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Amateur film?

kathoskathos Registered User regular
edited October 2007 in Help / Advice Forum
I want to get into some indie film making... but I don't really know how to get started. I have some crappy cameras and stuff, but I want to get that professional movie feel (image).

Also some movie editing software (to add in stuff like half assed explosions and HUDs).

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Posts

  • MunacraMunacra Registered User regular
    edited October 2007
    Getting that professional movie lookdepends on three things. Ligthing, camera, and color correction.

    It can be half achieved using expensive software or alternatively, heavy color correcting on a software that can handle that (I'm thinking adobe premiere pro, Final Cut Pro. There may be more but those are the ones I am experienced with.) Ultimately, you won't get it to look like film, because you're not shooting film. You're shooting mini-DV. And mini-DV will never look as good as film ever.

    HD can come close, but not quite yet. Give HD a couple more years, when the file sizes get smaller and the compression a little less, and who knows.

    But HD is still very expensive.

    Since I'm assuming you are working with mini-dv, then as I said the answer is no. However, you can make your DV a lot better by using the principles of good ligthing. A photographer or a cinematographer can help you more with that, but google some 3-point ligthing to start with. Buy yourself a couple of cheap car reflectors (those things that you put on your windshield to reflect the light away from the car) and practice, practice, practice until you graps the fundamentals of lighting.

    Learning how to light properly will probably make your movie 90% better looking than anything else.

    Munacra on
  • kathoskathos Registered User regular
    edited October 2007
    I've been reading up a little and apparently hi8 is a good idea. Is it?

    kathos on
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  • MunacraMunacra Registered User regular
    edited October 2007
    I don't know because I haven't actually used that. I'll ask around.

    I'd still reccomend mini-DV just on its ease of use. Editing and shooting video is complicated enough as it is without adding any more variables.

    Munacra on
  • I'd Fuck Chuck Lidell UpI'd Fuck Chuck Lidell Up Registered User regular
    edited October 2007
    ooh shoot i wish i could remember the software i used to splice together shots for a project i did

    I'll try to find it and get back to you

    I'd Fuck Chuck Lidell Up on
  • KadithKadith Registered User regular
    edited October 2007
    A lot of this stuff depends on what you're going for.

    If it's cheap, then you should use what you have, you'll need to digitize your film for editing, and your best bet is to use Final Cut and a pretty powerful Mac when it comes to editing.

    If you want to make a job out of it, then unless you have enough money to throw down on your own panavision camera, your best bet is to find someone who has one and learn to use it and then find jobs and get in a union.

    But for just having fun and making a good looking project: lighting. Natural lighting looks like shit on film, and especially digital. So if you want to really make a good looking product you'll need to first buy some lighting kits, there are some florescent kits that are somewhat cheap and really good for general purpose, and if you want to do out door lighting you'll need things like flags, silks and reflectors.

    To learn all of this stuff you really need to do it. Watch a lot of movies, pick out what you like and try to duplicate it. This is for editing and lighting, and watch what you make, and just keep doing this until you get something you're happy with and keep building up your skill sets.

    Kadith on
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  • The Lovely BastardThe Lovely Bastard Registered User regular
    edited October 2007
    also - look into places that rent this equipment around you if you can't afford to buy it.

    this will help cut down on initial costs tremendously.

    The Lovely Bastard on
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  • Xenocide GeekXenocide Geek Registered User regular
    edited October 2007
    Kadith wrote: »
    A lot of this stuff depends on what you're going for.

    If it's cheap, then you should use what you have, you'll need to digitize your film for editing, and your best bet is to use Final Cut and a pretty powerful Mac when it comes to editing.

    If you want to make a job out of it, then unless you have enough money to throw down on your own panavision camera, your best bet is to find someone who has one and learn to use it and then find jobs and get in a union.

    But for just having fun and making a good looking project: lighting. Natural lighting looks like shit on film, and especially digital. So if you want to really make a good looking product you'll need to first buy some lighting kits, there are some florescent kits that are somewhat cheap and really good for general purpose, and if you want to do out door lighting you'll need things like flags, silks and reflectors.

    To learn all of this stuff you really need to do it. Watch a lot of movies, pick out what you like and try to duplicate it. This is for editing and lighting, and watch what you make, and just keep doing this until you get something you're happy with and keep building up your skill sets.

    so do you recommend Final Cut Pro over anything else?

    i've been thinking about checking out Premiere, after learning my laptop was incapable (shoulda bought a macbook pro!) of running Final Cut Pro. i'm mostly in this for learning how to edit.

