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My best friend is an artist...I try to be like him!

DisrupterDisrupter Registered User regular
edited June 2007 in Artist's Corner
Hey all, Ive always enjoyed doodling in my free time, though ive never been very good. One of my good friends is a kick ass artist (goes to art school and puts his class mates to shame) and I feel good when I can show him something I did and get his opinions on it, especially if he thinks it doesnt blow. So with that in mind, I figure you guys could help me blow less.

First off, I use the mouse to draw, so I know my edges arent clean, any tips on fixing that? I might get a tablet in a month or two, so hopefully that will help...

Heres some various celebs ive practiced drawing, some I enjoy (the jessica alba) others I dont at all...(the jennifer aniston) but I figure critique is critique...

jessica.png


jenniferanistonfinished.png


portafinished.png


czjfinished.png


smgfinished.png


And here are two "desktops" i made for my girlfriend combining some of her favorite things. With these, although skill critiques are welcome I also would like some discussion about how the images are layed out, since these were more creative and not just drawing from life...especially with the second one.

The first one I went with a sort of "cell shaded" attempt at a style...

desktop.jpg


The second, more realistic...

happybirthdayREMIX.jpg
And finally, just because man, I always see people get absolutely destroyed when they post comics, I want to post a comic I used to do years ago (but havent touched in years, but might oneday pick back up if I ever have free time) to see how badly it gets torched. Did I steal PAs style? Is the art even passable? The comic doesnt focus on videogames, but since me and my friends do play them, it did go there every once in a while. In this comic comic me was maliciously fooled into going into the future and is now stuck there...

d27e4e9a.png

616610-1.png
Disrupter on

Posts

  • desperaterobotsdesperaterobots perth, ausRegistered User regular
    edited June 2007
    Pro-tip: Draw with a pencil instead of a mouse.

    desperaterobots on
  • matthewbmatthewb Registered User regular
    edited June 2007
    haha, i really love that comic. if you continued making them, I'd read em without fail!

    matthewb on
  • Creambun 007Creambun 007 Registered User regular
    edited June 2007
    The eyes on some of those pictures are MESSED UP.

    Creambun 007 on
    Diggity.
  • Stupid Mr Whoopsie NameStupid Mr Whoopsie Name Registered User, ClubPA regular
    edited June 2007
    The eyes on some of those pictures are MESSED UP.

    And?

    Stupid Mr Whoopsie Name on
  • Creambun 007Creambun 007 Registered User regular
    edited June 2007
    The eyes on some of those pictures are MESSED UP.

    And?

    And... they will haunt my dreams forever?

    Creambun 007 on
    Diggity.
  • Stupid Mr Whoopsie NameStupid Mr Whoopsie Name Registered User, ClubPA regular
    edited June 2007
    I was thinking more along the lines of...

    And? Do you have anything useful you can offer to help improve the eyes you so declare MESSED UP?

    Stupid Mr Whoopsie Name on
  • core tacticcore tactic Registered User regular
    edited June 2007
    The faces, while technically correct, are still kind of freaky looking in a way I can't place.

    core tactic on
    6700ab2ed7bb6f9876150c388a78a011.png
  • EntrYEntrY Registered User regular
    edited June 2007
    It seems that you paint those girls with a very hard brush, and then blur them out with the smudge tool? That gives a very weird and uneccesary effect. Try and look up some tutorials on digital painting, because I think your technique is... bad.

    Maybe try to get your anatomy (especially facial structures) straight before embarking on the whole digipainting thing?

    EntrY on
    beavotron wrote:
    hang on, i need to go put an adult diaper on before you continue explaining.

    Flickr ... Myspace
  • DisrupterDisrupter Registered User regular
    edited June 2007
    yeah, ive always struggled hardcore with eyes. Some of it I blame on the mouse since I cant do a lot of curves and such well with it, but even sketching with a pencil I have trouble. So if you have any advice on eyes id really like it...

    And as for the facial anatomy. Believe it or not, painting these has helped me learn a lot. I know I should probably sketch more for practice rather then painting because its quicker. But at the same time, the time spent focusing on these paintings has made me focus on what casts shadows where and why, thus helping me learn how the face works. The most recent works I did were the two "desktops" which werent drawn from life pictures and although are less realistic, I hope at least show an improvement in anatomy knowlege.

