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I hate posting a whole thread just for one little piece but I don't think it really belongs in the Doodle Thread.
Working on a logo for my photography site/business. You guys are the most aesthetically aware artists I've ever seen, so please take a moment to crit me. I'd really appreciate it.
That's way too complicated to be a logo. Also, the font is reeeeeeally small, from far away, you couldn't tell what it says.
I'd advise against actually using this version.
ULTRA KUDOS for using an element of fotography in the logo that actually ties the name and function of the store. Good logos are like that... just, less messy.
Well first off you've broken pretty much every rule of making a nice logo. Sure, rules are made to be broken - but only when the results are awesome. What you have there is more of "type treatment" with some sort of background... thing.
If you'd really like a logo for your site/business, then you've got to simplify it a shit-ton. Then you need to ask yourself, can this logo work really big? Really small? On a shirt? On a fax? On a business card? Does it look professional or like somebody's high school project?
The whole background thing doesn't make any sense other than maybe resembling film. In fact it doesn't really count as part of the "logo" unless you simplified it and brought the edges a lot closer to the type. The motion blur on Still Shutter isn't a good idea either. I guess this could be viewed as opinion, but there's a reason you've never ever seen a nice logo with some Photoshop blur filter mucking it up. Not only does it date it, but it sort of contradicts the word "still" no?
OK I'm rambling, basically focus on the type. A good font, good kerning and possibly some sort of simple vector imagery/icon. Word up.
Then you need to ask yourself, can this logo work really big? Really small? On a shirt? On a fax? On a business card? Does it look professional or like somebody's high school project?
I tell my roommate this shit all the time and he continues to not listen pump out the worst looking logos ever for small clubs in our college.
Listen to this guy, these rules aren't rules, they are MUST DOs.
Thanks a million for the crits guys. Most of what you said were things I had considered but weren't sure of how much importance they held.
Right now using your crits I've reached this;
But can still see that it needs to be simplified more, that I need to change the font. I guess what I'm afraid of is losing the artsy quality? This is company revolves around being edgier and more conceptual, and I'd like to portray that through the logo, if that's possible.
I'm going to keep at it. Thanks again, and keep them coming!
So now it's too plain, but closer. Where as the first one in your last post is too busy/sloppy, the second one is very clean, but has no originality. I know you don't want to hear that! But I'm just trying to help haha.
So basically give it some character. Maybe stack the words, maybe make the film smaller (and thus the holes too), maybe give the film a ribbon look (waving like a flag), maybe put the film tiny next to the word, maybe a lot of stuff. Point is try some different things, play with it and most importantly - give it character.
This font is a lot better, and better laid out too.
Good show Pifman, you pretty much covered the most important points already, but I will add that you want to make sure the logo pops!
Give the consumer a reason to remember your product. At this point everyone knows what a lone pair of Golden Arches means, or the visage of Colonial Sanders, or even the red and blue, white striped sphere of the Pepsi cola company. Or perhaps most convincing is a white check marked called the "Swoosh".
All of these images can be presented without their company names and everyone knows just exactly what they are, what they mean and who they belong to.
Your goal with a logo is to want to produce this effect, known as "branding".
Try to think of a design that will convey what you are all about without having your company name or phrase anywhere near it.
Good show Pifman, you pretty much covered the most important points already, but I will add that you want to make sure the logo pops!
Give the consumer a reason to remember your product. At this point everyone knows what a lone pair of Golden Arches means, or the visage of Colonial Sanders, or even the red and blue, white striped sphere of the Pepsi cola company. Or perhaps most convincing is a white check marked called the "Swoosh".
All of these images can be presented without their company names and everyone knows just exactly what they are, what they mean and who they belong to.
Your goal with a logo is to want to produce this effect, known as "branding".
Try to think of a design that will convey what you are all about without having your company name or phrase anywhere near it.
Great advise, but logos can only become more abstract as your company becomes more popular. You want to think of something just as Mr. Elliotto said, something without your company name -- so that later down the line you can omit the name and your idea can become more abstract and still be well known. However it may be wiser to leave your name in the logo or under it or nearby for now until it becomes more well known.
Give the consumer a reason to remember your product.
