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Top 10 Is so Good
HardtargetThere Are Four LightsVancouverRegistered Userregular
Couldn't find a topic on this yet so lets discuss!
So on a whim I picked up Top 10 trades 1 and 2 last week. They are fucking fantastic.
Book 1
Book 2
Sometimes I think Alan Moore hates Superheroes, other times I think he LOVES them.
Today I managed to pick up Smax which apparently takes place right after Book 2, I'm quite excited to read it in a few minutes.
I have not yet been able to find The Forty-Niners or Beyond the Farthest Precinct, how are they? They look awesome.
I guess that wraps it up really, I just wanted to tell anybody who hasn't yet read Top 10 to go do so immediately, I don't know what the hell took me so long to do it.
ya.. I was wondering about that since it wasn't written by Moore..
That's too bad it was bad, You'd think he would of cleared it first.
Uh
I don't think you understand how these things work. For one thing, Alan Moore left Wildstorm in protest of its being sold to DC. For another, the publisher owns the property, not the creator.
ya.. I was wondering about that since it wasn't written by Moore..
That's too bad it was bad, You'd think he would of cleared it first.
Uh
I don't think you understand how these things work. For one thing, Alan Moore left Wildstorm in protest of its being sold to DC. For another, the publisher owns the property, not the creator.
You have to wonder why writers would bother making new concepts under non-creator owned imprints.
I read the four Moore books in the last couple of months.
The first two books make a great pair. There's not much out there that would be more creative. And Smax was hilarious. I wasn't as keen on 49ers as I know some people are -- it had its moments, but I found it just a little bit dull over all. Though that's only comparitively.
ya.. I was wondering about that since it wasn't written by Moore..
That's too bad it was bad, You'd think he would of cleared it first.
Uh
I don't think you understand how these things work. For one thing, Alan Moore left Wildstorm in protest of its being sold to DC. For another, the publisher owns the property, not the creator.
Eh?
Moore owns all of his League of Extraordinary Gentlemen work. He's taking it to another publisher after the Black Dossier is released. I see no reason why the rest of America's Best Comics wouldn't be creator-owned either. And quite a few other writers - Rick Veitch springs to mind - have written for ABC properties. Certainly, Moore would have had to have given permission for "Beyond the Farthest Precinct".
Also, Moore didn't leave due to DC buying up Wildstorm. This happened before production began on a single ABC comic, but after commitments had been made to various artists, so Moore felt obliged to continue on with Wildstorm. He actually left due to a series of, well, incidents culminating with Joel Silver lying about Moore's reaction to the V for Vendetta script.
Sorry to bitch, but this is all pretty well documented.
Red or Alive on
0
HardtargetThere Are Four LightsVancouverRegistered Userregular
ya.. I was wondering about that since it wasn't written by Moore..
That's too bad it was bad, You'd think he would of cleared it first.
Uh
I don't think you understand how these things work. For one thing, Alan Moore left Wildstorm in protest of its being sold to DC. For another, the publisher owns the property, not the creator.
you have no damned idea what you are talking about do you? Red or Alive is right on the mark with what he said and I'm sure Moore had some sort of relationship with that new top 10 story, unfortunately he probably didn't have enough of one.
Ehh, Beyond the Farthest Precint wasn't awful, worht a look to catch up on some of the awesome characters in Top Ten. Its just missing that extra piece of magic that made the other books so awesome.
My favorite characters would have to be King Peacock and Joe Pi (especially his handling of the hostage standoff with the Superman knock-off). Really love the characterization, and the Ghostly Goose. Using your powers to touch women's behinds? Best use of superpowers ever.
There was a Top 10 handbook single issue that came out a little while back. Not too much to it but the double page spread of the city by Gene Ha was mind boggling. I think he may be some sort of alien... or maybe a robot.
What I love the most is all of the little background characters that you see running around who are obviously based on well known characters from DC and Marvel. Trying to spot those and figure out who they are supposed to be is a lot of fun.
The transporter issue is kind of legendary in my house. Everybody in my family's read it and not a one of them - including myself - hasn't teared up at the story's end.
It's actually one of the better books to give to people as a kind of introduction to comic books in general, because - while it's great for long-time fans in that every panel is filled with innumerable cute homages - it works almost perfectly as a police procedural. Which, with the popularity of CSI et al creates a kind of comfort factor for the masses.
Also, while we're touching on ABC as a whole, Promethea is quite superb. Not everyone's cup of tea, I admit, but it's really quite different from anything else published by the Big Two, and - examined as a sort of lecture on (the idea of) magic, it's utterly fascinating. Though it does, I think, show up Moore's weakness when it comes to writing naturalistic dialogue, especially in the first trade. Still, pick it up if you're looking for something different; though be aware that things don't really get rolling until at least the latter half of the second trade.
Posts
Beyond the Farthest Precinct is dogshit. Don't even bother with it.
That's too bad it was bad, You'd think he would of cleared it first.
I don't think you understand how these things work. For one thing, Alan Moore left Wildstorm in protest of its being sold to DC. For another, the publisher owns the property, not the creator.
You have to wonder why writers would bother making new concepts under non-creator owned imprints.
The first two books make a great pair. There's not much out there that would be more creative. And Smax was hilarious. I wasn't as keen on 49ers as I know some people are -- it had its moments, but I found it just a little bit dull over all. Though that's only comparitively.
Eh?
Moore owns all of his League of Extraordinary Gentlemen work. He's taking it to another publisher after the Black Dossier is released. I see no reason why the rest of America's Best Comics wouldn't be creator-owned either. And quite a few other writers - Rick Veitch springs to mind - have written for ABC properties. Certainly, Moore would have had to have given permission for "Beyond the Farthest Precinct".
Also, Moore didn't leave due to DC buying up Wildstorm. This happened before production began on a single ABC comic, but after commitments had been made to various artists, so Moore felt obliged to continue on with Wildstorm. He actually left due to a series of, well, incidents culminating with Joel Silver lying about Moore's reaction to the V for Vendetta script.
Sorry to bitch, but this is all pretty well documented.
you have no damned idea what you are talking about do you? Red or Alive is right on the mark with what he said and I'm sure Moore had some sort of relationship with that new top 10 story, unfortunately he probably didn't have enough of one.
My favorite characters would have to be King Peacock and Joe Pi (especially his handling of the hostage standoff with the Superman knock-off). Really love the characterization, and the Ghostly Goose. Using your powers to touch women's behinds? Best use of superpowers ever.
It's actually one of the better books to give to people as a kind of introduction to comic books in general, because - while it's great for long-time fans in that every panel is filled with innumerable cute homages - it works almost perfectly as a police procedural. Which, with the popularity of CSI et al creates a kind of comfort factor for the masses.
Also, while we're touching on ABC as a whole, Promethea is quite superb. Not everyone's cup of tea, I admit, but it's really quite different from anything else published by the Big Two, and - examined as a sort of lecture on (the idea of) magic, it's utterly fascinating. Though it does, I think, show up Moore's weakness when it comes to writing naturalistic dialogue, especially in the first trade. Still, pick it up if you're looking for something different; though be aware that things don't really get rolling until at least the latter half of the second trade.
[spoiler:f5de4ac901] like iron [/spoiler:f5de4ac901]
As was mentioned the background elements are quite amazing in these books, and almost always hilarious.
[spoiler:6b1e8a001e]How. Many. Dwarves![/spoiler:6b1e8a001e]