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Ominous drums

tastydonutstastydonuts Registered User regular
So there's a drum roll sequence (steel drums likely) that's in lot of movies and TV and I've been trying to find. The use of the drums is to set an ominous or establish tension vibe, so it rises and falls. Fortunately, in the movie The Killing of a Sacred Deer, it was incorporated into a portion of the released score (00:00 - 00:16 on the video below) but it's often just played some fashion w/o a mention:

https://www.youtube.com/watch?v=sis06Y72JFc

Does anyone know the origin of that particular sequence? Trying to find the original playing of it, or just other samples.

“I used to draw, hard to admit that I used to draw...”

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    Ebola ColaEbola Cola Registered User regular
    That's a selection from Fachwerk, by Sofia Gubaidulina, not a sample.

    https://www.youtube.com/watch?v=cnLGLCjIKCM&feature=youtu.be&t=885

    I think the excerpt starts around 14:45, if the timestamp doesn't work.

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    tastydonutstastydonuts Registered User regular
    edited June 2018
    Oddly enough, all I got was information about German architecture when I searched fachwerk :T

    so I assumed the title was specific to the movie score. can’t check out the audio on that video as Im on the go atm. but if that’s it then awesome.

    tastydonuts on
    “I used to draw, hard to admit that I used to draw...”
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    tastydonutstastydonuts Registered User regular
    That’s the same pattern, but is that the origin of it?

    “I used to draw, hard to admit that I used to draw...”
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    FiendishrabbitFiendishrabbit Registered User regular
    edited June 2018
    That’s the same pattern, but is that the origin of it?

    a. Those are timpani drums, not steel drums.
    b. It's probably impossible to find an origin since the sound is made by using the tuning mechanism (usually a pedal) while striking up a quick and quiet rythm. Such mechanisms were developed during the late 19th century and I would guess that the method has been used since the beginning of the film industry.

    P.S: You can see it in a lot of Bela Bartoks music (and those are from the 1910s-1940s), although his music is often used much later. For example his "Music for Strings, Percussion and Celesta" is used in The Shining.

    Fiendishrabbit on
    "The western world sips from a poisonous cocktail: Polarisation, populism, protectionism and post-truth"
    -Antje Jackelén, Archbishop of the Church of Sweden
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    NoisymunkNoisymunk Registered User regular
    edited June 2018
    The musical term for that sound at 00:00-00:16 is a timpani glissando, played on pedal timpani using felt mallets. The percussionist would play a roll on the timpani beginning at the notated pitch and then operate the foot pedal to alter the tuning of the drum up or down to the target pitch as indicated in the musical score.
    I poked around a little looking for the first composers that may have used that sound and both Carl Nielsen and Béla Bartók were requiring it in the early 1900s. Another page mentions Verdi requiring a timpani glissando in an opera in 1887. The pedal timpani itself was invented in the 1870s, prior to that a timpanist would have to laboriously turn each tuning lug to change the pitch of each drum.

    edit: Fiendishrabbit got there while I was reading.

    Noisymunk on
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    tastydonutstastydonuts Registered User regular
    ah, excellent. it had a metal sound to it so I assumed it was in the same family? IDK. I'm not a drum person. I just recognized sound that from a lot of places... :P

    another musical mystery mostly solved. Thanks! <3

    “I used to draw, hard to admit that I used to draw...”
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    CambiataCambiata Commander Shepard The likes of which even GAWD has never seenRegistered User regular
    edited June 2018
    This post has set my music major heart aflame. I'm not exactly sure what you mean by "the origin", but I did some digging into music history to attempt to answer the question.

    The first thing to note is that the instrument performing the roll is called the timpani, or perhaps more commonly the kettle drum. The effect you're hearing is usually called a glissando, meaning that not only is the performer switching from soft to loud, but he's going from a low note to a high note using the tuning pedal on the timpani.

    https://en.wikipedia.org/wiki/Timpani#Tuning

    The mechanism that allows a percussionist to perform a glissando was only really invented in the late 1800s (1881):

    https://en.wikipedia.org/wiki/Evolution_of_timpani_in_the_18th_and_19th_centuries#Dresden_model

    That narrows us down from a lot of historical composers who may have used the specific roll you're referencing.

    In researching the subject I found the following video which is not the roll you're asking about, but it does show you two sets of timpani in action including a look at the pedal:

    https://www.youtube.com/watch?v=5zVrONjmBI4

    I found the timpani glissando roll on youtube listed simply as a "sound effect", but of course that doesn't tell us the "origin"

    https://www.youtube.com/watch?v=ElJ0fP_pxsA

    I found a Bela Bartok excerpt using the timpani roll, but it was under some other instruments:

    https://en.wikipedia.org/wiki/File:Bartók_-_Sonata_for_two_pianos_and_percussion_-_Assai_lento_-_Allegro_molto_(clip).ogg

    The articles I've read thus far suggest that the kind of rolls we're looking for would have been "invented" in the early 20th century.

    And a little more digging, and I think I have verified that yes, it is Bela Bartok that "did it first." This piece was part of the soundtrack of "The Shining", the title is Music for Strings, Percussion and Celesta by Bela Bartok (movement 3). It was written in 1936:

    https://www.youtube.com/watch?v=-9LWHEf0VFo

    Hope that helps!

    Edit: dammit, fiendishrabbit beat me!

    Cambiata on
    "If you divide the whole world into just enemies and friends, you'll end up destroying everything" --Nausicaa of the Valley of Wind
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    tastydonutstastydonuts Registered User regular
    It's okay, you were going for citations and videos, just to be sure. :P

    “I used to draw, hard to admit that I used to draw...”
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    L Ron HowardL Ron Howard The duck MinnesotaRegistered User regular
    How does the pedal adjust the pitch?
    Does it tighten the cloth or whatever on the top of the drum?

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    FiendishrabbitFiendishrabbit Registered User regular
    The pedal is attached to internal rods that pulls on the counterhoop which tightens the drumskin.

    "The western world sips from a poisonous cocktail: Polarisation, populism, protectionism and post-truth"
    -Antje Jackelén, Archbishop of the Church of Sweden
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    L Ron HowardL Ron Howard The duck MinnesotaRegistered User regular
    This thread has taught me much.

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