I got permission to post my work from another RPG project. These are from a book called Empire of the Ghouls by Wolfgang Baur. It was done on a patron/sponsor system with people buying the book in advance and then having input on the process. Kind of interesting. I'm currently working on some pieces for another book that's going to have an Arabian Nights vibe to it.
The anatomy on that deathcap is way off. You should lurk more and see what other people are doing and then try again, because that is really a poor excuse for a myconid.
Also, the art style, color saturation, etc are consistent and I think that's really important for doing a rpg book. You want everything to feel like it exists in the same world.
You know what my favorite thing about these is? I used the default spatter brush in Photoshop to do the mud spatters on the King's and vampire's cloaks and I think it worked really well. It's nice when things work out better than you expected once in a while.
You know what my favorite thing about these is? I used the default spatter brush in Photoshop to do the mud spatters on the King's and vampire's cloaks and I think it worked really well. It's nice when things work out better than you expected once in a while.
Just because I haven't experimented much outside the defaults, I don't know as much about other possibilities for brushes.
Do you have a custom set of brushes you normally use?
I've found a couple of custom brush sets that I use pretty frequently. There's a batch by a guy who goes by EraserX that I use a lot but his site seems to be down right now.
Great as always, cept the thumb shading on the Gnomish Vampire looks really odd to me. Perhaps it's my darn imagination acting up again. (I'm out of my antimagination pills).
ph00l on
I'd rather have a bottle in front of me, than a frontal lobotomy.
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BroloBroseidonLord of the BroceanRegistered Userregular
edited November 2007
I like the first two, but the last two are a little too... whimsical for my tastes. This is probaly more a criticism of Wolfgang's book than your artwork, but it's difficult to imagine a scary gnome, and the fellow above just looks more absurd than imposing.
The Myconid is better, but still looks a little silly since the size of the mouth makes it look like a face with hands and feet attached. If it's not such a serious threat then I guess that's appropriate, but if he's supposed to be as intimidating as possible then a little less exaggeration on the face/mouth area might help.
But that's just stylistic stuff. Technically, all of this is first-rate stuff, DMAC.
Okay, those better all be erasable. If you are drawing some of this and not erasing at all...well then I assume you're probably drawing it more than once. If you are doing neither then...damn it.
srsizzy on
BRO LET ME GET REAL WITH YOU AND SAY THAT MY FINGERS ARE PREPPED AND HOT LIKE THE SURFACE OF THE SUN TO BRING RADICAL BEATS SO SMOOTH THE SHIT WILL BE MEDICINAL-GRADE TRIPNASTY MAKING ALL BRAINWAVES ROLL ON THE SURFACE OF A BALLS-FEISTY NEURAL RAINBOW CRACKA-LACKIN' YOUR PERCEPTION OF THE HERE-NOW SPACE-TIME SITUATION THAT ALL OF LIFE BE JAMMED UP IN THROUGH THE UNIVERSAL FLOW BEATS
I think your work could be greatly served with a background, regardless how sparse. They all seem to be standing in white which is by no means bad, but I think it would add a lot to the work if they were in some sort of environment (life when you did Kit Fisto).
ph00l on
I'd rather have a bottle in front of me, than a frontal lobotomy.
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Also, the art style, color saturation, etc are consistent and I think that's really important for doing a rpg book. You want everything to feel like it exists in the same world.
Just because I haven't experimented much outside the defaults, I don't know as much about other possibilities for brushes.
Do you have a custom set of brushes you normally use?
The Myconid is better, but still looks a little silly since the size of the mouth makes it look like a face with hands and feet attached. If it's not such a serious threat then I guess that's appropriate, but if he's supposed to be as intimidating as possible then a little less exaggeration on the face/mouth area might help.
But that's just stylistic stuff. Technically, all of this is first-rate stuff, DMAC.
My scary stuff isn't really all that scary. It's more "Jim Henson's Creature Shop" scary.
Edit: Which, as we know, is a lie. Please fix this, DMAC.
Way to go, kiddo! ;-)
Here's a process shot of the Myconid piece showing the pencils, flats, and final colors:
Fuck you, H-scroll!
is
awesome.
Our first game is now available for free on Google Play: Frontier: Isle of the Seven Gods
I demand answers!
not that there's anything wrong with the finals. they are just more processed and plasticy than i normally dig.
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This was the cover of Wolfgang Baur's Kobold Quarterly #1.
Here are my rough pencils:
And here's the final piece:
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