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I've been re-reading A Series of Unfortunate Events recently (a childhood favorite), and I am hungry for more Steampunk fiction, be it intended for children or adults. Any suggestions?
And yes, I am aware of the works of Jules Verne, but I do seek more contemporary stuff.
FeriluceAdrift on the morning star.Aberdeen, WARegistered Userregular
While I haven't had a chance to read it yet, The Alloy of Law by Brian Sanderson is right up that alley. I live everything else I've read by that author so far.
I suppose China Mieville's New Crobuzon books have steampunk elements. Regardless of what you classify those books as, they are excellent. Perdido Street Station, The Scar (my favorite), and the Iron Council (the weakest and the most obviously steampunkish).
If you do take a look at China Meiville's books... don't expect much from the endings of them. Hes a great writer, and an absolutely fantastic world builder... but writing a satisfying ending is not his forte.
Neal Stephenson's 'The Diamond Age' is more nano-punk, but it might hit the spot. Features Victorians, China, naked Drummers, and more nanotechnology than you can shake a stick at.
I suggest looking into a genre that isn't universally terrible.
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FandyienBut Otto, what about us? Registered Userregular
mortal engines by philip reeves
i read it when i was a teenager
it's about giant victorian cities on treads that wander a huge i guess postapocalyptic world looking for other cities to eat with the giant jaws on their tank-cities that traverse continents
so it's like, a story of a guy who lives on one of the larger ones and stuff about it hunting towns and shit and the whole thing was weird but good
it was steampunk i guess
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Donovan PuppyfuckerA dagger in the dark isworth a thousand swords in the morningRegistered Userregular
Nemesis the Warlock? I read a single issue of this, so I can't speak for the quality of the whole series, but the setting was very 'steampunk', with steam-powered airships and robots and shit.
All the good books I've read have had very light elements of steampunk and they've all been mentioned. Never read anything good where the steampunk was super heavy.
I've been re-reading A Series of Unfortunate Events recently (a childhood favorite), and I am hungry for more Steampunk fiction, be it intended for children or adults. Any suggestions?
And yes, I am aware of the works of Jules Verne, but I do seek more contemporary stuff.
Unfortunate Events wasn't really steampunk it was just weird
I've never read the books but I once heard they were good, and they seem like a tongue-in-cheek faustian type of deal. There's a zeppelin on one of the covers, which makes them steampunk.
Really what you're probably looking for is some fiction with a good Victorian backdrop, as that seems to be the setting theme what every steampunk work relies on anyway. They just throw in some random, and I'm blanking on the word that means technology that shouldn't exist in a time period, out-of-place tech with the excuse of steam.
Really what you're probably looking for is some fiction with a good Victorian backdrop, as that seems to be the setting theme what every steampunk work relies on anyway. They just throw in some random, and I'm blanking on the word that means technology that shouldn't exist in a time period, out-of-place tech with the excuse of steam.
the problem with steampunk is that it is a visual aesthetic with no ideological content
so in a visual medium, steampunk can work, because it does look rather good
but in writing, you can't see it, and there is no more to steampunk than how it looks. so it falls flat.
this is also why so many things that use steampunk have to hybridize it with something else. skyrim gives us steampunk dwarves, arkham city gives us steampunk gotham, mieville gives us steampunk socialism and steampunk body horror, pratchett gives us steampunk parables of modernization
(and that's probably the best use of steampunk, as a way to talk about technology and history and the industrial revelation)
but most steampunk literature is devoid of any real purpose other than to get robots and corsets in the same book
i've only read perdido street station, but i feel like china mieville's ideas are a lot better than his ability to structure or even his prose is. i really enjoy his aesthetic, and as was said he's a fantastic world-builder, but the writing just got incredibly repetitive about halfway through the book (and it's long, and the ending is bad). i definitely want to read embassytown and possibly the scar, but i'm not particularly motivated to do so at the moment
the problem with steampunk is that it is a visual aesthetic with no ideological content
so in a visual medium, steampunk can work, because it does look rather good
but in writing, you can't see it, and there is no more to steampunk than how it looks. so it falls flat.
