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Snob [chat]
HachfaceNot the Minister Farrakhan you're thinking ofDammit, Shepard!Registered Userregular
I got a lady to like level 9 and made her a hunter, what should i make my secondary skillset?
I'm not really an expert, but I think I'm going to go rogue with my hunter.
However, level 10 is super early to be picking a secondary mastery. I was well into my 20s before I took Spirit with my pyromancer dude, and haven't even considered buying up any secondary mastery for my hunter who is 12ish. Really, the only guy I've jumped straight into a secondary mastery with at level 10 was my Defender, and that's because Defender/Dream looked hella awesome.
You should look at what skills complement your base class well, and what attributes the secondary class will use; like, another class that had complementary skills, and uses a lot of agility would be good for a Hunter; something like Pyromancer, probably not so much.
Thanatos on
0
firewaterwordSatchitanandaPais Vasco to San FranciscoRegistered Userregular
edited September 2010
Now be on your way, lest I release my finely groomed mastiffs.
I got a lady to like level 9 and made her a hunter, what should i make my secondary skillset?
I'm not really an expert, but I think I'm going to go rogue with my hunter.
However, level 10 is super early to be picking a secondary mastery. I was well into my 20s before I took Spirit with my pyromancer dude, and haven't even considered buying up any secondary mastery for my hunter who is 12ish. Really, the only guy I've jumped straight into a secondary mastery with at level 10 was my Defender, and that's because Defender/Dream looked hella awesome.
You should look at what skills complement your base class well, and what attributes the secondary class will use; like, another class that had complementary skills, and uses a lot of agility would be good for a Hunter; something like Pyromancer, probably not so much.
ok nifty. we should play some time!
Casual Eddy on
0
HachfaceNot the Minister Farrakhan you're thinking ofDammit, Shepard!Registered Userregular
when the plot or main action of the work becomes sideline for spectacle that generally doesn't follow the previous scene
I don't know if I am communicating it well enough; I dislike when someone will begin to sing and then suddenly the world is different and everyone is dancing and they are leaping through the air and flying around a helicopter and then they land back down and no one bats an eye, yet the musical number carries important significance for advancing the plot
The ridiculous abstraction of the inner monologue, coupled with an abandonment of "show don't tell" to me, absurds the plot and message of the movie to where I cannot approach any important themes it is attempting to deal with seriously.
Okay.
Have you ever seen Hedwig and the Angry Inch?
Admittedly, no
not because I have been actively avoiding it, because i give all these things fair chance. I just have never seen it
I have a love/hate relationship with musical theater, mostly for the reasons you mention. I can accept it in a Disney movie because it's a Disney movie and I'm not there to take it seriously. But yes sometimes when people start singing and dancing I kind of check out a little.
Hedwig was my gateway drug. I was able to accept it because it's about a rock band, and the songwriter in the band is also the protagonist so it's reasonable that the songs themselves contain important plot information about that character's history.
When it gets fanciful (there is literally a "flying through the air" moment) it's obviously meant to be a representation of what that character is feeling & imagining.
Also, it's fucking awesome and I love it.
Feral on
every person who doesn't like an acquired taste always seems to think everyone who likes it is faking it. it should be an official fallacy.
the "no true scotch man" fallacy.
0
TehSlothHit Or MissI Guess They Never Miss, HuhRegistered Userregular
edited September 2010
Speaking of snobs, hatin on Gallagher is lame. He's like George Carlin, at one time, he was actually funny, but then he got older and insufferably bitter.
Actually Death Note in general is a horrible ending. And doesn't even fit with similar stories and how they end. It basically is a big bs. Should of ended with...
L dieing, Light winning and the world being changed.
The Japanese Live Action Films have a better ending.
It gets as far as Rem killing L. Then Light tries to use the Death Note to make his father bring the other Death Note from him. When Sorichiro arrives however, he doesn't have the book. And this is after Light ranted to him about how he's changing the world. Light and Misa are arrested, and suddenly L reappears. It turns out he wrote his own name in the notebook, giving him 23 Death Note-proof days to take down Light, at which he has succeeded. Figuring the game is up, Ryuk kills Light and buggers off.
