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A talking picture? Well, now I've heard everything. [movies]
3cl1ps3I will build a labyrinth to house the cheeseRegistered Userregular
Knock at the cabin would have been exponentially better if it ended 5 minutes earlier. Not even change anything, just run credits 5 minutes earlier
I feel like this about a lot of movies and tv shows. In fact, when one ends exactly at the moment I REALLY want it to, it sticks with me and bounces around in my brain forever. And sometimes it’s literally just a few seconds.
The Watchmen series is the best example I can think of where they just nailed this.
minor incident on
Ah, it stinks, it sucks, it's anthropologically unjust
+5
Olivawgood name, isn't it?the foot of mt fujiRegistered Userregular
Guys you should all subscribe to the Criterion Channel in March so you can watch The Heroic Trio
That movie has the most buck wild last twenty minutes you’ll maybe ever see
Reminder that at this point CGI studios are (largely because of MCU movies) extremely over-burdened to the point that vast amounts of overworked artists are fleeing the industry. The MCU recently announced they were going to pull back on the amount of content they are producing and I can't help but think it's largely because they CANT keep making these movies at this pace.
Reminder that at this point CGI studios are (largely because of MCU movies) extremely over-burdened to the point that vast amounts of overworked artists are fleeing the industry. The MCU recently announced they were going to pull back on the amount of content they are producing and I can't help but think it's largely because they CANT keep making these movies at this pace.
it's not just the MCU, it's the entire industry chewing up and spitting out cgi studios, and doing it for peanuts
disney is just the biggest player in a completely ratfucked industry
EDIT: but yeah, their number crunchers finally realized that their pace was totally unsustainable and was causing audience burnout too
Reminder that at this point CGI studios are (largely because of MCU movies) extremely over-burdened to the point that vast amounts of overworked artists are fleeing the industry. The MCU recently announced they were going to pull back on the amount of content they are producing and I can't help but think it's largely because they CANT keep making these movies at this pace.
it's not just the MCU, it's the entire industry chewing up and spitting out cgi studios, and doing it for peanuts
disney is just the biggest player in a completely ratfucked industry
EDIT: but yeah, they're number crunchers finally realized that their pace was totally unsustainable and was causing audience burnout too
In point of fact the articles I've read actually specifically call out the MCU. That's why I brought it up. The MCU so thoroughly places demands on these studios that other movies are having trouble getting in.
Reminder that at this point CGI studios are (largely because of MCU movies) extremely over-burdened to the point that vast amounts of overworked artists are fleeing the industry. The MCU recently announced they were going to pull back on the amount of content they are producing and I can't help but think it's largely because they CANT keep making these movies at this pace.
it's not just the MCU, it's the entire industry chewing up and spitting out cgi studios, and doing it for peanuts
disney is just the biggest player in a completely ratfucked industry
EDIT: but yeah, they're number crunchers finally realized that their pace was totally unsustainable and was causing audience burnout too
In point of fact the articles I've read actually specifically call out the MCU. That's why I brought it up. The MCU so thoroughly places demands on these studios that other movies are having trouble getting in.
Hard to make the choice to focus on other films when Disney can punish you by pulling away the consistent (and SHITTY) workflow of the MCU from your studio.
+4
PiptheFairFrequently not in boats.Registered Userregular
edited February 2023
still remember when life of pi won the oscar and the studio that did the work closed due to bankruptcy
Producers pushed to finish Midnight Rider and that had zero big names attached. Not shocked that a movie that doesn't care about the crew with a Baldwin attached is getting pushed through.
Producers pushed to finish Midnight Rider and that had zero big names attached. Not shocked that a movie that doesn't care about the crew with a Baldwin attached is getting pushed through.
Producers pushed to finish Midnight Rider and that had zero big names attached. Not shocked that a movie that doesn't care about the crew with a Baldwin attached is getting pushed through.
midnight rider had several big names attached to it
William Hurt and Eliza Dushku as actors, not producers. Please don't "well actually" a thing that still affects the industry I exist in IN the state I work within it. I'm pointing out that the film industry doesn't fucking care about me as a person, and they will avoid responsibility wherever they can.
crzyango on
0
Raijin QuickfootI'm your Huckleberry YOU'RE NO DAISYRegistered User, ClubPAregular
Rust just got a SHITLOAD of free advertisement.
