Oh man, in The Good, The Bad, and the Ugly when they face off in the cemetery and the acoustic guitar builds up and then the trumpets and the choir kick in. Bad ass.
Fucking yes.
The score for that movie trascends beyond the level of fuckawesome and reaches a point of awesomeness which mankind can't even begin to grasp.
If I could find the soundtrack I would buy it in a blistering flash of light.
Yes I know its a cover, but I wanted to make sure nobody thought I was saying that Reznor's version gave me goosebumps. Its a great song but, really, Cash's version is full of emotion.
ok, yes I agree
it's just it really bugs me when people think cash wrote it
I actually had an argument with someone who said Reznor can go fuck himself because he stole from Cash.
Speaking of Reznor the part in "Right Where it Belongs" where the crowd starts screaming in the song after the intro is just so powerful that its given me goosebumps a couple of times.
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PiptheFairFrequently not in boats.Registered Userregular
Yes I know its a cover, but I wanted to make sure nobody thought I was saying that Reznor's version gave me goosebumps. Its a great song but, really, Cash's version is full of emotion.
ok, yes I agree
it's just it really bugs me when people think cash wrote it
I actually had an argument with someone who said Reznor can go fuck himself because he stole from Cash.
God I fucking hate people sometimes.
look I agree with the reznor fucking himself with something sharp thing, but goddamn
Yes I know its a cover, but I wanted to make sure nobody thought I was saying that Reznor's version gave me goosebumps. Its a great song but, really, Cash's version is full of emotion.
ok, yes I agree
it's just it really bugs me when people think cash wrote it
I actually had an argument with someone who said Reznor can go fuck himself because he stole from Cash.
God I fucking hate people sometimes.
No one should fucking judge Reznor's credibility as an artist until they listen to The Downward Spiral.
You know, once in awhile I hear people say that when they first hear a really amazing song they have to stop everything they're doing and just listen to it all the way through, or at the end they have to take a breather. I never really understood how people get like that, and I can't see how a song can have that much raw emotional power. Now don't get me wrong, I think some songs are really beautiful and can carry quite a bit of emotional weight, but not enough to make you just stop whatever your doing and stand in one spot in silent awe of the music.
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#pipeCocky Stride, Musky odoursPope of Chili TownRegistered Userregular
edited February 2008
The bridge to Is This Thing On by Less Than Jake (1:32)
The rest of the song is ordinary, but the Bridge is amazing.
The entrance of the Flugelhorn in Tom Waits' version of Somewhere. (2:15
Major third held in a minor chord, oh man, stunning.
It's a mother fucker
gettin through a sunday
talkin to the walls
"it's just me again"
The single, held, muted trumpet note after the acoustic guitar solo in No Doubt's Don't Speak (3:05)
The guitar solo is amazing too, but that single note just kills me.
I love tiny little moments in music, chord changes or solos or lyrics that give you shivers. I can get behind this thread.
You know, once in awhile I hear people say that when they first hear a really amazing song they have to stop everything they're doing and just listen to it all the way through, or at the end they have to take a breather. I never really understood how people get like that, and I can't see how a song can have that much raw emotional power. Now don't get me wrong, I think some songs are really beautiful and can carry quite a bit of emotional weight, but not enough to make you just stop whatever your doing and stand in one spot in silent awe of the music.
Dude the first time I heard Tom Wait's Somewhere I was at work and I had to stop and listen and afterwards have a sit down.
I'm a very musical guy. I find it hard to listen to music passively, I just get lost in it.
You know, once in awhile I hear people say that when they first hear a really amazing song they have to stop everything they're doing and just listen to it all the way through, or at the end they have to take a breather. I never really understood how people get like that, and I can't see how a song can have that much raw emotional power. Now don't get me wrong, I think some songs are really beautiful and can carry quite a bit of emotional weight, but not enough to make you just stop whatever your doing and stand in one spot in silent awe of the music.
Dude the first time I heard Tom Wait's Somewhere I was at work and I had to stop and listen and afterwards have a sit down.
I'm a very musical guy. I find it hard to listen to music passively, I just get lost in it.
I can kind of see where you're getting at, and once in awhile I'll just pause for a brief moment during a song and think to myself, "Fuck, this is a really great song."
But what I don't get is when people say that a song had so much emotional energy that it actually made a dramatic impact on their life - and people have said this to me.