RMS Oceanic on
0
HachfaceNot the Minister Farrakhan you're thinking ofDammit, Shepard!Registered Userregular
Actually Death Note in general is a horrible ending. And doesn't even fit with similar stories and how they end. It basically is a big bs. Should of ended with...
L dieing, Light winning and the world being changed.
The Japanese Live Action Films have a better ending.
It gets as far as Rem killing L. Then Light tries to use the Death Note to make his father bring the other Death Note from him. When Sorichiro arrives however, he doesn't have the book. And this is after Light ranted to him about how he's changing the world. Light and Misa are arrested, and suddenly L reappears. It turns out he wrote his own name in the notebook, giving him 23 Death Note-proof days to take down Light, at which he has succeeded. Figuring the game is up, Ryuk kills Light and buggers off.
Holy fuck. That is way better. I'm kind of pissed at the anime now.
Speaking of snobs, hatin on Gallagher is lame. He's like George Carlin, at one time, he was actually funny, but then he got older and insufferably bitter.
Speaking of snobs, hatin on Gallagher is lame. He's like George Carlin, at one time, he was actually funny, but then he got older and insufferably bitter.
George Carlin's final HBO special is actually extremely funny.
Hachface on
0
AriviaI Like A ChallengeEarth-1Registered Userregular
edited September 2010
Excellent, merged [chat]s.
Now someone explain how I'm all about sexuality.
Arivia on
0
firewaterwordSatchitanandaPais Vasco to San FranciscoRegistered Userregular
Speaking of snobs, hatin on Gallagher is lame. He's like George Carlin, at one time, he was actually funny, but then he got older and insufferably bitter.
And insanely racist
Elldren on
fuck gendered marketing
0
Irond WillWARNING: NO HURTFUL COMMENTS, PLEASE!!!!!Cambridge. MAModeratorMod Emeritus
when the plot or main action of the work becomes sideline for spectacle that generally doesn't follow the previous scene
I don't know if I am communicating it well enough; I dislike when someone will begin to sing and then suddenly the world is different and everyone is dancing and they are leaping through the air and flying around a helicopter and then they land back down and no one bats an eye, yet the musical number carries important significance for advancing the plot
The ridiculous abstraction of the inner monologue, coupled with an abandonment of "show don't tell" to me, absurds the plot and message of the movie to where I cannot approach any important themes it is attempting to deal with seriously.
Okay.
Have you ever seen Hedwig and the Angry Inch?
Admittedly, no
not because I have been actively avoiding it, because i give all these things fair chance. I just have never seen it
I have a love/hate relationship with musical theater, mostly for the reasons you mention. I can accept it in a Disney movie because it's a Disney movie and I'm not there to take it seriously. But yes sometimes when people start singing and dancing I kind of check out a little.
Hedwig was my gateway drug. I was able to accept it because it's about a rock band, and the songwriter in the band is also the protagonist so it's reasonable that the songs themselves contain important plot information about that character's history.
When it gets fanciful (there is literally a "flying through the air" moment) it's obviously meant to be a representation of what that character is feeling & imagining.
Also, it's fucking awesome and I love it.
Yeah this is how I feel. I will probably like Hedwig for the same reason I liked Tenacious D, for the same reason I liked Dr Horrible, for the same reason I liked Cannibal! The Musical...and so on
Most of these approach the song and dance with a generous portion of self-aware humor.
Related: Cloudy With a Chance of Meatballs is so meta-humorous that I almost can't deal.
Speaking of snobs, hatin on Gallagher is lame. He's like George Carlin, at one time, he was actually funny, but then he got older and insufferably bitter.
Apparently (based on some junk in chat a bunch back) he's turned into a ranting, racist, Tea Party dickbag.
I got a lady to like level 9 and made her a hunter, what should i make my secondary skillset?
I'm not really an expert, but I think I'm going to go rogue with my hunter.
However, level 10 is super early to be picking a secondary mastery. I was well into my 20s before I took Spirit with my pyromancer dude, and haven't even considered buying up any secondary mastery for my hunter who is 12ish. Really, the only guy I've jumped straight into a secondary mastery with at level 10 was my Defender, and that's because Defender/Dream looked hella awesome.