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  • wombatwombat __BANNED USERS regular
    edited October 2007
    Munacra wrote: »
    Getting that professional movie lookdepends on three things. Ligthing, camera, and color correction.

    It can be half achieved using expensive software or alternatively, heavy color correcting on a software that can handle that (I'm thinking adobe premiere pro, Final Cut Pro. There may be more but those are the ones I am experienced with.) Ultimately, you won't get it to look like film, because you're not shooting film. You're shooting mini-DV. And mini-DV will never look as good as film ever.

    HD can come close, but not quite yet. Give HD a couple more years, when the file sizes get smaller and the compression a little less, and who knows.

    But HD is still very expensive.

    Since I'm assuming you are working with mini-dv, then as I said the answer is no. However, you can make your DV a lot better by using the principles of good ligthing. A photographer or a cinematographer can help you more with that, but google some 3-point ligthing to start with. Buy yourself a couple of cheap car reflectors (those things that you put on your windshield to reflect the light away from the car) and practice, practice, practice until you graps the fundamentals of lighting.

    Learning how to light properly will probably make your movie 90% better looking than anything else.

    MiniDV can look as good as film, it depends on the camera being used. There is a difference between a Canon XL1 and a Canon ZR500, despite both of them being on MiniDV. Don't be fooled by the format itself, MiniDV has the capacity to look as good as film.

    That being said, HD is not that expensive, relatively.

    Despite what Munacra says, HD is and does look as good as film. Plain and simple. There's actually a number of studio films out on the market now that were filmed entirely on digital, and there's no difference between them and a conventional film camera. As far as presentation is concerned, there is no difference.

    wombat on
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  • wombatwombat __BANNED USERS regular
    edited October 2007
    Im sorry, I think you may want to detail a little more specifically your idea (I swear none of us will steal it), and your budget range.

    wombat on
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    Vote for my film! (watching it is also an option)
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  • KadithKadith Registered User regular
    edited October 2007
    Kadith wrote: »
    A lot of this stuff depends on what you're going for.

    If it's cheap, then you should use what you have, you'll need to digitize your film for editing, and your best bet is to use Final Cut and a pretty powerful Mac when it comes to editing.

    If you want to make a job out of it, then unless you have enough money to throw down on your own panavision camera, your best bet is to find someone who has one and learn to use it and then find jobs and get in a union.

    But for just having fun and making a good looking project: lighting. Natural lighting looks like shit on film, and especially digital. So if you want to really make a good looking product you'll need to first buy some lighting kits, there are some florescent kits that are somewhat cheap and really good for general purpose, and if you want to do out door lighting you'll need things like flags, silks and reflectors.

    To learn all of this stuff you really need to do it. Watch a lot of movies, pick out what you like and try to duplicate it. This is for editing and lighting, and watch what you make, and just keep doing this until you get something you're happy with and keep building up your skill sets.

    so do you recommend Final Cut Pro over anything else?

    i've been thinking about checking out Premiere, after learning my laptop was incapable (shoulda bought a macbook pro!) of running Final Cut Pro. i'm mostly in this for learning how to edit.

    I've only worked with a beta of Premiere, but we all of us who used it pretty much agreed it was like someone wrapped all the good features of Final Cut Pro in barbed wire.

    Final Cut Pro is really scalable to the level of skill you have so it's good for all levels of editors you can also use it a slower machine(how slow i'm not sure) and all you'll have problems with is render times.

    On the HD vs film, as wombat says HD can look just as good as film but it can be more demanding when it comes to lighting. And the industry is still setup to use film and will be for quite a while so if you do want a job you certainly aren't shooting yourself in the foot learning how to use film at this stage but for just making your own projects digital, either Mini-DV or some form of HD, is the best value.

    Kadith on
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  • EggyToastEggyToast Jersey CityRegistered User regular
    edited October 2007
    The recommendations above are good for getting the color and overall look. I'd argue that even with a mediocre camera, you can make good stuff IF you actually write it out and IF you get some actors who are actually serious.

    Most people who shoot things just for fun just get friends to be in it, and the friends overact and generally just look like "a guy who happened to be in the film." You can spend thousands of dollars on cameras, developing sets, costumes, etc., but if your cast is shit, your film will be shit.