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#pipeCocky Stride, Musky odoursPope of Chili TownRegistered Userregular
the one I can think of offhand is towards the end of Break In by The T4 Project and I can't fucking find a link of it anywhere, but anyways it goes from Jason from Strung Out singing
"I'm under, forgotten, an apparition lost in time.
Alone, perpetual decline.
In the eyes of those unscarred, we teach, we ruin, we all discard away.
and then it bursts into this chorus group singing along with him with
In the eyes of those who know no better than we are,
we lose ourselves in our decline,
we create a bond with all we leave behind.
I'm nowhere, I'm no one, I'm under, forgotten.
and then it ends with this guy with a very strong voice going out The anger that we find becomes who we are.
down to a fucking whisper.
I wish I could find a link to it
Yeah, kinda editted my last post. Didn't really like the way my last sentence turned out. I should really make an effort to proofread.
Anyways, as for crying. Well, I did say this earlier today, but ISIS' Garden of Light actually made me bleary-eyed near the end because it was just such a perfect way to end the album; it was seriously the album ender of all album enders.
There are others that are on the tip of my tongue, but:
the vocal hook to Mylo's No More Conversations remix (it's pretty much the best vocal hook ever)
The National's Racing Like a Pro, when the instrumentation fully kicks in and Matt Berninger's voice sounds so full of desperation
the climax of The Mariner's Revenge Song
The end of Aphex Twin's Mt Saint Michael + Saint Michael's Mount -- this one literally stopped me in my tracks the first time I heard it
a whole lot of The Animal Collective's stuff. The final refrain of Fireworks and when the tempo of Bashee Beat picks up at the start are the two that first come to mind.
GreasyKidsStuffMOMMM!ROAST BEEF WANTS TO KISS GIRLS ON THE TITTIES!Registered Userregular
edited February 2008
Frehley's Comet - It's Over Now, 2:30 - 3:00, probably one of my favourite guitar solos. It really is the highlight of the song for me. It's simple, doesn't really push any boundaries, I know, but the melody really sticks with me.
Whitesnake - The Deeper the Love, 2:10 - 3:05. Again, absolutely fantastic solo in my opinion. And the build-up to the solo really gets you excited. It just works. I have to rewind a few times, can't get enough of it.
pretty much every song by jeff buckley gives me goosebumps and also makes me want to swoon and oh god i wish he was my man
Your flesh is so... nice
Man, when Blue Oyster Cult is all like "don't fear the reaper..." and then they trail off, and then that really mellow guitar part kicks in, really rythmic, and then a little bit of drums, and it's all calm, and then the guitar solo just fucking explodes in there it's awesome.
The end of Zero-sum was pretty fucking epic. Especially during the last chorus when the choir kicks in along with Reznor, singing:
Shame on us
We knew from the start
May god have mercy
On our dirty little hearts
Shame on us
For all we have done
And all we ever were
Just zeros and ones
Yeah, I was fucking floored.
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Metzger MeisterIt Gets Worsebefore it gets any better.Registered Userregular
There's an album called The Apocalypse Inside of an Orange that the guitarist of The Mars Volta released under his own label (He's done like four or five solo albums this year). The last track, Coma Pony, is really jazzy and its chorus is just full of atmosphere. I don't know if you can really call it a "chorus" since the track is instrumental, but you know what I mean. Saxophones are awesome if you pair them with certain other instruments.
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Fucking yes.
The score for that movie trascends beyond the level of fuckawesome and reaches a point of awesomeness which mankind can't even begin to grasp.
If I could find the soundtrack I would buy it in a blistering flash of light.
And oh yeah, I can't argue against that album.
I actually had an argument with someone who said Reznor can go fuck himself because he stole from Cash.
God I fucking hate people sometimes.
oh maaaaaaaaaan
The drums are just thumping and then the bass-line kicks in and Mercury does this sort of step-glide across the stage.
It's rad.
look I agree with the reznor fucking himself with something sharp thing, but goddamn
No one should fucking judge Reznor's credibility as an artist until they listen to The Downward Spiral.
I just saw this today and I agree fully.
Falling Slowly is excellent and I really like If You Want Me
http://www.youtube.com/watch?v=ngfgHweIvDk
The Oscar they won for Falling Slowly is the most fair Oscar ever awarded.
The rest of the song is ordinary, but the Bridge is amazing.
The entrance of the Flugelhorn in Tom Waits' version of Somewhere. (2:15
Major third held in a minor chord, oh man, stunning.
