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is there any poetry that is worth reading?

Captain KCaptain K Registered User regular
edited May 2008 in Social Entropy++
In general I hate poetry, but every now and then I come across some that I can stomach, and ever so rarely I find poetry that I actually like.

Here are a couple of examples. There's a good chance you'll recognize one or both.


Dulce et Decorum Est
by Wilfred Owen, written 1917, published 1920
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.


Goblin Market
by Christina Rossetti, written 1859, published 1862
MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"O! cried Lizzie, Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie, "no, no, no;
Their offers should not charm us,
Their evil gifts would harm us."
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry-scurry.
Lizzie heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
"Come buy, come buy."
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money:
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered altogether:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then sucked their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She sucked and sucked and sucked the more
Fruits which that unknown orchard bore,
She sucked until her lips were sore;
Then flung the emptied rinds away,
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay hush," said Laura.
"Nay hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more," and kissed her.
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons, icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink,
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down, in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fallen snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars beamed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.

Early in the morning
When the first cock crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came--
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags,
No wilful squirrel wags,
The beasts and birds are fast asleep."
But Laura loitered still among the rushes
And said the bank was steep.

And said the hour was early still,
The dew not fallen, the wind not chill:
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come,
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark;
For clouds may gather even
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, naught discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent 'til Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for balked desire, and wept
As if her heart would break.



Day after day, night after night,
Laura kept watch in vain,
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy,"
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay, and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy."
Beside the brook, along the glen
She heard the tramp of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.

She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter-time,
With the first glazing rime,
With the first snow-fall of crisp winter-time.

Till Laura, dwindling,
Seemed knocking at Death's door:
Then Lizzie weighed no more
Better and worse,
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook,
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry-skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, --
Hugged her and kissed her;
Squeezed and caressed her;
Stretched up their dishes,
Panniers and plates:
"Look at our apples
Russet and dun,
Bob at our cherries
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and suck them,
Pomegranates, figs."

"Good folk," said Lizzie,
Mindful of Jeanie,
"Give me much and many"; --
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honor and eat with us,"
They answered grinning;
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavor would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us."
"Thank you," said Lizzie; "but one waits
At home alone for me:
So, without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee."
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood,
Like a rock of blue-veined stone
Lashed by tides obstreperously, --
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, --
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, --
Like a royal virgin town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tear her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in;
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot.
Some writhed into the ground,
Some dived into the brook
With ring and ripple.
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore through the furze,
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse, --
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried "Laura," up the garden,
"Did you miss me ?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me:
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin;
Thirsty, cankered, goblin-ridden?"
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins, knocked at her heart,
Met the fire smouldering there
And overbore its lesser flame,
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped water-spout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life ?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
With tears and fanning leaves:
But when the first birds chirped about their eaves,
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bowed in the morning winds so brisk to pass,
And new buds with new day
Opened of cup-like lilies on the stream,
Laura awoke as from a dream,
Laughed in the innocent old way,
Hugged Lizzie but not twice or thrice;
Her gleaming locks showed not one thread of gray,
Her breath was sweet as May,
And light danced in her eyes.

Days, weeks, months,years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat,
But poison in the blood;
(Men sell not such in any town;)
Would tell them how her sister stood
In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands
Would bid them cling together,
"For there is no friend like a sister,
In calm or stormy weather,
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands."

Anyway, neither of these are particularly far off the beaten path, which is why I'm making this thread. Share some poetry that's not a complete snoozefest so I can read it!

Captain K on
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Posts

  • GoatmonGoatmon Companion of Kess Registered User regular
    edited May 2008
    You picked the perfect board to start this thread.

    Goatmon on
    Switch Friend Code: SW-6680-6709-4204


  • the wookthe wook Registered User regular
    edited May 2008
  • SilmarilSilmaril Mr Ha Ha Hapless. Registered User regular
    edited May 2008
    The Soldier, by Rupert Brooke (1914)

    If I should die, think only this of me:
    That there's some corner of a foreign field
    That is forever England. There shall be
    In that rich earth a richer dust concealed;
    A dust whom England bore, shaped, made aware,
    Gave, once, her flowers to love, her ways to roam,
    A body of England's, breathing English air,
    Washed by the rivers, blest by suns of home.

