelic post-rock, but that's only true for a small portion of it. This is, in essence, a post-black metal miasma of discordant bliss, owing as much to Blut Aus Nord as it does to Jesu. However, it is neither filthy like the first, nor completely droned out as the latter. It actually makes me think more of a kvltified Angelic Process, with some parts dreamy and lilting, some parts blasting and raging. The atmosphere is fucking amazing - my only complaint is that I really wish it were longer, as each song goes by way too fast. Apparently there's going to be a 2CD version released soon with remixes by, fittingly, Jesu and Blut Aus Nord, amongst others.
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Old 05-01-2008, 07:29 AM
Good stuff I've come across.

Raw Radar War - Double Equals (LP)



NYC hardcore with sludge/doom elements mixed in smartly. It's quality.

Ganon - As Above, So Below



Epic post-metal that isn't boring after 5 minutes.
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Old 05-01-2008, 08:27 AM
METAzraeL wrote: View Post
there are no grass roots - only bloody roots

Pyramids - Pyramids

http://www.myspace.com/pyramidsmusic
I saw this described as psychedelic post-rock, but that's only true for a small portion of it. This is, in essence, a post-black metal miasma of discordant bliss, owing as much to Blut Aus Nord as it does to Jesu. However, it is neither filthy like the first, nor completely droned out as the latter. It actually makes me think more of a kvltified Angelic Process, with some parts dreamy and lilting, some parts blasting and raging. The atmosphere is fucking amazing - my only complaint is that I really wish it were longer, as each song goes by way too fast. Apparently there's going to be a 2CD version released soon with remixes by, fittingly, Jesu and Blut Aus Nord, amongst others.
I haven't listened to much yet, but the song Sleds reminds me a lot of Panda Bear. Very cool.
 

Last edited by Adrenaline; 05-01-2008 at 08:31 AM.
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Old 05-01-2008, 08:40 AM
Also, the Wolves In the Throne Room site was redesigned and relaunched.

On it, I found this little, uh, manifesto?

quote:
Wolves in the Throne Room hail from the forests of Cascadia. We play music that is inspired and informed by the tribal war-spirit found in Burzum; Our roots in the underground punk scene; deep ecology and eco-spirituality; eco-feminism; the study of myth, religion and magick; our own personal struggles to create a stronghold in this ugly and banal world, each in our own way.


Black Metal

Black Metal was a localized eruption of emotion that was profound and powerful in its time and place, but has now lapsed into self-reference and banality. Satanism and obsession with gruesome and morbid imagery is not important to us. The important thing about black metal is that it expressed a pure cry for the utter destruction of the modern world – it is a cry of sorrow, hopelessness and pain. It is not a call for a specific political program; it does not provide a map out of the darkness; in black metal, the depth of sadness is boundless and infinite. Listening to true black metal, we are touched by this uncompromising and extreme expression, for it puts a name to the deep rage and sadness that is a part of our soul.

Wolves in the Throne Room plays music that draws upon black metal. We take from black metal what we wish and let the chaff blow away.

Satanism has nothing to do with our vision. It is axiomatic in occult study that we all contain the divine spark; that the earth around us is divine. But what does one do with this knowledge and power? The black metal superman keeps it for himself, sees himself as the god of his own kingdom, his magnificent spirit bowing before none. No god, no morality. Often, this kingdom is his suburban bedroom where he masturbates and dreams of greatness.
Satanic metaphysics is fine for the hermit and the ascetic. It is a deep well of knowledge and power. We must give our due to those who walk the left-hand path with honor, but we aspire to more. What does the satanic farm look like? How does one raise Satanic children? How does one reconcile the Satanic black metal vision with the life-force found in a seed?

Our black metal takes the sadness of Burzum as a starting point. Our spirits are birthed anew in darkness. The "Wildman" that is represented by the corpsepainted wraith is best seen as the larvae of a being on the path to redemption. Burzum, then, is the manifestation of the first step towards spiritual growth.


Tribalism and Tradition
Our souls are moved by the traditions and the energies of European heathenism. Wolves in the Throne Room seeks to reawaken ancient ways of understanding the world around us. We must re-enchant the earth and to reconnect to tradition, for our modern culture has replaced the fine craftsmanship, the myths and lore and the life-ways of times past in favor of that which is foolish, ugly and unwise.

We have always been convinced that the right-wing impulse - which is, fundamentally, totalitarian, absolutist, rigid - is a myopic worldview. Nationalism, all too often, springs from man's lower being. It is a murky and chaotic mythic space, full of unfocussed aggression and mindless, chaotic violence.

There is a romantic, noble side to nationalism which we honor and draw strength from. But are not the "nationalists" of the 20th century defined by their fearfulness; their thuggish and destructive nature; the crushing of that which is transgressive? Does the absolutism of the totalitarian state not the mirror the sheep mentality of Christianity? As things in our insane world begin to fall apart, people will seek solace in xenophobic tribalism, as they often do. There is no nobility in this.

The teleological, heroic society we see in the epics – The Iliad, Beowulf or the Táin Bó Cúailnge - is lost. It was of its time and place. National Socialist black metal is a fantasy; it is the dream of reverting to an ancient, tribal, warlike order. But this cannot be done! Masturbating over the gas-chambers is the impotence of a weak child.

