So ladies and fellows, I am curious as to what your favorite poems are and why! Let's show each other some awesome new stuff, or discuss some awesome older work as only SE++ can.
Something awesome watch this:
Sir Christopher Lee reads Jabberwocky
There's loads of awesome verse out there, some of it funny, some will really make you think. Some hits you right in your gut and makes your chest burn.
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Some poetry is only good because it is
so bad, such is the case of Julia A Moore, famous because her work was so awful.
here's a couple good bits
She was not gone but a little while
When they heard her playmates call --
Her friends hastened there to save the child,
Alas, she was dead and gone.
Those little girls will not forget
The day little Hattie died,
For she was with them when she fell in a fit,
While playing by their side.
OR MAYBE WE CAN ALL WRITE SILLY LIMERICKS, YES?
Posts
I guess it's a nice poem.
lilacs out of the dead land, mixing
memory and desire, stirring
dull roots with spring rain.
Yesterday, upon the stair,
I met a man who wasn’t there
He wasn’t there again today
I wish, I wish he’d go away...
When I came home last night at three
The man was waiting there for me
But when I looked around the hall
I couldn’t see him there at all!
Go away, go away, don’t you come back any more!
Go away, go away, and please don’t slam the door.
Last night I saw upon the stair
A little man who wasn’t there
He wasn’t there again today
Oh, how I wish he’d go away
And this one too.
One bright day in the middle of the night,
Two dead boys got up to fight.
Back-to-back they faced one another,
Drew their swords and shot each other.
One was blind and the other couldn't see,
So they chose a dummy for a referee.
A blind man went to see fair play,
A dumb man went to shout "hooray!"
A deaf policeman heard the noise,
And came and shot the two dead boys.
A paralyzed donkey walking by,
Kicked the copper in the eye,
Sent him through a rubber wall,
Into a dry ditch and drowned them all.
(If you don't believe this lie is true,
Ask the blind man -- he saw it too
By William Blake
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares2 we turned our backs
And towards our distant rest3 began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots4
Of tired, outstripped5 Five-Nines6 that dropped behind.
Gas!7 Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets8 just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime9 . . .
Dim, through the misty panes10 and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering,11 choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud12
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest13
To children ardent14 for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori
orik is my homeboy in dis wasteland
Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink
Amongst the rock one cannot stop or think
love is a place -
i carry your heart with me -
and then of course the greatest American poet:
t shoe- oh man, I think we studied this one in one of my AP english courses, it's been a while since I read it though.
and when we came back from the hyacinth garden,
your arms full and your hair wet, i could not
speak, and my eyes failed, i was neither
living nor dead, and i knew nothing,
looking into the heart of light, the silence.
empty and wide as the sea.
here is the Bob Dylan piece on the same subject:
I'm trying to write some silly limericks about my property exam but it's difficult to find words to rhyme with "perpetuities"
Whatever Else Poetry is Freedom
Whatever else poetry is freedom.
Forget the rhetoric, the trick of lying
All poets pick up sooner or later. From the river,
Rising like the thin voice of grey castratos - the mist;
Poplars and pines grow straight but oaks are gnarled;
Old codgers must speak of death, boys break windows,
Women lie honestly by their men at last.
And I who gave my Kate a blackened eye
Did to its vivid changing colours
Make up an incredible musical scale;
And now I balance on wooden stilts and dance
And thereby sing to the loftiest casements.
See how with polish I bow from the waist.
Space for these stilts! More space or I fail!
And a crown I say for my buffoon's head.
Yet no more fool am I than King Canute,
Lord of our tribe, who scanned and scorned;
Who half-deceived, believed; and, poet, missed
The first white waves come nuzzling at his feet;
Then damned the courtiers and the foolish trial
With a most bewildering and unkingly jest.
It was the mist. It lies inside one like a destiny.
A real Jonah it lies rotting like a lung.