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  • nexuscrawlernexuscrawler Registered User regular
    edited October 2007
    Mini-DV does not look as good as film. Only the highest levels of HD challenges film's levels of details and exposure range. That being said Min-DV can deliver a very nice looking image for most purposes. When you look for a camera look for a 3CCD one(it has more sensors that better detect color) and a manual white balance(which will let you correct for different kinds of light).

    As far as lighting for Mini-Dv goes it's biggest Achilles heel is a lack of range. White's blow out really easily and black can get alot of digital noise. It can look great if lit carefully. Reflectors work nicely to even out light. Buy a piece of white foam core from an art supply store and put tin foil on one side. You can use the tin foil side for harsh reflections and the white side for even ones. For basic lighting those clamp on bulb ones are really cheap and easy to use.

    Also if you don't want it to sound like ass you're going to have to invest in a decent external mic.

    nexuscrawler on
  • flatlinegraphicsflatlinegraphics Registered User regular
    edited October 2007
    it all really depends on your expectations of quality and how much you want to spend towards that goal.
    as far as computer based editing goes, you have many many choices, from open source stuff
    http://www.jahshaka.org/
    to high end avid systems.

    the best bang for buck, turn key system for pro-ish stuff is probably going to be the adobe motion graphics collection. premeire, after effects, photoshop, audition. works on any platform (so you aren;t stuck with a mac). older editions of premiere were pretty flaky. the new version is supposed to be very good. after effects, you'd need no matter what (or combustion, or shake on a mac). same with photoshop. so if you get the bundle, you have everything right there. that will run around $1500-2000. final cut is around 1k, but you still need to buy photoshop and a compositor/effects suite. oh, and a mac.
    you might be able to get by with one of the smaller avid systems. avid xpress pro is $300 for the student edition.

    i just really didn;t like final cut when i used it. and anyone who says you can only edit on a mac is lying or trying to sell you a mac.

    as for cameras, keep an eye out for a 3ccd digital. people are starting to upgrade to hd and dumping their sd stuff. canon xl-1s are going sub 1k in the used market. you can maybe find a beta cam. (i still have not seen a prosumer digital cam that does higher quality than those old things). beta is a whole mess of other stuff tho, and is still, 10+ years later, waaaaaay expensive.

    but either way, motion graphics and video are not cheap. while you save money on film, you make up for it in hardware. better computers, better/bigger storage, ram, video cards (fireGL or quadros), software, mics, etc.

    and if you want to emulate film, double all those costs. and be prepared to dump alot of cash into an hd cam. you can sorta do it by dropping your frame rates to 24fps, and some good color grading/filters.

    if any of the above confuses you, you have alot of research to do. start reading cgtalk.

    my opinion, your milage may vary, etc etc.

    flatlinegraphics on
  • nexuscrawlernexuscrawler Registered User regular
    edited October 2007
    There's lots of confusion about HD. There's several formats of it and big big differences between them. The one you're likely to see is HDV. HDV is a prosumer level HD format. A decent camera will run about 5 grand. It's image look pretty good but it uses heavy compression and has lots of issues in the editing process.


    When you see a store selling an "HD Camera" chances are about 100% it's HDV. Honestly HDV isn't all that great and the issues can be a real headache. You're probably better off getting a good DV camera and investing the cash you save on a good tripod, lights and a good mic.

    Other HD formats are more professional and MUCH more expensive. An HDCAM camera can easily run 150 thousand dollars. There's others but don't even worry about them they're well beyond even most pro's hands.

    nexuscrawler on
  • MunacraMunacra Registered User regular
    edited October 2007
    wombat wrote: »
    Munacra wrote: »
    Getting that professional movie lookdepends on three things. Ligthing, camera, and color correction.

    It can be half achieved using expensive software or alternatively, heavy color correcting on a software that can handle that (I'm thinking adobe premiere pro, Final Cut Pro. There may be more but those are the ones I am experienced with.) Ultimately, you won't get it to look like film, because you're not shooting film. You're shooting mini-DV. And mini-DV will never look as good as film ever.

    HD can come close, but not quite yet. Give HD a couple more years, when the file sizes get smaller and the compression a little less, and who knows.

    But HD is still very expensive.