    I guess, how will I learn the details in the anatomy of the face without practice?


    And yes, you nailed my "technique" perfectly. I paint hard and then use smudge to try to paint. Do you recommend a tutorial in particular to start with? I notice there is a "ghostly" kind of blur with a lot of the girls and an oddly sinister look to some and Im not sure why...

    I had the same issues when I took a painting class last summer. The teacher refused to help me break that and instead said it was my style and the class agreed it looked cool. Woo for not hurting peoples feelings...but not woo for failing to help me grow.

    Disrupter on
    616610-1.png
  • Penguin-FactoryPenguin-Factory Registered User regular
    edited June 2007
    I'd definteley recommend drawing before you try painting. Learning to do eyes well will be much easier with a pencil.

    Penguin-Factory on
  • DangerousDangerous Registered User regular
    edited June 2007
    About the eyes, the reason they look so out of place is because of the hard black lines you used around them. There are no black outlines on anything else so why put them around the eyes? Lashes tend to be more dark brown and subtle, also you won't see individual ones at that distance. I like your work on the skin-tones though, it is looking pretty good so far. Keep practicing!

    Dangerous on
    sig2-2.jpg
  • EntrYEntrY Registered User regular
    edited June 2007
    When I talked about the smudge-tool thing I ment for you to stop it. It's not attractive (in fact it looks very very weird). I must admit I don't know any tutorials, since I don't relly do any serious digital painting myself, but I'm sure somebody inhere has one - or just try and google it. Painting hard and then smudging it is a no go!. Try some softer brushes, maybe?

    Your art teacher is a numbskull. Or maybe he's just lazy. Saying "it's your style" sure saved him alot of further work.

    EntrY on
    beavotron wrote:
    hang on, i need to go put an adult diaper on before you continue explaining.

    Flickr ... Myspace
  • NovusNovus regular
    edited June 2007
    I'd like to ask (and please don't take offence) did you draw these from reference or did you just paint directly over the pictures. If you did it from reference (i.e. the picture was on your desk or next to your computer or something) then I'd say there's some definite skill there and the anomalies (the hands and feet are ghastly; the eyes have been mentioned) are simply a result of the awkward interface. If you’re just loading the picture directly into whatever program you’re using and drawing over it; well that’s fine and all but you’re not really learning anything, it’s no different from tracing.

    The whites of the eyes; they’re completely white, real eyes will have shadow just like any sphere, particularly just below the eyelids and in the corners.
    Fingers and toes, just ew. The fingers on Jessica Alba look like stripes of bacon. Hands are really tough, the only solution is to draw them over and over until you begin to understand the shape. If you look around the site you can find lots of great resources for hands and all sorts of other stuff.

    Your proportions are for the most part rock solid; except in the bottom two where they’re suddenly pretty skewed, this is why I suspect you may be tracing. Harry Potter’s lower body is just a blue blob, even though he’s wearing a robe there should be some definition on the legs, same goes for the feet. The kissing couple is so-so, the girl is pretty good but they guys head is way too large; his arm (particularly the forearm) is way too long. Thor, the bear and curious George look really good, kudos if you drew them, if they’re traced you haven’t really demonstrated anything.

    As for composition; one thing that really stands out is how you’ve done a transparency with Harry Potter’s arm rather than having it go behind the couple entirely; it takes the focus away from them somewhat, also the fact that Harry is the only character in the piece that’s looking directly at the viewer puts more attention on him than I think you would want.

    Novus on
    I'm not smart, but thanks to the internet I can pretend.
    wii Number 0648 2052 0203 3154
  • DangerousDangerous Registered User regular
    edited June 2007
    Here's a good digital painting tutorial for beginners.

    http://www.deviantart.com/deviation/34562471/?q=painter+tutorial&qh=boost%3Apopular+age_sigma%3A24h+age_scale%3A5
    (You have to click on that hideously stretched image to make it show up)

    Dangerous on
    sig2-2.jpg
  • saltinesssaltiness Registered User regular
    edited June 2007
    I really like these, despite all the things technically wrong with them.

    saltiness on
    XBL: heavenkils
  • DisrupterDisrupter Registered User regular
    edited June 2007
    I am using references and drawing from scratch. The cheapest thing I do is sometimes (i think I did it on maybe one or two of the top peices, on none of the bottom) copy and paste my line art over the actual image to see where I need to make adjustments.

