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Paradise's cartoons (safe for work unless your boss hates bright colors)
I disagree napp, I feel like this works as is. It's sort of jarring and fast paced both in art style and writing and I like that. Do you have any more to share? A body of work tends to yield better crits than 1 or 2 pieces
also welcome to the ac
Reminds me of Ringo Huggins/MANeatingCLOTHES' stuff. Which is to say I like it a lot and you should post more. I wouldn't mind gutters, myself, though.
Thanks for the compliments and criticism, you guys. Every bit of it is appreciated. Like gutters. I forgot about those guys.
Hmm... a body of work, Beavotron? I've only made about five comic strips in my lifetime. The one with the robots was hatched on Monday; here's one I made today:
From this one I learned to never fill large spaces with magic markers. It's like torture.
Paradise on
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NappuccinoSurveyor of Things and StuffRegistered Userregular
edited January 2010
I have no idea why, but I laughed :^:
edit: and, while the gutters do a good job of adding timing, i think this would have been better served if the gutter was smaller and there was just some extra white space at the top of the second panel
These are fun illustrations. How big are these actually? I would suggest getting some copic markers. If you work smaller it might be better for filling in things.
That last post was from an 8.5x11" sketchbook which was scanned in at 75 dpi. So the drawings aren't big, really.
The process: All but a few of the characters started as silhouettes, which I made with a yellow Sharpie Accent highlighter. After that, I defined their outlines and interior characteristics with a twin tip black Sharpie. Any other colors were added at the end with a handful of broad line Crayola markers. And just to be clear, I did them one at a time. (Just as a suggestion, doing these is a great way to work on your understanding of silhouettes.)
Hey thanks for the Copic markers suggestion, PROX. I just looked them up, and I'm salivating over all of the color/shade variations and nib styles. I want these!
Thanks, Brogan.
That "Dream and Lie of Franco" series is pretty crazy. It's visually confusing, but I like it anyway.
Picasso used to rub me the wrong way, but over the years I started to really appreciate his work.
After all, cubism produced lots of truly beautiful images.
Man those marked characters are just delightful. You should should run out and buy a set of Prisma colors stat.
Not to nudge you away from doing things in your sketchbook, because they're fab, but have you ever tried something like Illustrator? The nice simplicity of your work seems to be screaming to be vectorized.
I would totally pay money for a whole book of these, like those Mr.Men books. I found a good one for you Mes. Or maybe Mr. Drunkie would be more appropriate.
All you need to do is get some more color variation and perhaps tone the saturation down a bit.
I found a good one for you Mes. Or maybe Mr. Drunkie would be more appropriate.
Drunk or sober at least I know how to link to shit properly.
I don't mean to sound harsh, I just don't like what you do (Mr. Men included, Worm. Which reminds me, we should collaborate on something together again ).
Brogan, that means so much coming from you, seeing how your work is fantastic.
Earthwormadam, Illustrator is my favorite graphics program. It's been a year since I last got to use it, but Illustrator makes everything easier... especially dealing with color hues and values. I want to get more color variation; that's why I want some Copic markers.
Pretty much all I get to use right now are these:
and occasionally:
Incidentally, I don't have any work I can sell, but your compliment is appreciated anyway, Earthwormadam.
Oh yeah don't get me wrong Crayolas can be fantastic! Also you should sometime try to color on top of your makers with some nice colored pencils, as you can get some really cool results with that.
I think just getting some more variety in colors would go a long way, cause right now your images are saturated with heavy blues and reds.
Thanks Napp, but I don't make a comic. Someday. It takes a lot of time and effort to do a regularly-updating comic, and presently I'm very busy. Also, I don't want to fall into the habit of ramsoomarian updating.
Posts
edit: also put some gutters between the panels to help enforce the separation.
also welcome to the ac
Hmm... a body of work, Beavotron? I've only made about five comic strips in my lifetime. The one with the robots was hatched on Monday; here's one I made today:
From this one I learned to never fill large spaces with magic markers. It's like torture.
edit: and, while the gutters do a good job of adding timing, i think this would have been better served if the gutter was smaller and there was just some extra white space at the top of the second panel
Reminds me a lot of Matt Brinkman's work, actually, which I am a fan of. Weirdness is always funnier that plain-but-trying-to-be-funny.
Good work.
It's neat.
i really like these! keep doing em!
It's nearly 100% composed of character sketches.
Let me know what you think! They're in reverse chronological order, and after these first ones, they're broken into spoiler packets due to size:
more in these spoilers:
artistjeffc.tumblr.com http://www.etsy.com/shop/artistjeffc
That last post was from an 8.5x11" sketchbook which was scanned in at 75 dpi. So the drawings aren't big, really.
The process: All but a few of the characters started as silhouettes, which I made with a yellow Sharpie Accent highlighter. After that, I defined their outlines and interior characteristics with a twin tip black Sharpie. Any other colors were added at the end with a handful of broad line Crayola markers. And just to be clear, I did them one at a time. (Just as a suggestion, doing these is a great way to work on your understanding of silhouettes.)
Hey thanks for the Copic markers suggestion, PROX. I just looked them up, and I'm salivating over all of the color/shade variations and nib styles. I want these!
FYI, this one didn't start with highlighter silhouettes. Thanks for any feedback, people!
I mean that in a good way. Pretty cool imagination you've got there.
That "Dream and Lie of Franco" series is pretty crazy. It's visually confusing, but I like it anyway.
Picasso used to rub me the wrong way, but over the years I started to really appreciate his work.
After all, cubism produced lots of truly beautiful images.
Not to nudge you away from doing things in your sketchbook, because they're fab, but have you ever tried something like Illustrator? The nice simplicity of your work seems to be screaming to be vectorized.
INSTAGRAM
I hate everything you've posted in your thread. It looks like something a third grader would draw.
I've been drinking, btw.
All you need to do is get some more color variation and perhaps tone the saturation down a bit.
INSTAGRAM
Drunk or sober at least I know how to link to shit properly.
I don't mean to sound harsh, I just don't like what you do (Mr. Men included, Worm. Which reminds me, we should collaborate on something together again ).
Earthwormadam, Illustrator is my favorite graphics program. It's been a year since I last got to use it, but Illustrator makes everything easier... especially dealing with color hues and values. I want to get more color variation; that's why I want some Copic markers.
Pretty much all I get to use right now are these:
and occasionally:
Incidentally, I don't have any work I can sell, but your compliment is appreciated anyway, Earthwormadam.
I think just getting some more variety in colors would go a long way, cause right now your images are saturated with heavy blues and reds.
INSTAGRAM
Nothing special, really. Although that blue guy's kind of cool I guess. What do you think?
And if you already are, you need to slap me for not knowing about it sooner.
New page of sketches, btw:
INSTAGRAM
Worstcase: Thank you very much.
Also, I put a sombrero tribute to Jorge R. Gutierrez in there.
The writing of the comics makes me make this face.
The icing on the cake is that DavidCollins eased up on the trolling for this thread. I saw that he posted, and I was expecting something sooo rude.