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MOTW 12/05/12 - Boom.
UltimateInferno
Registered User regular
Registered User regular
Hawguy #5 
, this book is also very very good and def came across with the James Bondish vibe that I think Fraction was going for. Pulido is a fantastic choice as a rotating artist with Aja too.
Action Comics #15 Holy crap, this was a super Morrison issue. Though it provided the background info on the villain.
Avengers #1 was so good. Great intro issue that used the movie team to make it super easy to hand it to a "newer" reader. First of all, a great cap moment.
Then the next step of where the intro was leading.
Amazing Spider-Man #699 shows us how the Ock/Pete switch worked out. (Too bad it didnt happen when some of us speculated did, because this means the Lizard arc was just bad
)
Ultimate Comics The Ultimates 18.1, the stage is set for Reconstruction (also probably Humphries' best issue).
, this book is also very very good and def came across with the James Bondish vibe that I think Fraction was going for. Pulido is a fantastic choice as a rotating artist with Aja too.
Action Comics #15 Holy crap, this was a super Morrison issue. Though it provided the background info on the villain.
Avengers #1 was so good. Great intro issue that used the movie team to make it super easy to hand it to a "newer" reader. First of all, a great cap moment.
Amazing Spider-Man #699 shows us how the Ock/Pete switch worked out. (Too bad it didnt happen when some of us speculated did, because this means the Lizard arc was just bad
)
Ultimate Comics The Ultimates 18.1, the stage is set for Reconstruction (also probably Humphries' best issue).
"Ride or Die?" asked Goku
"Ride or Die" confirmed Dominic Toretto, as they took off to find the Dragon Balls in hopes of reviving their friend Sonic
"Ride or Die" confirmed Dominic Toretto, as they took off to find the Dragon Balls in hopes of reviving their friend Sonic
+1
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Because I would read that book.
I believe it's a tortoise.
Then no sale!
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pulido was really trying for what aja had going, just wasn't as... clean? wasn't as... angular? i dunno how to explain it, i'm bad at arts. the panel where they kick in the door really stuck out to me, their legs, something just didn't feel right.
The sound effects in #5 were hilarious, though.
KERKUFUFFLE!
KGLASS!
FOOTOMP!
I... what?
Has Pulido ever drawn Fantastic Four? I expect it would look like silver age FF and I would read the shit out of it.
Decide on the next line by the rhyme when I choose it.
Also I put songs on YouTube
The musings of this lonely rube.
I made a thread once. It didn't end well for me.
In All New X-Men I am loving the swirling effect Immomen is using to illustrate Cyclops' loss of control of his optic blasts.
While in Iron Man #3 Tony gets to test out his new stealth suit
And in Swamp Thing #15 Alec seeks help in Gotham City
It features the best car chase I've seen in comics.
EVERYBODY WANTS TO SIT IN THE BIG CHAIR, MEG!
But what happened to the sharkman's orbiting remora?
Just the change of artist, I guess. The final episode was a full 28 page story rather than the three separate eight-pagers from previous issues, so they had it all drawn by a single artist (Carl Critchlow).
Publishing a collected edition of this story's going to be tricky. Only thing that really makes sense is a single volume of all three storylines, ordered by publication date. But even that'll look a bit odd, because the stories started at different times.
EVERYBODY WANTS TO SIT IN THE BIG CHAIR, MEG!