    And think, this heart, all evil shed away,
    A pulse in the eternal mind, no less
    Gives somewhere back the thoughts by England given;
    Her sights and sounds; dreams happy as her day;
    And laughter, learnt of friends; and gentleness,
    In hearts at peace, under an English heaven.

    Silmaril on
    t9migZb.jpg
  • Captain KCaptain K Registered User regular
    edited May 2008
    well let's see

    I wanted to ask regular SE posters to help broaden my horizons

    and this is SE

    so yes, yes I did pick the perfect board to start this thread

    Captain K on
  • ZephyrZephyr Registered User regular
    edited May 2008
    nah man poetry is gay

    Zephyr on
    16kakxt.jpg
  • FaricazyFaricazy Registered User regular
    edited May 2008
    roses are red

    violets are blue

    K has a giant butt

    it's looming over you

    Faricazy on
  • ButtersButters A glass of some milks Registered User regular
    edited May 2008
    Spectre's a faggot...

    Butters on
    PSN: idontworkhere582 | CFN: idontworkhere | Steam: lordbutters | Amazon Wishlist
  • OrikaeshigitaeOrikaeshigitae Registered User, ClubPA regular
    edited May 2008
    the thing i like best about this poem is that you can read it, not know any of the references, and still get the emotional message, just from the tone of the poem

    it's my favouritest poem ever

    http://www.bartleby.com/201/1.html

    i also like this one

    Orikaeshigitae on
  • bowtiedsealbowtiedseal Registered User regular
    edited May 2008
    oh man I'm supposed to be packing and running around and doing stuff but I want to post my favorite poem

    spanish
    Soneto XVII - Pablo Neruda

    No te amo como si fueras rosa de sal, topacio
    o flecha de claveles que propagan el fuego:
    te amo como se aman ciertas cosas oscuras,
    secretamente, entre la sombra y el alma.

    Te amo como la planta que no florece y lleva
    dentro de sí, escondida, la luz de aquellas flores,
    y gracias a tu amor vive oscuro en mi cuerpo
    el apretado aroma que ascendió de la tierra.

    Te amo sin saber cómo, ni cuándo, ni de dónde,
    te amo directamente sin problemas ni orgullo:
    así te amo porque no sé amar de otra manera,

    sino así de este modo en que no soy ni eres,
    tan cerca que tu mano sobre mi pecho es mía,
    tan cerca que se cierran tus ojos con mi sueño.

    the first english translation I found, and I didn't read it so I don't know if it's any good.
    I do not love you as if you were a rose made of salt or topaz
    or an arrow of carnations spreading fire:
    I love you the way certain dark things are loved,
    secretly, between the shadow and the soul.

    I love you like the plant that never blooms,
    but conceals within itself the light of those flowers;
    and, thanks to your love, the darkness of my body
    houses the suffocating aroma that arose from the earth.

    I love you without knowing how, when, or where from;
    I love you straightforwardly, with neither problems nor pride:
    I love you thus, not knowing how to love you otherwise

    than this way whereby neither ‘you’ nor ‘I’ exist…
    so close that your hand on my chest is mine,
    so close that your eyes grow heavy when I tire.

    bowtiedseal on
  • lostwordslostwords Registered User regular
    edited May 2008
    i like limericks

    lostwords on
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  • Munkus BeaverMunkus Beaver You don't have to attend every argument you are invited to. Philosophy: Stoicism. Politics: Democratic SocialistRegistered User, ClubPA regular
    edited May 2008
    crawling in my skin
    these wounds they will not heal

    Munkus Beaver on
    Humor can be dissected as a frog can, but dies in the process.
  • The Lovely BastardThe Lovely Bastard Registered User regular
    edited May 2008
    munkus that is the best poem

    The Lovely Bastard on
    7656367.jpg
  • Munkus BeaverMunkus Beaver You don't have to attend every argument you are invited to. Philosophy: Stoicism. Politics: Democratic SocialistRegistered User, ClubPA regular
    edited May 2008
    But seriously. Dante's inferno.

