I mentioned Longbox, an iTunes-like digital comics platform that's currently in development, in the comics news thread. It is the most credible and serious effort to make digital comics available legally for consumers, at least in my estimation. Marvel also has its own solution, DCU, which sorta-kinda-not really addresses the demand for digital comics. And there are a few others out there. The main point is that the industry can no longer ignore digital comics, and must now take steps towards finding the best way to monetize and exploit them as an alternative content delivery mechanism.
This thread is for discussing the various digital comics solutions and initiatives that are currently or will soon be available. Specifically, let's talk about pricing and diversity of content, the effects that a serious move to digital will have on different parts of the comics food chain, and how this will affect your reading and buying habits. Additionally, let's talk about the pros and cons of the different solutions
I know this should go without saying, but this thread isn't for talking about pirated comics. I'd also like to avoid talking about webcomics, as they are a somewhat different beast.
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Sources for Digital Comics
Digital Content Directly from Creators
These creators are doing it right, so support them!
- Underground (by Steve Lieber and Jeff Parker) and other works by Lieber. No purchase necessary, but he is asking for donations if you enjoy the works.
- Valentine by Alex de Campi and Christine Larsen. Available on many different services and devices and in many different formats
- In Maps and Legends by Niki Smith and Michael Jasper. Available on many different services and devices and in many different formats
- The Adventures of Bernard the World Destroyer (PDF, $2) by Skottie Young
- Misery Loves Sherman collection (PDF, $2) by Chris Eliopolous. You can also read it for free on the Misery Loves Sherman web site.
- New issues of Cemetery Blues (PDF or CBZ, $1) by Thomas Boatwright. . The artist appears to be using the Not .99 method for distribution.
- F**K YOU, BOX by Katie Cook. $2 for the 30 page ashcan. I can't confirm that she's using the Not .99 method.
- Agreeable Comics, a selection of comics by Kevin Church, available in PDF and CBZ format.
- Derek Hunter is a F**K (38 pages, PDF, $2) and Lobster Ladd & Cosmic Jones: Beach BBQ Blast-Off! (40 pages, PDF, $2) by Derek Hunter.
- Fearsome as Night (PDF, $2) by Jeremy Treece .
- The Complete Adventures of Atomik Mike (230 pages, PDF, $2) an all ages book by artist Israel Cruz and writer Stephan Nilson.
- Sea Bear and Grizzly Shark (54 pages, PDF, $2) by Ryan Ottley and Jason Howard.
- DoubleFeature, by Four Star Studio (writer/artis Tim Seeley, artist/writer Mike Norton, designer/illustrator Sean Dove, and writer Josh Emmons). It's $0.99 per 16 page issue, available through iTunes and as a PDF from their website.
- Cautionary Fables and Fairy Tales - by various artists. 200 pages for $6.
Digital Content Directly from Publishers
Other Interesting and Useful Links
When he dies, I hope they write "Worst Affirmative Action Hire, EVER" on his grave. His corpse should be trolled.
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the ones they use currently will just cause strain on the eyes after a period of reading.
also the artists are going to get paid even less now.
Also, a couple of blog postings that should put the promise of Longbox into perspective:
Kieron Gillen
Andrew Wheeler
KG essentially says that he's making nothing on the current Phonogram, and that if he sold the same amount digitally as he does in print, he and McKelvie would make a liveable wage.
Cons
not as attractive a package
compatibility between different digi-comics platforms
Pros
Better price point
Better Storage
convenience
more buying power
Am I missing anything?
i like sitting down on my chair and reading comics, or in my bed. i can read them wherever i want. if i am on a long bus ride i can take a trade and read it.
also it does suck a lot for retailers, people have been in the business for years, and have supported them through terrible times will be shit out of luck soon if they all just switch to digital.
Also, another Pro is that titles won't need to sell as many copies to recoup the costs of producing them, which means books like Blue Beetle and Manhunter that are modest sellers would nonetheless turn enough of a profit to remain in production.
https://twitter.com/Hooraydiation
there are two options, the internet, or old print style.
people still like buying the paper every day and reading it wherever they work. it's an experience.
i find that most people who buy weekly comics don't get trade paperbacks, so what happens if this goes all digital? you are handcuffing them to accept a format they might not enjoy.
The problem with newspapers and comics is that not enough people enjoy buying them in flimsy, disposable form.
How many of those people don't buy trades because they feel it'd be a redundant purchase after buying the singles? If they wanted to read something they missed from a few years ago, would they scour eBay for the singles or just buy a trade?
In any case, I don't think "forcing" them to read comics in a format they aren't used to is a compelling reason to keep things as is.
https://twitter.com/Hooraydiation
As for retailers...I dunno, sucks to be them. I have nothing against the LCS (I like the owner of mine quite a lot, actually), but times change and you have to adapt. I don't see why I should be denied a product in order to prop up a pretty shaky business model.
Don't get me wrong, I love reading floppies, but in the last few weeks I realized how much work I put into collecting them. I have longboxes and buy bags and boards for them and spend time keeping them in order. For all the singles I own, though, I don't think I've re-read even 1% of them. I'm doing all of that work and spending all that money on books that I'll probably never read again. On the other hand, I've reread some of the TPBs I own. They are a much better format for me, but I hate the waiting. With digi-comics, I'd have the happy medium. They'd be simple to keep in order, wouldn't require me to buy boxes and bags and boards, and it won't feel like a chore if I ever want to reread them.
Right, the problem of double-dipping. I have zero desire to buy something in trade if I own it in singles. It's paying double the price for the same thing. On the other hand, if I paid $5 or $6 for a story arc, I'd feel better about getting the TPB. And Longbox, I think, has the right idea of giving a discount on the trade if you bought the digital singles.