    Oddly enough the bear and the viking were done from very rough references ( logos for the sports teams they represent). Where as most of my other drawings use an actual pose as a reference, those two were done just from my mind and in the case of the viking, looking at my own arms and hands...

    So, compliments on those make me smile :)

    And I agree the focus is on harry way too much and I think its due to his death gaze towards the viewer.


    Ill definately check out that tutorial and try to post the resulting improvement in my work.

    And, I did (in the past, not so much now) do a lot of pencil sketches in my time, mainly during class. But for purposes of getting critiques, since I have no scanner, the pure digital art is the only option. Plus I have trouble giving any sort of dedication or real effort to a pencil sketch, so the quality is usually pretty crap.

    As for the eyes, treating them as spheres might help me a ton, so thanks for that advice.

    Disrupter on
    616610-1.png
  • NovusNovus regular
    edited June 2007
    Disrupter wrote: »
    I am using references and drawing from scratch.

    I owe you an appology for the implication of tracing; honestly you would put a few people in art school to shame yourself. And the fact that you used a mouse for these; wow, just wow.

    Novus on
    I'm not smart, but thanks to the internet I can pretend.
    wii Number 0648 2052 0203 3154
  • padmeamandapadmeamanda Registered User regular
    edited June 2007
    Hmm... lines seem harsh in some places and blurry in others... try to keep it consistant, otherwise it ends up looking like patchwork smooshiness... elements don't seem to belong together in the same plane. Drawing with a tablet might help but I think it's a little more than that.

    padmeamanda on
  • NakedZerglingNakedZergling A more apocalyptic post apocalypse Portland OregonRegistered User regular
    edited June 2007
    seems like you're painting poorly over photos.

    NakedZergling on
  • EntrYEntrY Registered User regular
    edited June 2007
    seems like you're painting poorly over photos.

    Did you read any other posts in this thread before submitting that?

    EntrY on
    beavotron wrote:
    hang on, i need to go put an adult diaper on before you continue explaining.

    Flickr ... Myspace
  • Creambun 007Creambun 007 Registered User regular
    edited June 2007
    I was thinking more along the lines of...

    And? Do you have anything useful you can offer to help improve the eyes you so declare MESSED UP?

    I think the biggest thing would be to tone down the harsh black lines used around the eyes. These paintings mainly use change in color and tone to suggest edges, and then BAM, he starts using lines to define the eye shapes. I would suggest staying consistent while rendering the entire image, and not giving the eyes their own special treatment. If you are using tone instead of line to render your image, make sure you do the same for every part, unless you're going for some kind of emotional or creative/abstract effect. Remember, they aren't actually eyes, they're only a mixture of colors/shades/lines that represent an eye.

    Also, they just don't look like eyes.

    Do this tutorial. It will blow your mind. http://features.cgsociety.org/story_custom.php?story_id=3165

    Creambun 007 on
    Diggity.
  • DisrupterDisrupter Registered User regular
    edited June 2007
    So, heres my first attempt at using your guys critiques on my work. I did the didgital painting tutorial and stopped using the smudge brush and followed the techniques on the turtorial. I tried doing the eye tutorial and it worked ok until I started trying to mess around with her make-up. I think thats one of my biggest problems with eyes. In the photos I use they use a LOT of eye makeup and make their lashes thick and black, and the surrounding area dark as well and it throws me off..

    Anyway, I still think the eyes are an improvement from my earlier stuff.

    sarahsilverman.png

    Is it an improvment? How can I help fix the eyes. Cause I also know that comparing my painting to the original photo, the eyes are one of the main differences. I struggle with them so...

    Disrupter on
    616610-1.png
  • NakedZerglingNakedZergling A more apocalyptic post apocalypse Portland OregonRegistered User regular
    edited June 2007
    EntrY wrote: »
    seems like you're painting poorly over photos.

    Did you read any other posts in this thread before submitting that?

    yup and i still maintain that is seems like he's painting badly over photos.