    I mean but shit.

    The whole fucking text actually rhymes.

    Munkus Beaver on
    Humor can be dissected as a frog can, but dies in the process.
  • mcpmcp Registered User regular
    edited May 2008
    Paula Nancy Millstone Jennings

    mcp on
  • FaricazyFaricazy Registered User regular
    edited May 2008
    To sate my hunger
    today I had roast pork, oh
    what a tasty meal

    Faricazy on
  • The Lovely BastardThe Lovely Bastard Registered User regular
    edited May 2008
    rhyming's for queers

    The Lovely Bastard on
    7656367.jpg
  • ZombiemamboZombiemambo Registered User regular
    edited May 2008
    Poetry is for fags
    Fags that get all the women

    There are three critical components to wooing a female: speaking French, cooking and dancing

    Poetry is icing on the cake

    Zombiemambo on
    JKKaAGp.png
  • webberwebber Registered User regular
    edited May 2008
    John Donne does dirty Renaissance poetry. It allows you to be incredibly immature and act dignified at the same time.

    webber on
    This lucky penny is bullshit.
    Hearthstone - Webber #1330
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  • FaricazyFaricazy Registered User regular
    edited May 2008
    hark, pork
    stay there, still in your place
    i will eat you in a moment

    Faricazy on
  • lostwordslostwords Registered User regular
    edited May 2008
    I've seen things you people wouldn't believe
    Attack ships on fire off the shoulder of Orion.
    I watched C-beams glitter in the dark near the Tannhauser gate.

    All those moments will be lost in time, like tears in rain.


    Time to die.

    lostwords on
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  • Cosmic SombreroCosmic Sombrero Registered User regular
    edited May 2008
    ai is great if you don't mind life being terrible, i have to process her in very small doses or I lose the meaning

    Bukowski is pretty tits, and I enjoy Kipling's stuff. I'll post some later when I find my books.

    Cosmic Sombrero on
  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    William Ernest Henley. 1849–1903

    7. Invictus


    OUT of the night that covers me,
    Black as the Pit from pole to pole,
    I thank whatever gods may be
    For my unconquerable soul.

    In the fell clutch of circumstance
    I have not winced nor cried aloud.
    Under the bludgeonings of chance
    My head is bloody, but unbowed.

    Beyond this place of wrath and tears
    Looms but the Horror of the shade,
    And yet the menace of the years
    Finds, and shall find, me unafraid.

    It matters not how strait the gate,
    How charged with punishments the scroll,
    I am the master of my fate:
    I am the captain of my soul.

    Belruel on
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  • FaricazyFaricazy Registered User regular
    edited May 2008
    all my poetry is about pork products

    Faricazy on
  • lostwordslostwords Registered User regular
    edited May 2008
    Faricazy wrote: »
    all my poetry is about pork products

    bacon or ham?

    your life depends on the answer

    lostwords on
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  • As7As7 Registered User regular
    edited May 2008
    You know I like poetry but I have trouble getting motivated to go out and find it...

    ...for me it works best when it's attached to an individual I know or can have a conversation with or am in a class with, it's just sort of another form of communication in that case, one that can be pretty enjoyable.

    For that reason I don't read a lot of poetry but I like poetry jams and poetry classes etc.

    As7 on
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  • ButtersButters A glass of some milks Registered User regular
    edited May 2008
    It's about fuckin' this bitch and that bitch
    But not the bitch with the 7 day itch, like that ho'
    Just throwin' me the pussy
    She says she wants to do it like a doggy
    She's bad, nobody is badder
    But she got more crabs than a seafood platter

    Butters on
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  • FaricazyFaricazy Registered User regular
    edited May 2008
    lostwords wrote: »
    Faricazy wrote: »
    all my poetry is about pork products

    bacon or ham?

    your life depends on the answer
    hambacon sausages

    Faricazy on
  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    seriously though duders, Invictus totally rocks.