I’m not surprised they’re finishing it now
+2
Raijin QuickfootI'm your Huckleberry YOU'RE NO DAISYRegistered User, ClubPAregular
Free relative to business…it cost a person their life.
Sorry, this pissed me off and someone else said it better:
Today is my birthday, and it is always a grim reminder of a tragic event that happened 8 years ago now, on the set of “Midnight Rider’.
Film Set Safety has been an ever present discussion on both television and movie sets and in contract negotiations. Film Technicians have to pass “Safety Courses” in order to be able to work.
Are sets any safer since the death of my friend, Camera Assistant Brent Lon Hershman almost 25 years ago?
The answer is a resounding NO!
Just this past October, Cinematographer Halyna Hutchins died of a gunshot wound, right on the set of “Rust”. Another needless, and preventable film set tragedy.
But back to Midnight Rider.
We discussed the scene and location a week earlier at a Production Meeting and in attendance was the Location Manager, his assistant, the AD's, LP/UPM, Producer, crew, etc. The "only two freight trains" concept was expressed here.
We will never know why the Location Manager didn't speak up to say that CSX, (whose rail tracks we would be shooting on), had not given us permission to be there. Nor did any Production Executive or AD express that this was a huge insurance liability?
So on February 20th, 2014, the crew arrived at the Rayonier plant in Wayne county, Doctortown, GA, and we watched as the "two freight trains" passed. Then setup on the trestle bridge over the Altamaha river, the site of a Civil War battle.
We all know the disaster that happened when a third train came at us traveling at 58MPH, hitting pieces of the hospital bed that the crew was desperately trying to remove from the tracks. Shrapnel pieces went flying, striking and killing 27 year old Camera Assistant, Sarah Jones, and inflicting injuries on seven more of the crew.
A horrific and senseless death on a film set, where nothing like this should ever happen. But it does, and continues, no matter how many safety classes the crew are instructed to take, or the countless "Safety Meetings" by the 1st AD at the start of each day.
It's great that film crews are more aware of safety issues and production offers hotel rooms for those excessively long days. But injuries and deaths will still happen until there is the position of an independent "Safety Monitor", who is not part of the crew, AD's, Production or Studio.
No matter what is written, said or enacted depends on Unions and Guilds taking a stronger position on this issue.
I'm tired of being thought of as the "troublemaker" when I bring up safety issues on a set. I speak from experience, and unfortunately have to remind them of my day on "Midnight Rider" for them to acknowledge the safety problem.
Management should be responsible, not the crew!
Thinking of Sarah Jones
@PiptheFair sorry if I came off aggressive. I deal with this shit daily and it SUCKS.
If Kang is going to keep appearing which he definitely is I sure hopefully find someone to write them that has any idea what the fuck they're doing. Because they do not do a good job of making him compelling or make me at all interested in seeing him again. And that's speaking as someone with some pretty positive associations with the character.
A bunch of mid-budget comedies have been doing well at the box office so far this year and a bunch of entertainment journalists are like, "what? are mediocre movies going to save cinema????" and it's like, yeah, there's precedent for people just wanting to go to the movies and see whatever, and sixty year-olds with disposable income and free time are probably gonna sign up to see Tom Hanks play a cranky old man who finds friendship and community before they're going to watch the newest MCU blockbuster.
That's not me saying the MCU is dying, because Ant-Man 3 definitely made a bunch of money, but like...studios used to counterprogram big superhero movies or other blockbusters with romantic comedies and other lower budget movies and do just fine. I know there are multiple reasons that this doesn't happen as often anymore, given that Disney strongarms theaters into making sure they have as many screens as possible, and that Netflix has a stranglehold on the "slap a big name on a movie our algorithm spit out," market, but...I dunno, feels like there's something of a shift happening in the market.