God, yes! Even if you're just starting out, creating placement is esential. There are lot's of ways you can attract and keep customers, but the name and the link it creates to the brain is escential!
EDIT:
Why don't you try experimenting with another element of photography to create the logo?
Yeah, maybe you should ditch the film idea for now and try some other things. I was thinking maybe a film reel, or an actual shutter or something maybe.
Thanks for the help everyone. Yeah since I posted this I realized just how much work goes into creating a logo, and am dedicating a large amount of time to configuring one. I'm playing with some new ideas and reworking old ones, and hopefully, with time and your advice, I'll come up with something rewarding. I'll update when I feel I've reached that point.
I'm only going to comment on the original post as I think it's the piece in question. I think it looks fine. For corrections, the only thing that I would come up with would be a layering effect to distress the background further, thus enhancing the separation of the foreground (title) and the background piece... think Dave Mckean without properly aping Dave McKean ^__^.
This seems to be getting in the right direction, your focusing in on simpler points that make it interesting, but on your 3rd show, you are just going with the bare essentials.
Dont necessarily lose the style, just not so many elements as the original.
Lose the vertical lines in the box around "Still Shutter". If it were just the two horizontal lines, it would look like a strip of film, but with the box, I almost forget what it's supposed to be.
Posts
I'd advise against actually using this version.
ULTRA KUDOS for using an element of fotography in the logo that actually ties the name and function of the store. Good logos are like that... just, less messy.
If you'd really like a logo for your site/business, then you've got to simplify it a shit-ton. Then you need to ask yourself, can this logo work really big? Really small? On a shirt? On a fax? On a business card? Does it look professional or like somebody's high school project?
The whole background thing doesn't make any sense other than maybe resembling film. In fact it doesn't really count as part of the "logo" unless you simplified it and brought the edges a lot closer to the type. The motion blur on Still Shutter isn't a good idea either. I guess this could be viewed as opinion, but there's a reason you've never ever seen a nice logo with some Photoshop blur filter mucking it up. Not only does it date it, but it sort of contradicts the word "still" no?
OK I'm rambling, basically focus on the type. A good font, good kerning and possibly some sort of simple vector imagery/icon. Word up.
I tell my roommate this shit all the time and he continues to not listen pump out the worst looking logos ever for small clubs in our college.
Listen to this guy, these rules aren't rules, they are MUST DOs.
Right now using your crits I've reached this;
But can still see that it needs to be simplified more, that I need to change the font. I guess what I'm afraid of is losing the artsy quality? This is company revolves around being edgier and more conceptual, and I'd like to portray that through the logo, if that's possible.
I'm going to keep at it. Thanks again, and keep them coming!
Edit: Took it down three more notches.
So basically give it some character. Maybe stack the words, maybe make the film smaller (and thus the holes too), maybe give the film a ribbon look (waving like a flag), maybe put the film tiny next to the word, maybe a lot of stuff. Point is try some different things, play with it and most importantly - give it character.
This font is a lot better, and better laid out too.
Give the consumer a reason to remember your product. At this point everyone knows what a lone pair of Golden Arches means, or the visage of Colonial Sanders, or even the red and blue, white striped sphere of the Pepsi cola company. Or perhaps most convincing is a white check marked called the "Swoosh".
All of these images can be presented without their company names and everyone knows just exactly what they are, what they mean and who they belong to.
Your goal with a logo is to want to produce this effect, known as "branding".
Try to think of a design that will convey what you are all about without having your company name or phrase anywhere near it.
Great advise, but logos can only become more abstract as your company becomes more popular. You want to think of something just as Mr. Elliotto said, something without your company name -- so that later down the line you can omit the name and your idea can become more abstract and still be well known. However it may be wiser to leave your name in the logo or under it or nearby for now until it becomes more well known.
God, yes! Even if you're just starting out, creating placement is esential. There are lot's of ways you can attract and keep customers, but the name and the link it creates to the brain is escential!
EDIT:
Why don't you try experimenting with another element of photography to create the logo?
Thanks again!
My two bits, take 'em for what they're worth.
This seems to be getting in the right direction, your focusing in on simpler points that make it interesting, but on your 3rd show, you are just going with the bare essentials.
Dont necessarily lose the style, just not so many elements as the original.
or disguise the E and R more maybe