Club PA 2.0 has arrived! If you'd like to access some extra PA content and help support the forums, check it out at patreon.com/ClubPA
The image size limit has been raised to 1mb! Anything larger than that should be linked to. This is a HARD limit, please do not abuse it.
Our new Indie Games subforum is now open for business in G&T. Go and check it out, you might land a code for a free game. If you're developing an indie game and want to post about it, follow these directions. If you don't, he'll break your legs! Hahaha! Seriously though.
Our rules have been updated and given their own forum. Go and look at them! They are nice, and there may be new ones that you didn't know about! Hooray for rules! Hooray for The System! Hooray for Conforming!
This comic, which I am totally late to the party, I know, is making me think about humor and how it works more so than any comedy has in a while.
Something about the way he draws on archetypes so ingrained we don't even think about them and then turning them on their head. They often tend to be jokes that aren't particularly funny per se on their own, but when cloaked in over the top satire they sort of take on a new life. In this case, upon reflection I think it's the parchment styling of the speech bubbles that ultimately made me laugh and remember the strip.
That and the art style of course. There's something about the way this guy draws faces that elevates jokes that are Family-Guy level to something gripping and hilarious and worth calling art.
I like the immersion achieved by making it resembles something like Blondie. The joke is lame until you see that isn't the joke so much as the train going into the tunnel.