You should look at what skills complement your base class well, and what attributes the secondary class will use; like, another class that had complementary skills, and uses a lot of agility would be good for a Hunter; something like Pyromancer, probably not so much.
ok nifty. we should play some time!
I do want to come back to that sometime, but I'm on a bit of a Monday Night Combat kick at the moment. If you ever catch me online, though, ask; I may jump in.
Thanatos on
0
HachfaceNot the Minister Farrakhan you're thinking ofDammit, Shepard!Registered Userregular
Actually Death Note in general is a horrible ending. And doesn't even fit with similar stories and how they end. It basically is a big bs. Should of ended with...
L dieing, Light winning and the world being changed.
The Japanese Live Action Films have a better ending.
It gets as far as Rem killing L. Then Light tries to use the Death Note to make his father bring the other Death Note from him. When Sorichiro arrives however, he doesn't have the book. And this is after Light ranted to him about how he's changing the world. Light and Misa are arrested, and suddenly L reappears. It turns out he wrote his own name in the notebook, giving him 23 Death Note-proof days to take down Light, at which he has succeeded. Figuring the game is up, Ryuk kills Light and buggers off.
Holy fuck. That is way better. I'm kind of pissed at the anime now.
Yeah, the live action is WAY better, I mean, it has the kid form Battle Royale as Light. Also, Felix Gaeta from Battlestar is the voice for L.
Actually Death Note in general is a horrible ending. And doesn't even fit with similar stories and how they end. It basically is a big bs. Should of ended with...
L dieing, Light winning and the world being changed.
The Japanese Live Action Films have a better ending.
It gets as far as Rem killing L. Then Light tries to use the Death Note to make his father bring the other Death Note from him. When Sorichiro arrives however, he doesn't have the book. And this is after Light ranted to him about how he's changing the world. Light and Misa are arrested, and suddenly L reappears. It turns out he wrote his own name in the notebook, giving him 23 Death Note-proof days to take down Light, at which he has succeeded. Figuring the game is up, Ryuk kills Light and buggers off.
It is pretty bad as well. I have seen it. I choose to believe there is no second movie and that the comic ends at the point I mentioned.
Mazzyx on
0
Irond WillWARNING: NO HURTFUL COMMENTS, PLEASE!!!!!Cambridge. MAModeratorMod Emeritus
Actually Death Note in general is a horrible ending. And doesn't even fit with similar stories and how they end. It basically is a big bs. Should of ended with...
L dieing, Light winning and the world being changed.
The Japanese Live Action Films have a better ending.
It gets as far as Rem killing L. Then Light tries to use the Death Note to make his father bring the other Death Note from him. When Sorichiro arrives however, he doesn't have the book. And this is after Light ranted to him about how he's changing the world. Light and Misa are arrested, and suddenly L reappears. It turns out he wrote his own name in the notebook, giving him 23 Death Note-proof days to take down Light, at which he has succeeded. Figuring the game is up, Ryuk kills Light and buggers off.
that was probably the best of the bunch, yeah
on one hand, the post-L shenanigans in the anime were dull and Near's gambit to beat Light was total bullshit (my mysterious assistant copied this notebook line-for-line perfectly in three days!)
on the other hand, no one wants light to win, because light is an insufferable little fuck and needed to go down in flames
Yeah this is how I feel. I will probably like Hedwig for the same reason I liked Tenacious D, for the same reason I liked Dr Horrible, for the same reason I liked Cannibal! The Musical...and so on
Most of these approach the song and dance with a generous portion of self-aware humor.
Related: Cloudy With a Chance of Meatballs is so meta-humorous that I almost can't deal.
There's some pretty heavy existential stuff kind of bubbling right beneath the surface in Hedwig.
If you want a musical that is ridiculously goofy but a lot of (stupid) fun, try Reefer Madness.
Feral on
every person who doesn't like an acquired taste always seems to think everyone who likes it is faking it. it should be an official fallacy.
Are you NOT all about sexuality as a means of expression Arivia? Because I definitely get that vibe, but if I am pulling an O'chu and reading into this what I want* please correct me
*
You really expect me to let you get away with that Organichu? but still, you knew I was gonna jab back at you.