    Since I'm assuming you are working with mini-dv, then as I said the answer is no. However, you can make your DV a lot better by using the principles of good ligthing. A photographer or a cinematographer can help you more with that, but google some 3-point ligthing to start with. Buy yourself a couple of cheap car reflectors (those things that you put on your windshield to reflect the light away from the car) and practice, practice, practice until you graps the fundamentals of lighting.

    Learning how to light properly will probably make your movie 90% better looking than anything else.

    MiniDV can look as good as film, it depends on the camera being used. There is a difference between a Canon XL1 and a Canon ZR500, despite both of them being on MiniDV. Don't be fooled by the format itself, MiniDV has the capacity to look as good as film.

    That being said, HD is not that expensive, relatively.

    Despite what Munacra says, HD is and does look as good as film. Plain and simple. There's actually a number of studio films out on the market now that were filmed entirely on digital, and there's no difference between them and a conventional film camera. As far as presentation is concerned, there is no difference.

    Man, mini-dv can not look as good as film. Does mini-dv look as good as HD? Because there is practically no difference visually between HD and film. So what you're saying is that mini-dv looks the same as HD, and that is totally wrong.

    First: latitude. I mean that's one of the key reasons why DP's don't like to shoot with DV. In video if you expose for the highlights I bet you anything you won't get good information on the dark areas, and viceversa. Go ahead and test it out if you want to.

    I think HD can come close to looking to film, but the file sizes, the expense and the hassle is not worth it.
    As nexuscrawler said, the prosumer version of HD is HDV. And that is not cinema quality HD. Cinema quality HD cameras can go to the 100k+ mark. Add that to the cost of storing the files and the computer that you will need to put the footage together, and so I don't know what not expensive relative to what means.

    a prosumer HDV camera, yeah that you can work with. But have you ever tried loading that crap in Final Cut or Premiere? Issues up the ass.

    Learning how to light a scene is still the best thing you can do to make it look good. Even mini-DV. A nice chinese lantern from Ikea, and some reflectors are the cheapest and best way to go around making a movie look better.

    Munacra on
  • wombatwombat __BANNED USERS regular
    edited October 2007
    haha film isn't just 35mm, dumbass

    wombat on
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  • nexuscrawlernexuscrawler Registered User regular
    edited October 2007
    16mm then? Still looks much better than DV and most HD. 16mm will have more noticeable grain but with high quality scanning methods it's effective resolution is much higher than standard def video. Tons of TV shows still use 16mm as their shooting format(these days often with a transfer to HD for broadcast)

    8mm is basically a dead format so it's not even worth discussing.

    nexuscrawler on
  • MunacraMunacra Registered User regular
    edited October 2007
    wombat do you know how much it costs to shoot in HD? y/n?

    Munacra on
  • Lucky CynicLucky Cynic Registered User regular
    edited October 2007
    My friend who is going to school for film doesn't have the best camera but what he has is makeshift lighting he made one day when he spent a couple hundred dollars at Home Depo. Not the best thing to do, but it really did help many of his scenes as he did 2 takes of several shots and it really did help make the colors brighter and easier for him to edit if need be.

    Lucky Cynic on
  • arod_77arod_77 __BANNED USERS regular
    edited October 2007
    Lighting, Lighting, Lighting, Lighting.

    And good sound.

    If you don't have this, it ain't gonna matter if you have a 40000 dollar camera, it will still be shit

    arod_77 on
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  • Lucky CynicLucky Cynic Registered User regular
    edited October 2007
    I don't know if this is a noob mistake to make, but often many of my scenes in my own movie projects for my high school projects were always a bit too bright and I would have to later edit it in Movie Maker to decrease the brightness a tad. That is the right way to do it, right?

    Lucky Cynic on
  • nexuscrawlernexuscrawler Registered User regular
    edited October 2007
    With DV the general consensus is you're actually best off shooting for your highlights. Meaning expose for the whitest parts of the scene are not totally blown out even if it means the rest is slightly too dark. DV clips whites really badly and if it's too overexposed there will be no detail left to save. Really the best approach is to make your scenes less extremely lit. Bounce your lights off white walls or foamcore to soften it a little. Also if you have you own lights eliminate other sources in the room you don't want. Cover windows shut off lamps etc.

    Film usually follows the opposite approach where maintaining shadow detail is your bigger challenge.

    nexuscrawler on
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