The Piano opening of Copeland's song Love Affair
The second verse of It's a Mother Fucker by Eel's (0:37)
It's a mother fucker
gettin through a sunday
talkin to the walls
"it's just me again"
The single, held, muted trumpet note after the acoustic guitar solo in No Doubt's Don't Speak (3:05)
The guitar solo is amazing too, but that single note just kills me.
I love tiny little moments in music, chord changes or solos or lyrics that give you shivers. I can get behind this thread.
Need some stuff designed or printed? I can help with that.
Oh god yes.
"The Show Must Go On" is one of those songs that just overpowers you.
http://www.youtube.com/watch?v=4ADh8Fs3YdU
DON'T LET THE SUUUUUUUN GO DOWN ON MEEEEEEEEEE
or the song daniel.
Oh man where can I hear this. I would kill a baby to hear this.
Anyway, in "Heroes", from the third verse all the way to the end. Especially the "We're nothing, and nothing will help us!" part. So excellent.
Also, Queen's music in general, but especially the bridge into the first verse of Ogre Battle--it has rocked my face clean off on several occasions.
Dude the first time I heard Tom Wait's Somewhere I was at work and I had to stop and listen and afterwards have a sit down.
I'm a very musical guy. I find it hard to listen to music passively, I just get lost in it.
Need some stuff designed or printed? I can help with that.
Well right here good sir
I can kind of see where you're getting at, and once in awhile I'll just pause for a brief moment during a song and think to myself, "Fuck, this is a really great song."
But what I don't get is when people say that a song had so much emotional energy that it actually made a dramatic impact on their life - and people have said this to me.
but it has, on many occasions, moved me to tears
Need some stuff designed or printed? I can help with that.
the one I can think of offhand is towards the end of Break In by The T4 Project and I can't fucking find a link of it anywhere, but anyways it goes from Jason from Strung Out singing
"I'm under, forgotten, an apparition lost in time.
Alone, perpetual decline.
In the eyes of those unscarred, we teach, we ruin, we all discard away.
and then it bursts into this chorus group singing along with him with
In the eyes of those who know no better than we are,
we lose ourselves in our decline,
we create a bond with all we leave behind.
I'm nowhere, I'm no one, I'm under, forgotten.
and then it ends with this guy with a very strong voice going out
The anger that we find becomes who we are.
down to a fucking whisper.
I wish I could find a link to it
Anyways, as for crying. Well, I did say this earlier today, but ISIS' Garden of Light actually made me bleary-eyed near the end because it was just such a perfect way to end the album; it was seriously the album ender of all album enders.
Excellent. Thank you, kind sir.
the vocal hook to Mylo's No More Conversations remix (it's pretty much the best vocal hook ever)
The National's Racing Like a Pro, when the instrumentation fully kicks in and Matt Berninger's voice sounds so full of desperation
the climax of The Mariner's Revenge Song
The end of Aphex Twin's Mt Saint Michael + Saint Michael's Mount -- this one literally stopped me in my tracks the first time I heard it
a whole lot of The Animal Collective's stuff. The final refrain of Fireworks and when the tempo of Bashee Beat picks up at the start are the two that first come to mind.
Whitesnake - The Deeper the Love, 2:10 - 3:05. Again, absolutely fantastic solo in my opinion. And the build-up to the solo really gets you excited. It just works. I have to rewind a few times, can't get enough of it.
I really like power ballads. Am I gay? O_o
Your flesh is so... nice
Man, when Blue Oyster Cult is all like "don't fear the reaper..." and then they trail off, and then that really mellow guitar part kicks in, really rythmic, and then a little bit of drums, and it's all calm, and then the guitar solo just fucking explodes in there it's awesome.
Steam / Bus Blog / Goozex Referral
Shame on us
We knew from the start
May god have mercy
On our dirty little hearts
Shame on us
For all we have done
And all we ever were
Just zeros and ones
Yeah, I was fucking floored.
Ye shall not die alone
Fight and die, let Valk'ries fly
For they shall take thee home.
I promise thee that on this night,
Ye shall be by my side.
Asgards halls await, with heroes,
Brothers! that have died.
Is this something I should recognize?
TDot i hate you
It's, uh, Phil Collins
Lots of, uh, heavy percussion in that song
You hate everything. What song is it?
In the Air Tonight
by Phil Collins
you fattot
you know those arms that sit on top of notes, the top bit
well, in pretentious music there are berets on top
I'm such a tremendous nerd sometimes.