this is also why so many things that use steampunk have to hybridize it with something else. skyrim gives us steampunk dwarves, arkham city gives us steampunk gotham, mieville gives us steampunk socialism and steampunk body horror, pratchett gives us steampunk parables of modernization
(and that's probably the best use of steampunk, as a way to talk about technology and history and the industrial revelation)
but most steampunk literature is devoid of any real purpose other than to get robots and corsets in the same book
Pretty much
Hell, a lot of steampunk stuff covers the same themes and ideas as cyberpunk, just with goggles and moustaches and top hats as opposed to burning chrome and augmentation
the problem with steampunk is that it is a visual aesthetic with no ideological content
so in a visual medium, steampunk can work, because it does look rather good
but in writing, you can't see it, and there is no more to steampunk than how it looks. so it falls flat.
this is also why so many things that use steampunk have to hybridize it with something else. skyrim gives us steampunk dwarves, arkham city gives us steampunk gotham, mieville gives us steampunk socialism and steampunk body horror, pratchett gives us steampunk parables of modernization
(and that's probably the best use of steampunk, as a way to talk about technology and history and the industrial revelation)
but most steampunk literature is devoid of any real purpose other than to get robots and corsets in the same book
Pretty much
Hell, a lot of steampunk stuff covers the same themes and ideas as cyberpunk, just with goggles and moustaches and top hats as opposed to burning chrome and augmentation
It's still a very striking look, though
I don't know about that, doesn't most cyberpunk deal with things like transhumanism and identity? Does steampunk even have any themes like that?
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Boneshaker by Cherie Priest is pretty ok.
I suppose China Mieville's New Crobuzon books have steampunk elements. Regardless of what you classify those books as, they are excellent. Perdido Street Station, The Scar (my favorite), and the Iron Council (the weakest and the most obviously steampunkish).
If you do take a look at China Meiville's books... don't expect much from the endings of them. Hes a great writer, and an absolutely fantastic world builder... but writing a satisfying ending is not his forte.
I can eat a pound of fudge in one bite.
i read it when i was a teenager
it's about giant victorian cities on treads that wander a huge i guess postapocalyptic world looking for other cities to eat with the giant jaws on their tank-cities that traverse continents
so it's like, a story of a guy who lives on one of the larger ones and stuff about it hunting towns and shit and the whole thing was weird but good
it was steampunk i guess
Steam
thread over
People who tend to write steampunk are kinda bad.
Unfortunate Events wasn't really steampunk it was just weird
:^:
I've never read the books but I once heard they were good, and they seem like a tongue-in-cheek faustian type of deal. There's a zeppelin on one of the covers, which makes them steampunk.
Voyage of the Shadowmoon is the first one, I think.
Anachronistic FUCK I GOT BEATEN
so in a visual medium, steampunk can work, because it does look rather good
but in writing, you can't see it, and there is no more to steampunk than how it looks. so it falls flat.
this is also why so many things that use steampunk have to hybridize it with something else. skyrim gives us steampunk dwarves, arkham city gives us steampunk gotham, mieville gives us steampunk socialism and steampunk body horror, pratchett gives us steampunk parables of modernization
(and that's probably the best use of steampunk, as a way to talk about technology and history and the industrial revelation)
but most steampunk literature is devoid of any real purpose other than to get robots and corsets in the same book
exactly
the closer you get to pure steampunk the less interesting it is
also mieville can't plot for shit which was the one thing standing between the city and the city and book of the year
Pretty much
Hell, a lot of steampunk stuff covers the same themes and ideas as cyberpunk, just with goggles and moustaches and top hats as opposed to burning chrome and augmentation
It's still a very striking look, though
PSN ID : DetectiveOlivaw | TWITTER | STEAM ID | NEVER FORGET
This is what I think of every time someone says steampunk:
I don't know about that, doesn't most cyberpunk deal with things like transhumanism and identity? Does steampunk even have any themes like that?
http://www.youtube.com/watch?v=vORsKyopHyM
Girl Genius?
I remember reading like, ten novels or so of it and I don't remember any steampunk.
You might like that
so farking overused
Twitch (I stream most days of the week)
Twitter (mean leftist discourse)
it's not even particularly poorly written, it's just drawn by people who apparently think everyone is as doughy and awful looking as they are.
did you just say farking
what