    Belruel on
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  • Cosmic SombreroCosmic Sombrero Registered User regular
    edited May 2008
    I'd like Invictus more if it wasn't quoted at every damn graduation speech.

    Bluebird by Charles Bukowski
    there's a bluebird in my heart that
    wants to get out
    but I'm too tough for him,
    I say, stay in there, I'm not going
    to let anybody see
    you.
    there's a bluebird in my heart that
    wants to get out
    but I pur whiskey on him and inhale
    cigarette smoke
    and the whores and the bartenders
    and the grocery clerks
    never know that
    he's
    in there.

    there's a bluebird in my heart that
    wants to get out
    but I'm too tough for him,
    I say,
    stay down, do you want to mess
    me up?
    you want to screw up the
    works?
    you want to blow my book sales in
    Europe?
    there's a bluebird in my heart that
    wants to get out
    but I'm too clever, I only let him out
    at night sometimes
    when everybody's asleep.
    I say, I know that you're there,
    so don't be
    sad.
    then I put him back,
    but he's singing a little
    in there, I haven't quite let him
    die
    and we sleep together like
    that
    with our
    secret pact
    and it's nice enough to
    make a man
    weep, but I don't
    weep, do
    you?

    Cosmic Sombrero on
  • MugginsMuggins Registered User regular
    edited May 2008
    OH CAPTAIN


    MY CAPTAIN

    Muggins on
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  • ButtersButters A glass of some milks Registered User regular
    edited May 2008
    Belruel wrote: »
    seriously though duders, Invictus totally rocks.

    Henley ain't got nothing on Easy E.

    Butters on
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  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    maybe i would have liked my graduation more if they had quoted invictus. maan, how many graduations have you been to that it bothers you?

    i also try to like poetry on its own merit, not the circumstances others place it in, because that is silly

    Belruel on
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  • Bad-BeatBad-Beat Registered User regular
    edited May 2008
    Wilfred Owen.
    Served in the first World War and died one week before Armistice Day.
    What passing-bells for these who die as cattle?
    Only the monstrous anger of the guns.
    Only the stuttering rifles' rapid rattle
    Can patter out their hasty orisons.
    No mockeries now for them; no prayers nor bells;
    Nor any voice of mourning save the choirs,
    The shrill, demented choirs of wailing shells;
    And bugles calling for them from sad shires.

    What candles may be held to speed them all?
    Not in the hands of boys, but in their eyes
    Shall shine the holy glimmers of good-byes.
    The pallor of girls' brows shall be their pall;
    Their flowers the tenderness of patient minds,
    And each slow dusk a drawing-down of blinds.

    Bad-Beat on
  • lostwordslostwords Registered User regular
    edited May 2008
    I like Robert Frost because of The Outsiders

    Stay gold, Ponyboy

    lostwords on
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  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    when i was younger i loved the poem Annabel Lee, i had it all memorized, i only remember parts of it now. that poem just flows in such a lovely way

    Belruel on
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  • Cosmic SombreroCosmic Sombrero Registered User regular
    edited May 2008
    Belruel wrote: »
    maybe i would have liked my graduation more if they had quoted invictus. maan, how many graduations have you been to that it bothers you?

    i also try to like poetry on its own merit, not the circumstances others place it in, because that is silly

    It's not like that. It's like, you have a song you really like, and then it gets played over and over again on the radio, and the oversaturation detracts from your continued enjoyment of it. I really love Invictus too.

    Cosmic Sombrero on
  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    also, freaking The Wasteland is insane.

    first four lines:

    I. THE BURIAL OF THE DEAD

    APRIL is the cruellest month, breeding
    Lilacs out of the dead land, mixing
    Memory and desire, stirring
    Dull roots with spring rain.

    it is epic, and worth many readings

    Belruel on
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  • BelruelBelruel NARUTO FUCKS Registered User regular
    edited May 2008
    Belruel wrote: »
    maybe i would have liked my graduation more if they had quoted invictus. maan, how many graduations have you been to that it bothers you?

    i also try to like poetry on its own merit, not the circumstances others place it in, because that is silly

    It's not like that. It's like, you have a song you really like, and then it gets played over and over again on the radio, and the oversaturation detracts from your continued enjoyment of it. I really love Invictus too.

    but then i have to ask again, exactly how many graduations have you been to that is has that effect, maaaan. too many graduations.

