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I think you'd probably be able to get away with removing a lot of those wrinkles, while still making it obvious that "this dude is hella ancient". Rather than filling in the empty spaces with wrinkles, try to focus on outlining the masses of saggy skin. This is a good example of how to use the wrinkle-lines more effectively.
Also: you're awesome, and I love your comics. Been reading them for years.
The proportions of the side view of the old man in the fourth panel is kinda out of whack; he either has an extremely long nose or a tiny mouth. Also the lack of eye is kinda distracting, it feels like you should be able to see it from that angle.
I think the arrow in the first panel is unnecessary. other than that its grand. I dig the style, and the second to last panel (close up on the old man) is really awesome.
I read your comics religiously (i'm not religious), and I'd love to see a bit more diversity in your characters. A lot of them (especially the women) look pretty much the same.
Granted, it's not essential to getting the joke across in any particular instance, just something I noticed.
Keep making us laugh man, you're awesome.
JLM-AWP on
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NappuccinoSurveyor of Things and StuffRegistered Userregular
edited November 2010
I have to admit, instead of making this one comic, I think it would work almost as good if not better as two seperate ones.
The second panel's punchline is much funnier than the final panel, i think. But, if you made two comics you get to have your cake and eat it too
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Also: you're awesome, and I love your comics. Been reading them for years.
Also, the old man's wrist in the second panel catches my eye because it darts in too much.
Otherwise, keep up the awesome!
Granted, it's not essential to getting the joke across in any particular instance, just something I noticed.
Keep making us laugh man, you're awesome.
The second panel's punchline is much funnier than the final panel, i think. But, if you made two comics you get to have your cake and eat it too
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