I dunno where Fraction and I kind of diverged in terms of taste. I re-read his IIF recently to see if I was viewing it through rose tinted glasses and no, no it's still just fucking excellent. His X-men I enjoyed, his Iron Man I really enjoyed. What happened to us, Matt?
Was it me? Did I become older and crustier and more miserable in my taste (signs point to yes haha)
No I am actually with you on this one
Marvel Now is really where we parted ways I think
Well no I love Sex Criminals but his FF/F4 didn't do much for me outside of a fee aspects and his 2 published issues of Inhumans were kinda mediocre and I haven't liked any of his other Image stuff
I dunno where Fraction and I kind of diverged in terms of taste. I re-read his IIF recently to see if I was viewing it through rose tinted glasses and no, no it's still just fucking excellent. His X-men I enjoyed, his Iron Man I really enjoyed. What happened to us, Matt?
Was it me? Did I become older and crustier and more miserable in my taste (signs point to yes haha)
No I am actually with you on this one
Marvel Now is really where we parted ways I think
Well no I love Sex Criminals but his FF/F4 didn't do much for me outside of a fee aspects and his 2 published issues of Inhumans were kinda mediocre and I haven't liked any of his other Image stuff
Sex Criminals and I don't get on at all, and I don't mind that some of his writing has gone really quite off the wall in style (you might call it Morrisonian, but I don't think Fraction has the same sense of symbolism in comics which runs all the way through Morrison's work), but I'm just not a fan of what he does any more. He's too cool and trendy for me. Like, I can appreciate the idea and the artwork of Ody-C, but I'm a big fan of the original lliad and I've seen a few sci-fi interpretations over time, and his just aint all that.
As mentioned, the title of producer isn't quite the same in television as it is in film. The top producer on a show is going to be running the entire season. They're often involved with the writing and will decide the general tone and direction for the show. And for Supergirl this is something very much worth mentioning.
Andrew Kreisberg has a strong background in comics and is almost definitely the reason why the Flash both exists and is as good as it is. Ever since he's said that nothing is off the table as too silly or too out there for his shows I've trusted him to put out a good product.
That said, the other Flash producer attached to Supergirl is Greg Berlanti. His greatest success before the Arrowverse stuff was Dawson's Creek. His only super hero outing without the other producers was the Green Lantern movie. Overall he strikes me as a perfectly decent writer/producer but more geared towards traditional TV drama which has honestly been one of my biggest complaints with Flash and Arrow.
The third person attached is Allison Adler whose biggest scripts seem to have been Chuck, Glee, and The New Normal. But I don't really have much of an opinion on any of those.
That said it will eventually come down to how well they work together and what they decide on for the story and script.
The real question is: If you were a Spirit of Vengeance what be your look, your weapon, and your vehicle?
There are loads I could name and love, but honestly I've always been a big fan of the cowboy riding a snorting, demonic steed, flaming colt blasting hellfire at the damned souls he hunts across the cursed prairie!
For movies, maybe. But for TV, producers have much more impact (I'm assuming). It's not really any different than Marvel using "From the studio that brought you Avengers and Iron Man" or some shit on their movies.
it's not so much that they have an impact as they are the only constant force throughout the series. usually the producers listed are the damn showrunners, which, i feel is self-explanatory. a season of television will have multiple writers and directors that come and go, but the producers are usually around from day one. they are the ones most responsible for how a show turns out.
Requesting that Gary Oldman portray Commissioner Gordon in every single screen appearance of the character until his death and that he adopts the above aesthetic
The kids
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I would like to hear more about what was said re: that haircut, what is that haircuts origin story
Does it speak
Another cop (I think Maggie Sawyer?) was like "what's with the dumb fuckin haircut, Jim?" and he was like "I'm a marine. It's a high and tight" and she was like "dude that's not what a high and tight looks like"
then the haircuts parents were killed in an alley by Joe Chill
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Marvel Now is really where we parted ways I think
Well no I love Sex Criminals but his FF/F4 didn't do much for me outside of a fee aspects and his 2 published issues of Inhumans were kinda mediocre and I haven't liked any of his other Image stuff
Sex Criminals and I don't get on at all, and I don't mind that some of his writing has gone really quite off the wall in style (you might call it Morrisonian, but I don't think Fraction has the same sense of symbolism in comics which runs all the way through Morrison's work), but I'm just not a fan of what he does any more. He's too cool and trendy for me. Like, I can appreciate the idea and the artwork of Ody-C, but I'm a big fan of the original lliad and I've seen a few sci-fi interpretations over time, and his just aint all that.
As mentioned, the title of producer isn't quite the same in television as it is in film. The top producer on a show is going to be running the entire season. They're often involved with the writing and will decide the general tone and direction for the show. And for Supergirl this is something very much worth mentioning.
Andrew Kreisberg has a strong background in comics and is almost definitely the reason why the Flash both exists and is as good as it is. Ever since he's said that nothing is off the table as too silly or too out there for his shows I've trusted him to put out a good product.
That said, the other Flash producer attached to Supergirl is Greg Berlanti. His greatest success before the Arrowverse stuff was Dawson's Creek. His only super hero outing without the other producers was the Green Lantern movie. Overall he strikes me as a perfectly decent writer/producer but more geared towards traditional TV drama which has honestly been one of my biggest complaints with Flash and Arrow.
The third person attached is Allison Adler whose biggest scripts seem to have been Chuck, Glee, and The New Normal. But I don't really have much of an opinion on any of those.
That said it will eventually come down to how well they work together and what they decide on for the story and script.
Flaming 2h chained axe, berserker vestments, and riding an Undead Ram.
There are loads I could name and love, but honestly I've always been a big fan of the cowboy riding a snorting, demonic steed, flaming colt blasting hellfire at the damned souls he hunts across the cursed prairie!
it's not so much that they have an impact as they are the only constant force throughout the series. usually the producers listed are the damn showrunners, which, i feel is self-explanatory. a season of television will have multiple writers and directors that come and go, but the producers are usually around from day one. they are the ones most responsible for how a show turns out.
Pirate, cutlass, Flying Dutchman
I'm pretty excited for Jim Gordon Batman but jesus they had to make him look as dumb as possible huh
The kids
Will love it
Red heads usually look a lot younger than they are! Trust me!
Also he shaved his mustache
It seems like they did it for a reason, given how much dialogue in the FCBD issue was about his haircut.
I just can't really think of what that reason could be
The mustache is vital
I haven't read an issue of Batman with Gordon in it in a thousand years
Does it speak
Everyone got younger
Wow I guess we all look the same, huh, Fearghaill??
uh, yes?
Another cop (I think Maggie Sawyer?) was like "what's with the dumb fuckin haircut, Jim?" and he was like "I'm a marine. It's a high and tight" and she was like "dude that's not what a high and tight looks like"
then the haircuts parents were killed in an alley by Joe Chill