    Belruel on
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  • DroolDrool Science! AustinRegistered User regular
    edited May 2008
    Uncle Wally would like a word with you.
    485px-Walt_Whitman_edit_2.jpg
    O Captain! my Captain! our fearful trip is done;
    The ship has weather'd every rack, the prize we sought is won;
    The port is near, the bells I hear, the people all exulting,
    While follow eyes the steady keel, the vessel grim and daring:
    But O heart! heart! heart!
    O the bleeding drops of red,
    Where on the deck my Captain lies,
    Fallen cold and dead.


    O Captain! my Captain! rise up and hear the bells;
    Rise up--for you the flag is flung--for you the bugle trills;
    For you bouquets and ribbon'd wreaths--for you the shores a-crowding;
    For you they call, the swaying mass, their eager faces turning;
    Here Captain! dear father!
    This arm beneath your head;
    It is some dream that on the deck,
    You've fallen cold and dead.


    My Captain does not answer, his lips are pale and still;
    My father does not feel my arm, he has no pulse nor will;
    The ship is anchor'd safe and sound, its voyage closed and done;
    From fearful trip, the victor ship, comes in with object won;
    Exult, O shores, and ring, O bells!
    But I, with mournful tread,
    Walk the deck my Captain lies,
    Fallen cold and dead.

    Get Leaves of Grass, it can be found at your local library.

    Drool on
  • JedocJedoc In the scuppers with the staggers and jagsRegistered User regular
    edited May 2008
    Kipling is probably my favorite poet. He's just so easy to sit down and read.

    Tommy Atkins
    I went into a public-'ouse to get a pint o' beer,
    The publican 'e up an' sez, "We serve no red-coats here."
    The girls be'ind the bar they laughed an' giggled fit to die,
    I outs into the street again an' to myself sez I:
    O it's Tommy this, an' Tommy that, an' "Tommy, go away";
    But it's "Thank you, Mister Atkins", when the band begins to play,
    The band begins to play, my boys, the band begins to play,
    O it's "Thank you, Mister Atkins", when the band begins to play.

    I went into a theatre as sober as could be,
    They gave a drunk civilian room, but 'adn't none for me;
    They sent me to the gallery or round the music-'alls,
    But when it comes to fightin', Lord! they'll shove me in the stalls!
    For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
    But it's "Special train for Atkins" when the trooper's on the tide,
    The troopship's on the tide, my boys, the troopship's on the tide,
    O it's "Special train for Atkins" when the trooper's on the tide.

    Yes, makin' mock o' uniforms that guard you while you sleep
    Is cheaper than them uniforms, an' they're starvation cheap;
    An' hustlin' drunken soldiers when they're goin' large a bit
    Is five times better business than paradin' in full kit.
    Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
    But it's "Thin red line of 'eroes" when the drums begin to roll,
    The drums begin to roll, my boys, the drums begin to roll,
    O it's "Thin red line of 'eroes" when the drums begin to roll.

    We aren't no thin red 'eroes, nor we aren't no blackguards too,
    But single men in barricks, most remarkable like you;
    An' if sometimes our conduck isn't all your fancy paints,
    Why, single men in barricks don't grow into plaster saints;
    While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
    But it's "Please to walk in front, sir", when there's trouble in the wind,
    There's trouble in the wind, my boys, there's trouble in the wind,
    O it's "Please to walk in front, sir", when there's trouble in the wind.

    You talk o' better food for us, an' schools, an' fires, an' all:
    We'll wait for extry rations if you treat us rational.
    Don't mess about the cook-room slops, but prove it to our face
    The Widow's Uniform is not the soldier-man's disgrace.
    For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
    But it's "Saviour of 'is country" when the guns begin to shoot;
    An' it's Tommy this, an' Tommy that, an' anything you please;
    An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

    Jedoc on
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