Yeah this is how I feel. I will probably like Hedwig for the same reason I liked Tenacious D, for the same reason I liked Dr Horrible, for the same reason I liked Cannibal! The Musical...and so on
Most of these approach the song and dance with a generous portion of self-aware humor.
Related: Cloudy With a Chance of Meatballs is so meta-humorous that I almost can't deal.
There's some pretty heavy existential stuff kind of bubbling right beneath the surface in Hedwig.
If you want a musical that is ridiculously goofy but a lot of (stupid) fun, try Reefer Madness.
Seen it, loved it, watched it every night for a week
Posts
However, level 10 is super early to be picking a secondary mastery. I was well into my 20s before I took Spirit with my pyromancer dude, and haven't even considered buying up any secondary mastery for my hunter who is 12ish. Really, the only guy I've jumped straight into a secondary mastery with at level 10 was my Defender, and that's because Defender/Dream looked hella awesome.
You should look at what skills complement your base class well, and what attributes the secondary class will use; like, another class that had complementary skills, and uses a lot of agility would be good for a Hunter; something like Pyromancer, probably not so much.
Now be on your way, lest I release my finely groomed mastiffs.
Steam | Twitter
Is this chat good enough for me?
the "no true scotch man" fallacy.
ok nifty. we should play some time!
We call those "society goiters." It's a rich person's disease.
I have a love/hate relationship with musical theater, mostly for the reasons you mention. I can accept it in a Disney movie because it's a Disney movie and I'm not there to take it seriously. But yes sometimes when people start singing and dancing I kind of check out a little.
Hedwig was my gateway drug. I was able to accept it because it's about a rock band, and the songwriter in the band is also the protagonist so it's reasonable that the songs themselves contain important plot information about that character's history.
When it gets fanciful (there is literally a "flying through the air" moment) it's obviously meant to be a representation of what that character is feeling & imagining.
Also, it's fucking awesome and I love it.
the "no true scotch man" fallacy.
twitch.tv/tehsloth
Looks like it has your approval
The Japanese Live Action Films have a better ending.
Will, thank you for your coöperation in enforcing the house style. If there were elections for moderators, I would reëlect you.
Holy fuck. That is way better. I'm kind of pissed at the anime now.
the "no true scotch man" fallacy.
George Carlin's final HBO special is actually extremely funny.
Now someone explain how I'm all about sexuality.
I should not have to work this hard to make a game not be shit.
Steam | Twitter
And insanely racist
the new yorker is amazing
i miss having a subscription
but i don't miss the guilt i felt for invariably falling behind in keeping up with it
Yeah this is how I feel. I will probably like Hedwig for the same reason I liked Tenacious D, for the same reason I liked Dr Horrible, for the same reason I liked Cannibal! The Musical...and so on
Most of these approach the song and dance with a generous portion of self-aware humor.
Related: Cloudy With a Chance of Meatballs is so meta-humorous that I almost can't deal.
Apparently (based on some junk in chat a bunch back) he's turned into a ranting, racist, Tea Party dickbag.
A Kindle subscription has really helped me keep up with my snobby news reading.
It also helps that I have a kinda long commute by train.
3/4 of your posts are about kinky sex things.
PSN/XBL: Zampanov -- Steam: Zampanov
Yeah, the live action is WAY better, I mean, it has the kid form Battle Royale as Light. Also, Felix Gaeta from Battlestar is the voice for L.
twitch.tv/tehsloth
It is pretty bad as well. I have seen it. I choose to believe there is no second movie and that the comic ends at the point I mentioned.
boom i've got mad modding skillz
wouldn't want to make fww have to reënter his post
You're like, a girl
and sometimes you talk about sex
qed
that was probably the best of the bunch, yeah
on the other hand, no one wants light to win, because light is an insufferable little fuck and needed to go down in flames
There's some pretty heavy existential stuff kind of bubbling right beneath the surface in Hedwig.
If you want a musical that is ridiculously goofy but a lot of (stupid) fun, try Reefer Madness.
the "no true scotch man" fallacy.
*
Seen it, loved it, watched it every night for a week
(I left my other movies at home)