A bunch of mid-budget comedies have been doing well at the box office so far this year and a bunch of entertainment journalists are like, "what? are mediocre movies going to save cinema????" and it's like, yeah, there's precedent for people just wanting to go to the movies and see whatever, and sixty year-olds with disposable income and free time are probably gonna sign up to see Tom Hanks play a cranky old man who finds friendship and community before they're going to watch the newest MCU blockbuster.
That's not me saying the MCU is dying, because Ant-Man 3 definitely made a bunch of money, but like...studios used to counterprogram big superhero movies or other blockbusters with romantic comedies and other lower budget movies and do just fine. I know there are multiple reasons that this doesn't happen as often anymore, given that Disney strongarms theaters into making sure they have as many screens as possible, and that Netflix has a stranglehold on the "slap a big name on a movie our algorithm spit out," market, but...I dunno, feels like there's something of a shift happening in the market.
I know you probably mean budget/profit, but leaving money aside, the MCU movies have been the standard for mediocrity for like a decade. Except for budget and marketing, they are great at those.
Yes, with a quick verbal "boom." You take a man's peko, you deny him his dab, all that is left is to rise up and tear down the walls of Jericho with a ".....not!" -TexiKen
I got last-paged on this last thread but, at this point the only upcoming thing in the MCU I'm really stoked about is GotG3, and basically everything after that feels whatever/10
if Wakanda Forever and GotG3 are the capstone of the MCU for me I can live with that
A bunch of mid-budget comedies have been doing well at the box office so far this year and a bunch of entertainment journalists are like, "what? are mediocre movies going to save cinema????" and it's like, yeah, there's precedent for people just wanting to go to the movies and see whatever, and sixty year-olds with disposable income and free time are probably gonna sign up to see Tom Hanks play a cranky old man who finds friendship and community before they're going to watch the newest MCU blockbuster.
That's not me saying the MCU is dying, because Ant-Man 3 definitely made a bunch of money, but like...studios used to counterprogram big superhero movies or other blockbusters with romantic comedies and other lower budget movies and do just fine. I know there are multiple reasons that this doesn't happen as often anymore, given that Disney strongarms theaters into making sure they have as many screens as possible, and that Netflix has a stranglehold on the "slap a big name on a movie our algorithm spit out," market, but...I dunno, feels like there's something of a shift happening in the market.
I know you probably mean budget/profit, but leaving money aside, the MCU movies have been the standard for mediocrity for like a decade. Except for budget and marketing, they are great at those.
I feel like it was pretty clear that I was referring to stuff like 80 for Brady and not Ant-Man 3
Producers pushed to finish Midnight Rider and that had zero big names attached. Not shocked that a movie that doesn't care about the crew with a Baldwin attached is getting pushed through.
midnight rider had several big names attached to it
William Hurt and Eliza Dushku as actors, not producers. Please don't "well actually" a thing that still affects the industry I exist in IN the state I work within it. I'm pointing out that the film industry doesn't fucking care about me as a person, and they will avoid responsibility wherever they can.
I don't know if I'd say you're being "well actuallyed" here. You said there were no big names attached to the film but there were. That takes nothing away from your experience or the severity of what happened.
+3
MalReynoldsThe Hunter S Thompson of incredibly mild medicinesRegistered Userregular
Knock at the cabin would have been exponentially better if it ended 5 minutes earlier. Not even change anything, just run credits 5 minutes earlier
I feel like this about a lot of movies and tv shows. In fact, when one ends exactly at the moment I REALLY want it to, it sticks with me and bounces around in my brain forever. And sometimes it’s literally just a few seconds.
The Watchmen series is the best example I can think of where they just nailed this.
The smashcut to end the end credits on The Prestige is top notch in my book as well.
"A new take on the epic fantasy genre... Darkly comic, relatable characters... twisted storyline."
"Readers who prefer tension and romance, Maledictions: The Offering, delivers... As serious YA fiction, I’ll give it five stars out of five. As a novel? Four and a half." - Liz Ellor My new novel: Maledictions: The Offering. Now in Paperback!
+3
Bloods EndBlade of TyshallePunch dimensionRegistered Userregular
Folks I gotta tell ya a movie or game or stage play or interpretative dance that is 100% built around the tried and tested concept of Nazis getting absolutely fucking exploded into juice is something I will always support.