Wolves in the Throne Room believe that we must transform ourselves. We must look to the past for guidance while forging a new path. We play Evolutionary Black Metal – it is animated by an occult vision of spiritual growth and transformation. We need not desperately grasp for meaning in a dusky and forgotten past, for the voice of eternal wisdom is clear and strong.

The Enchanted Earth

One can walk the black path in two directions: at one end is annihilation of the soul, at the other, redemption. We begin the journey with our reaction to the world around us: hatred and bitterness. We return to the primal wellspring of moon energy to drink her water to rebuild our spirit. We don the mourning garb and enter a space of nighttime solitude.

The tarot deck is a powerful metaphor for our spiritual vision. We must as people strive to overcome our weakness, our selfishness, our alienation. Wolves in the Throne Room is music that demands sacrifice from both the artist and the listener. To listen to black metal and to be deaf to the song of the moon and the wildflowers is to be a failure.

We are inspired by the precepts of deep ecology which say that everything on the earth has incalculable worth that cannot be gauged by narrow reductionist criteria. It is farcical to believe, as Christians and other fools do, that humanity has been granted dominion over the earth.

Our music is informed by eco-feminism, the idea that the destruction of the natural world is rooted in our culture's hatred of women and feminine energy. It is impossible for us to express the depth of our hatred for misogynistic metal of all stripes. The sad and lonely masturbations of a metal nerd over a Cradle of Filth poster is not so far removed from a middle-aged suburban dad's diet of Howard Stern and Playboy magazine. Both are pathetic fantasies that weaken a natural and healthy relationship between the sexes.

We believe that we can, and must, take control over our lives on the levels of both spirit and flesh. It is a sad sign of the times that the various endeavors undertaken by the members of Wolves in the Throne Room are seen as freakish anomalies to be filed on the shelf next to Lord of the Rings. We often hear that we live "in a one-room cabin in the woods with no contact with the outside world". That this exaggeration has become widespread is uncanny and speaks to the hunger that people feel for a connection with magic and spirit. The truth is that it is quite easy to refuse to participate in the insane death-march that flows on around us. There are many ways to find a more meaningful existence.
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Old 05-01-2008, 12:18 PM
yeah, I dug what I listened to of that Raw Radar War release.

new Bongripper
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Old 05-01-2008, 01:03 PM
METAzraeL wrote: View Post
yeah, I dug what I listened to of that Raw Radar War release.

new Bongripper
Yea, it's pretty good. I'm not really into hardcore at all, but this one I really enjoyed.
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Old 05-01-2008, 02:25 PM
So, in summation, I offer the abridged version of the WitTR manifesto.

quote:
Wolves in the Throne Room are completely full of shit. But we make some pretty good music anyway.
Curious to check out the Ganon, though if another band uses the "As Above, So Below" cliche as an album or song title I'll probably pop my suicide gun.
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Last edited by autothrall; 05-01-2008 at 02:28 PM.
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Old 05-01-2008, 02:32 PM
autothrall wrote: View Post
So, in summation, I offer the abridged version of the WitTR manifesto.

quote:
Wolves in the Throne Room are completely full of shit. But we make some pretty good music anyway.
Curious to check out the Ganon, though if another band uses the "As Above, So Below" cliche as an album or song title I'll probably pop my suicide gun.
All I can picture is a trick gun that sends out a flag that says "POW!" except it actually kills you.
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Old 05-01-2008, 02:42 PM
A Storm of Light - And We Wept the Black Ocean Within



Josh Graham of Neurosis, who left Red Sparowes, started this band with some other dudes from different bands. Whatever. It's not as exciting as I thought it would be. Solid sludge/drone mix with interesting lyrics.
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Old 05-01-2008, 02:44 PM
Mgcw wrote: View Post
autothrall wrote: View Post
So, in summation, I offer the abridged version of the WitTR manifesto.

quote:
Wolves in the Throne Room are completely full of shit. But we make some pretty good music anyway.
Curious to check out the Ganon, though if another band uses the "As Above, So Below" cliche as an album or song title I'll probably pop my suicide gun.
All I can picture is a trick gun that sends out a flag that says "POW!" except it actually kills you.
And then a preacher comes in and uses another cliche

ashes to ashes, dust to dust.
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Old 05-01-2008, 02:44 PM
I do give props to the main WitTR bloke for living on a farm (although it's probably just a window garden, ha), but yeah, there definitely isn't all that meaning in their music.
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Old 05-01-2008, 02:48 PM
I don't know. From my impression that I've developed of them over the few years I've known about them, they are very much into biodynamic agriculture and the writings of Rudolf Steiner. That's where all the eco-feminism stuff comes from in their little 'manifesto'.

What makes me laugh is how they try and say that don't care about satanism or other variations of black metal, they come off as thinking that their particular style of the genre is the best because they're in tune with the earth cycles and whether the moon is waxing and waning. They're pretty high on themselves.
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Old 05-01-2008, 02:52 PM
I have to stress the loveliness of that Pyramids album again, cus I have been digging that shit ever since I heard it.
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