"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home."
And it's just like he says: Sam was a DCI of the Greater Manchester Police in 2006. During an especially taxing investigation, Sam is accidentally struck by a moving vehicle and blacks out. When he wakes up, he finds himself still in Manchester, but the time is now 1973. Sam then tries to integrate his modern view of policing into the seemingly lawless aspects of law enforcement of the 70's. This leads to him constantly butt heads with DCI Gene Hunt, the epitome of 1970's police bravado.
As the series progresses, Sam tries to unravel the true nature of his predicament while aspiring to be the best damn cop he can be in 1973. It is worth noting, however, that these sci-fi elements are only peppered through out the series and with the exception of the series bookend episodes, almost feel downplayed. A good reason for that is because of just how well the police procedural aspect of the show is written, and the chemistry between Philip Glenister's Gene Hunt and John Simm's Sam Tyler is the very backbone of Life on Mars.
Sam wakes up in 1973
My name is Alex Drake. I've just been shot and that bullet has taken me be back to 1981. I may be one second away from life, or one second away from death. All I know is that I have to keep fighting. Fight to live. Fight to see my daughter. Fight to get home."
This is the sequel-series to Life on Mars. It features DI Alex Drake, a detective and trained psychologist from 2008, who is involved in an ongoing investigation of Sam Tyler's case when she suffers a gunshot wound to the head. After blacking out, Alex wakes up in London, 1981. There she works along side LoM characters Gene Hunt, Ray Carling and Chris Skelton.
A2A definitely plays up the camp a lot more initially, but does eventually find its own footing regarding the mystery surrounding Alex's circumstances. Her big motivation is the fact that, unlike Sam, she has a daughter she is desperate to return home to. Though it seems controversial to some, I'd say the chemistry between Phil Glenister/Gene Hunt and Keeley Hawes/Alex Drake is of a wonderful sort, running the gamut of both professional and romantic, the likes of which audiences haven't really seen since the days of
Moonlighting.
Series 1 of A2A has wrapped and the first episode of Series 2 just premiered, so by all accounts Ashes to Ashes is still an ongoing series, expected to run for at most three series.
Alex wakes up in 1981
I've tried to keep the descriptions above tantalizing but ultimately spoiler free, as the suspense and mystery of the series is one of its biggest drawing points, so I implore everyone in the thread to do their best in keeping it spoiler free.
Also, even though there was recently an ABC remake of the show (an apparently an upcoming
Spanish remake as well), I'd rather avoid nosediving this thread into "American remakes always suck!". However, I don't think discussing the divergence of the two versions is trouble, though. I do realize there was already a thread devoted to the ABC version of the show, but look at this as more of a thread to focus on the original continuity of the series.
Lastly, Life on Mars has a boss soundtrack.
So, who else watched Ashes to Ashes last night?
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The new series of A2A is brilliant too, its started off much better than the first series.
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