I made some comics, and they're pretty squishy and tender right now, so harden them up with some of that sweet critique magic.
I'm going for a three panel punch cartoon style. I want to start my own website sometime in the future, but for now I'm gonna post 'em in some forums and hope for feedback. If this gets some positive reviews I might jump to image boards.
The main thing I'm looking for feedback on is clarification (is it clarified enough, do I know what's going on, are the jokes funny). After that the art (tips, tricks).
First one:
This comic is the first I've ever done on photo shop; it's also the first comic I've done digitally that I think came out decent.
Second one:
So, This joke isn't really "gettable" without some explaining.
You see, I play a bunch of
Sonic the Hedgehog 2 and in
The Metropolis Zone there were these praying mantis enemies that shout out their "arms" at you. They are a huge ring drop and they frustrate me every goddamn time. That's what this comic's about. When I have my first born child it will be there, taking my rings. Then I will die to one of those stupidass staru looking things and be left without a continue (so dumb).
Lastly:
This one was super fun. I just finished it before posting all these. It just might be my favorite
Post Scriptum:
So, yeah thanks a lot if you choose to post on this thread. I'm new around here and I would like to be apart of you're community. I've posted one other thing before and it sucked some big, fat, juicy
robuttnick. So, hopefully this will be a better stepping off point for the future.
Posts
"Why have you seen fit to muddy my resplendent carapace with your fetid reflection?"
That may be too long but you get the idea.
Some of the panels are a bit hard to read. Is that his fist he's holding up in panel 1? And what is the blue swirl around zazzar? In comic 3, the appearance of the bad guy seems to completely change when he is surprised, even his metal breathing tube things dissapear. And the pose of the heroine in panel 2 needs work - dry drawing it from reference.
Keep at it!
It's a bit flat, as you say. Her near arm seems quite a bit too short. Her waist is a bit too thin. The gun seems to overlap with her chest/collarbone, which makes it hard to tell if it's meant to be behind her a bit, flattening it further.
Will Terrell has an exellent short video on drawing from reference, and how to incorporate that into your work.
https://youtube.com/watch?v=pOK2sDLtu2Q
Basically - draw a bunch of real people in a similar pose first. A few pages of quick drawings. Try to pay attention to how little details work, like how an elbow looks when it's bent and how much of the leg/arm on the far side you can see, stuff like that.
Then draw a few images of people in a similar pose, drawn by cartoonists you like (if you can find some).
Then try redrawing yours a few times, post them up and see what people recommend you do from there. If you do that I think you'll be pleased with the result and how much more convincing the character looks.
Yeah, I do like how it came out, but the design is still a little sketchy.
It's hella rough. I tried a thing with the word bubbles and it came out awkward.
I like the joke though.
Plus cacti are silly things that I love to draw.
Is the cactus interesting enough to warrant three panels of the exact same art? Copy/Pasted panels can come across as lazy, unless there is some reason to justify it. An example where this is justified would be this page from Dr. McNinja:
It's obvious the page reuses the same art in three panels, but it works here for humor. The Dad is not moving, not reacting to what his son is saying. A cartoon or live-action version of this situation could be composed in the same way and be successful as well. In your comic, there is no reason to show the exact same art three panels in a row. Especially when your art is almost entirely covered by dialogue (edit: the third panel is the one I am referring to).
Why is the cactus a robot cactus? Because it has a tiny satellite? Not sure why this is funny.
Who is talking? With no establishing shot, the audience has no idea.
That's a good point.
http://gnomophobia.com
So lemme break down the planning of this comic.
I tried to make sure not to give the reader all the information. But you can asses that there is a cactus, two guys arguing, and some sort of grant money involved. The two arguing are presumably scientists or some profession that would make use of grant money. This didn't come out for what Nibcrom was saying.
I whole heartily agree.
So, I'm gonna remake the mofo and post it on here so you guys can critique it again.
Thanks
This took as long as judge fudge's long arm of the law. Not because I put a lot of time in the piece itself, but because i kept putting it off.
I like this look better. I tried to take from that example as much i could. I put action in the foreground and the kept the back motionless. I like this effect.
The text was fun to make. In all the others I used a text I got from spiders. This comic's text is more me, because that's where i broke it off from. I'm just a little less because of this comic, as I am less each passing day.
Here's a very quick messy attempt to tell the joke whilst keeping the punchline until the third panel. Obviously the art isn't anything amazing but I think the pacing and joke are a bit of an improvement.
Uncanny Magazine!
The Mad Writers Union
A Man Walks into a bar
He cries, "ow!"
An other guy yells, "Hey, we're trying taking a test here!"
***
I'm gonna go make another one. Hopefully funny, with some that new advice I'm taking from you fellows.