EDIT: also, who is forcing people to digital comics? Floppies won't go away, at least not from the big 2. They'll likely go away for smaller publishers, but without digi-comics, the economics of the industry would pretty much mean that the smaller publishers would stop publishing comics, period. This is basically exactly what's already happened in the music industry.
edit: i dont see a lot of kids buying comics digitally either. its really easy for them to come in the store and spend their allowance on a sonic or x-men book. but if it were digital and you had to have a credit card and account etc, that would eliminate a demographic.
The price of floppies is quickly becoming ridiculous-- four dollars for 10-15 minutes of my time is not a good thing. I'm really thinking about cutting back to two titles. Something has to be damn good to justify the price point.
A lot of things will have to change if digital distribuition is going to be a reality. The viewers, for example, are almost uniformly terrible. The fear of piracy presumably keeps the companies from just using pdfs or image files, but those are the best way to view images! Comix are images.
I would like to see a discount for the trade thing if you buy the digital issues. There should be one for floppies now, in my opinion.
https://twitter.com/Hooraydiation
One side effect of digi-comics will be the downward pressure they put on on printing and distribution costs. Diamond operates a monopoly on distribution now, but I bet you that they'll offer some sweet deal to DC and Marvel to keep them from fully engaging in the digi-comics arena. The same goes for printers, who will lose big if the big 2 scale back their print runs.
(i was replying to humble)
that way you could sell gift cards in major retailers, which allows kids to still take part without having to use a credit card and put sample codes in comics and such
this was my idea as well
way to steal it.
but then the way kids view them is an issue as well, well kind of. i wouldnt trust my child with a kindle.
well honestly, it's up to the parents to be able to control what their kids do on a computer
I'd be more worried about them just wandering into a comic shop by themselves, actually, with all the rampant half-nudity that gets hung up in the form of posters and whatever
Also, I just like the idea of indie creators actually getting paid instead of living like hoboes because they aren't in the mainstream.
https://twitter.com/Hooraydiation
i dont know what comic stores you go into
the one i work at doesnt have anything like that on display, and any comic with that content is behind the counter
the half-nudity in most comic stores is not worse than a day at the community pool/beach
you are being sarcastic, right?
i am worried about diamond somehow becoming involved in digital-distribution and somehow screwing the small guy again.
Yeah, I dunno. I've seen it at one local shop and not the other, but the average cover picture of a female superhero is borderline inappropriate. I'm sure it's not a huge deal overall, so I'll drop that point.
Still, I think it's easier to monitor what your kids are doing on a computer than if they wander into a comic shop, so that point doesn't seem as major to me. Especially since an online store can put limits in place that could help parents keep really violent or otherwise inappropriate comics out of their kids' hands, I guess.
I'll be very interested to see how Longbox develops, because something that would allow me to get the comics I want to read digitally for a lower cost would be great, and I would continue to buy trades of the stuff I really enjoy.
There's a bunch of stuff I buy in trade now that I'd like to read... but could live without having on my bookshelf. Some stuff I'd buy in trade no matter what, like Powers for example, but other stuff like Ms Marvel I'd be happy to just read digitally given the option.
I guess it also depends on how much I'd use it whether or not Marvel keeps their current pricing model.
It's just annoying, because I don't really buy floppies to collect them, I just want to read them. But I don't have the patience for trades.
Right now, it's like having a comic store that you pay to go into and read comics through an awkward, protective plexiglass case when there's a guy parked in the parking lot giving out copies to take home.
So far, I've only had experience with the free portion of Marvel's browser-based viewer, but the resolution is shitty and the interface is a joke.
However, if I were hypothetically to have had experience with pirated comics, I would complain about inconsistent quality in the scans, jackasses kicking up the saturation and contrast way too fucking high in the art, and difficulty in finding obscure/recent books.
Now, if when I bought a trade I also got a download code for a cbr file of a decent resolution made from the original art from the publisher (or for older work, professional grade scans from archives), I'd pay an extra 20-30% easily.
Then again, I'd use a browser-based viewer (if it were better than Marvel's) if they could get their ad revenue high enough to offer it. Something similar to hulu.
There's a lot of neat stuff you could do with it. Have two payment options, buy individually or subscribe ($X for 12 issues a month, etc). You could also support trades by giving customers discounts if they already own all the single issues. It also gives you an easy way to sell old comics, by just hiring a group of people (including some of the people pirating comics) and getting them to scan/clean up them all.
The beauty of the digital comics market is that the publishers barely have to do anything more to produce the end product. The art is on a computer now from almost the beginning of the art process. Because of that, there is so much flexibility in how the final package could be delivered. Imagine the possibilities for director's cut issues. They could include one or more drafts of the script to see the evolution of the story from initial idea to finished product. Or on the art, a layered presentation of the pages where you can peel back the pages to reveal the art at its various stages. Or you could have a podcast where the artist and/or writer talk about the process of making the comic. It could be so much more than just scanning the print book.
One is readable devices. The other is availability of the back catalog.
If I can take digital comics with me on a (theoretical) Kindle or iSomethingsomething I'm totally on board. I've pretty much stopped using laptops and reading at the computer desk is not appealing.
I'm not a very good comics reader in that I usually want to read a particular story arc in a big go, and I usually jump around in my interest. Longbox (and the other one that 2000AD uses) seems to have good models on current issues moving forward. But man, some time I really want to go back and read a story line from earlier that I wasn't into at the time.
The back catalog of music has been coming so slowly and incomplete that I don't have high hopes for the labor intensive process of getting older comic titles available.
Still, Longbox sounds like a great way to get started on new stuff when they can get a few more publishers on board. I wonder if Fantagraphics would consider it.