It might be best to watch Cocaine Bear at home, where you can skip past the rambling sections and go straight to the laughs and screams. In the cinema, most viewers will wish that it was wittier, faster, and more willing to fulfil the gonzo potential of its in-your-face title. It's definitely better than Banks's last film, Charlie's Angels, but you can't help feeling that she has done the bear minimum.
Are you really proud of that one Nicholas Barber??
Posts
Rust is a movie that is still being made
I feel like this about a lot of movies and tv shows. In fact, when one ends exactly at the moment I REALLY want it to, it sticks with me and bounces around in my brain forever. And sometimes it’s literally just a few seconds.
The Watchmen series is the best example I can think of where they just nailed this.
That movie has the most buck wild last twenty minutes you’ll maybe ever see
I can’t stress this enough
PSN ID : DetectiveOlivaw | TWITTER | STEAM ID | NEVER FORGET
Reminder that at this point CGI studios are (largely because of MCU movies) extremely over-burdened to the point that vast amounts of overworked artists are fleeing the industry. The MCU recently announced they were going to pull back on the amount of content they are producing and I can't help but think it's largely because they CANT keep making these movies at this pace.
https://gofund.me/fa5990a5
it's not just the MCU, it's the entire industry chewing up and spitting out cgi studios, and doing it for peanuts
disney is just the biggest player in a completely ratfucked industry
EDIT: but yeah, their number crunchers finally realized that their pace was totally unsustainable and was causing audience burnout too
In point of fact the articles I've read actually specifically call out the MCU. That's why I brought it up. The MCU so thoroughly places demands on these studios that other movies are having trouble getting in.
https://gofund.me/fa5990a5
Hard to make the choice to focus on other films when Disney can punish you by pulling away the consistent (and SHITTY) workflow of the MCU from your studio.
Honestly shocked at this
Producers pushed to finish Midnight Rider and that had zero big names attached. Not shocked that a movie that doesn't care about the crew with a Baldwin attached is getting pushed through.
https://en.m.wikipedia.org/wiki/Midnight_Rider_(film)
midnight rider had several big names attached to it
William Hurt and Eliza Dushku as actors, not producers. Please don't "well actually" a thing that still affects the industry I exist in IN the state I work within it. I'm pointing out that the film industry doesn't fucking care about me as a person, and they will avoid responsibility wherever they can.
I’m not surprised they’re finishing it now
@PiptheFair sorry if I came off aggressive. I deal with this shit daily and it SUCKS.
https://gofund.me/fa5990a5
That's not me saying the MCU is dying, because Ant-Man 3 definitely made a bunch of money, but like...studios used to counterprogram big superhero movies or other blockbusters with romantic comedies and other lower budget movies and do just fine. I know there are multiple reasons that this doesn't happen as often anymore, given that Disney strongarms theaters into making sure they have as many screens as possible, and that Netflix has a stranglehold on the "slap a big name on a movie our algorithm spit out," market, but...I dunno, feels like there's something of a shift happening in the market.
I know you probably mean budget/profit, but leaving money aside, the MCU movies have been the standard for mediocrity for like a decade. Except for budget and marketing, they are great at those.
if Wakanda Forever and GotG3 are the capstone of the MCU for me I can live with that
I feel like it was pretty clear that I was referring to stuff like 80 for Brady and not Ant-Man 3
And this was the only problem moviepass had
I don't know if I'd say you're being "well actuallyed" here. You said there were no big names attached to the film but there were. That takes nothing away from your experience or the severity of what happened.
The smashcut to end the end credits on The Prestige is top notch in my book as well.
"Readers who prefer tension and romance, Maledictions: The Offering, delivers... As serious YA fiction, I’ll give it five stars out of five. As a novel? Four and a half." - Liz Ellor
My new novel: Maledictions: The Offering. Now in Paperback!
Mark Hamill!
The Rockverse Rock is currently going for $5,700
The Raccacoonie puppet is going for $60,000
only $7,500
Sisu Red Band trailer in the spoiler
Folks I gotta tell ya a movie or game or stage play or interpretative dance that is 100% built around the tried and tested concept of Nazis getting absolutely fucking exploded into juice is something I will always support.