    NakedZergling on
  • NakedZerglingNakedZergling A more apocalyptic post apocalypse Portland OregonRegistered User regular
    edited June 2007
    jenniferaniston2lh3.jpg

    basically you're trying to run, but you don't know how to walk.

    break down the face and anatomy. notice that yours has some elements that keep it from looking great. you don't seem to understand the basic structure of the anatomy and face. seem like you're just mimicking waht you see but not really understanding what you're drawing.

    here what i would like you to do. break down this picture into basic shapes. see "through" the figure
    break down the head as well, don't worry about color, worry about everyting being where it needs to be.

    you neck looks almost like it's dead on, your eyes aren't on the same plane where her sockets should be..things like this need to be correct before you need to really worry about tons of color and whatnot.

    just my 2 cents.

    NakedZergling on
  • DisrupterDisrupter Registered User regular
    edited June 2007
    EntrY wrote: »
    seems like you're painting poorly over photos.

    Did you read any other posts in this thread before submitting that?

    yup and i still maintain that is seems like he's painting badly over photos.

    yeah, but im not...so I dont see how thats helpful. But Ill take it as a compliment since if it looks like im painting over a photo (although be it "badly") i must be doing SOMETHING right. :)

    And,I realize that I am jumping a bit ahead with the full digital painting when perhaps I should be practicing just facial structures and anatomy and what not. But,its not like Im NOT getting the practice by doing what Im doing, its just taking longer I suppose. I think focusing on the tones of color helps me better understand whats casting the shadow and makes me focus on WHY those changes in color are occuring and what structure of the face is causing it.

    Disrupter on
    616610-1.png
  • IrukaIruka Registered User, Moderator Mod Emeritus
    edited June 2007
    Well, coping these photos, especially in this particular vain, gives you very flat pictures. They have those hazy lighting structures that eliminate harsh lines for their soft look, and it doesn't say much about form. Look for stuff like this (NSFW) or this(NSFW) You want defined light sources, you're going to learn more. Try grayscale and get some more contrast working. Try to use big brushes and loosen up at first. Don't start softening your tones all willy nilly, either.

    But really what you gotta do is draw from life and all that stuff we say all the time. Still, better pictures will help.

    Iruka on
  • NovusNovus regular
    edited June 2007
    Disrupter wrote: »
    And,I realize that I am jumping a bit ahead with the full digital painting when perhaps I should be practicing just facial structures and anatomy and what not. But,its not like Im NOT getting the practice by doing what Im doing, its just taking longer I suppose. I think focusing on the tones of color helps me better understand whats casting the shadow and makes me focus on WHY those changes in color are occuring and what structure of the face is causing it.

    Yes and no. As a hobbyist what you’re doing is fine; but you're also kind of running in circles. You have a good eye, solid co-ordination considering you’re working with a mouse and you have a good sense of color but if you want to get better (and why else would you be here) you should stop drawing from photos and do some work on live models, 3D objects are a whole different animal (check the figure in perspective thread to see some debate on the subject). Get a mirror and do self portraits; I’m not saying you have to post them (though you should) but if you do one every day for a week you will notice an improvement.

    As for your latest work there’s no real improvement from your other pieces. With the eyes try to remember that the lightest part will be near the center; the darkest part will usually be just below the top eyelid and the corners; also it never hurts to add a dot or two of light glare. Some of the problems in the piece are probably due to the mouse but for the sake of critique I’m going to proceed as if that’s not the case; never blame your tools.

    The light line on her right shoulder (our left) needs to blend in with the rest of the shoulder, also it’s uncommon for the brightest part of an object to be the very edge. If the light source is in front of the object (coming from roughly the same direction as the viewer) the highlight will never be on the edge and there will be a moderate contrast; if the light source is directly beside the object the highlight will be on the edge but the opposite side of the object would then be a lot darker, if the light source is behind the object the outer edges will be fairly bright but everything in the center will be dark. Ridges will be lighter indents will be darker and the sharpness of a curve will determine the level of contrast.

    Go to a room with a single light source; a light bulb hanging from the ceiling is ideal. Get a ball and move it around and watch what happens with the shadows. Do this with other object; make a mental note of where the light and shadow go as you move them. Draw these objects over and over; if you want to get really serious I would say fill a sketchbook from start to finish.

    And then there’s shape and form; that’s where most teachers will get you to start but since your focus seems to be color I’ll leave that for now as I’m getting really close to TLDR.

    Novus on
    I'm not smart, but thanks to the internet I can pretend.
    wii Number 0648 2052 0203 3154
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