And I know myself undone who am a clown
And wear a wreath of mist for a crown;
Mist with the scent of dead apples,
Mist swirling from black oily waters at evening,
Mist from the fraternal graves of cemeteries.
It shall drive me to beg my food and at last
Hurl me broken I know and prostrate on the road;
Like a huge toad I saw, entire but dead,
That Time mordantly had blacked; O pressed
To the moist earth it pled for entry.
I shall be I say that stiff toad for sick with mist
And crazed I smell the odour of mortality.
And Time flames like a paraffin stove
And what it burns are the minutes I live.
At certain middays I have watched the cars
Bring me from afar their windshield suns;
What lay to my hand were blue fenders,
The suns extinguished, the drivers wearing sunglasses.
And it made me think I had touched a hearse.
So whatever else poetry is freedom. Let
Far off the impatient cadences reveal
A padding for my breathless stilts. Swivel,
O hero, in the fleshy grooves, skin and glycerine,
And sing of lust, the sun's accompanying shadow
Like a vampire's wing, the stillness in dead feet -
Your stave brings resurrection, O aggrieved king.
May fleas by the bushel inhabit their shirts
May aches and diseases encamp in their bones,
Their lungs full of tubercles, bladders of stones
May microbes, bacilli, their tissues infest,
And tapeworms securely their bowels digest
May corn-cobs be snared without hope in their hair,
And frequent impalement their pleasure impair.
Disturbed be their dreams by the awful discourse
Of audible sofas sepulchrally hoarse,
By chairs acrobatic and wavering floors --
The mattress that kicks and the pillow that snores!
Sons of cupidity, cradled in sin!
Your criminal ranks may the death angel thin,
Avenging the friend whom I couldn't work in.
K.Q.
There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.
Shel Silverstein
long, in this instance, is anything over about 100 lines.
brevity, after all, is the soul of wit.
They lead a horrid haunted life,
Surrounded by the things he's made
That are not wanted by the trade.
The world is very fair to see;
The Artist will not let it be;
He fiddles with the works of God,
And makes them look uncommon odd.
The Artist is an awful man,
He does not do the things he can;
He does the things he cannot do,
And we attend the private view.
The Artist uses honest paint
To represent things as they ain't,
He then asks money for the time
It took to perpetrate the crime.
Sir Walter Raleigh
To a Lady with an Unruly and Ill-mannered Dog Who Bit several Persons of Importance
Your dog is not a dog of grace;
He does not wag the tail or beg;
He bit Miss Dickson in the face;
He bit a Bailie in the leg.
What tragic choices such a dog
Presents to visitor or friend!
Outside there is the Glasgow fog;
Within, a hydrophobic end.
Yet some relief even terror brings,
For when our life is cold and gray
We waste our strength on little things,
And fret our puny souls away.
A snarl! A scruffle round the room!
A sense that Death is drawing near!
And human creatures reassume
The elemental robe of fear.
So when my colleague makes his moan
Of careless cooks, and warts, and debt,
-- Enlarge his views, restore his tone,
And introduce him to your Pet!
Quod Raleigh.
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sorry, nooope.
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by William Carlos Williams
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
see? nice and short and awesome, evocative but not wordy.
More people need to read Who's Afraid of Virginia Wolf.
Yes yes this is what I want
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edit- the e.e. cummings
Luckily Shank posted this one cuz I was gonna
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'Kay huuuuugs
I seriously cannot express enough how much I love cummings over any other poet pretty much ever on the planet
Sheri Baldwin Photography | Facebook | Twitter | Etsy Shop | BUY ME STUFF (updated for 2014!)
can i put that there even though its not a poem? because i love it
Sheri Baldwin Photography | Facebook | Twitter | Etsy Shop | BUY ME STUFF (updated for 2014!)
Nor do I, but I suddenly feel the urge to recite it though. For no given reason.
it's the Sickness
you should go to the doctor
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
-William Carlos Williams
yes yes yes this is what I want
no idea, sorry