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The Guiding Principles and New Rules document is now in effect.
What sets great composers apart from other composers is that they are musical pioneers who end up defining associated work with their own creations. Morricone is best known for his scoring of spaghetti westerns. For instance, we all know this little tune:
Once Upon a Time in America is amazing. So is Cinema Paradiso.
And link the original version of The Good, the Bad, and the Ugly, not that Hugo Montgomery bullshit.
Also Hans Zimmer. He may basically write the same piece for every movie, but damn if it doesn't sound fantastic every time.
I think the DUH DUH, DUH DUH thing in Dark Knight really helped make Joker feel like more of a threat. If he had just kept with the slow semi-build up it would have been dull.
John Williams and Jerry Goldsmith were the two composing gods until Jerry died.
John's output is pretty much just Spielberg now so the ones I follow now are
Michael Giacchino (woo!)
John Powell
Alexandre Desplat
Danny Elfman
James Newton Howard
Thomas Newman
Jon Brion
Not a big fan of Zimmer, although I like his smaller stuff since he lays off the synths then. Horner's still around but doesn't do much and he's still plagiarizing his own stuff, but he's had a ridiculous amount of prep time for Avatar.
Yoko Kanno, the genius behind the acclaimed Cowboy Bebop score. Some of her purely classical compositions are stunning and deserve more recognition, such as this beautiful theme:
Harry Gregson-Williams' soundtrack for Kingdom of Heaven is also nothing short of fantastic, blending middle-eastern horns with western choir and military drum beats.
Posts
what part?
dr. Manhattan's recollection of his memories
john barry!
http://www.youtube.com/watch?v=w65k5rN9vwg
So is Cinema Paradiso.
http://www.youtube.com/watch?v=1FzVWlOKeLs
And The Mission
http://www.youtube.com/watch?v=RnwZoIHrfAY
And link the original version of The Good, the Bad, and the Ugly, not that Hugo Montgomery bullshit.
Also Hans Zimmer. He may basically write the same piece for every movie, but damn if it doesn't sound fantastic every time.
the original composition for the fight scene in the prison fucking blew, though
Duh
Duh duh duh
Duh duh duh
god fine
shazam
Fuck
I'm not clever
I think the DUH DUH, DUH DUH thing in Dark Knight really helped make Joker feel like more of a threat. If he had just kept with the slow semi-build up it would have been dull.
http://www.youtube.com/watch?v=BX_dyTkFbG0
Also the awesome Days of Thunder
http://www.youtube.com/watch?v=V7lakvaC1FM
And Road to El Dorado
http://www.youtube.com/watch?v=91SR6BlL1Dg
http://www.youtube.com/watch?v=prZ4RWWku7Y
http://www.youtube.com/watch?v=psgypnpM810
http://www.youtube.com/watch?v=6pH8894K_2w
Bridge of Khazad Dum. Such great music. This made the movie.
FANTOMAS.
http://www.youtube.com/watch?v=vQtXxaC87Ks&eurl=http%3A%2F%2Fvideo.google.com%2Fvideosearch%3Fq%3Dfantomas%26hl%3Den%26emb%3D0%26aq%3Df&feature=player_embedded
Man, I already mentioned Mike Patton
So what, you were correct twice, stop complaining.
I...
Wait, what?
You told me to stop complaining
Which ain't gonna happen
Like, ever
I guess we can agree to disagree right?
Oh wait, internet, nevermind.
Complain away my friend.
The Ecstasy of Gold
if that sort of stuff floats your boat
PS4:MrZoompants
John's output is pretty much just Spielberg now so the ones I follow now are
Michael Giacchino (woo!)
John Powell
Alexandre Desplat
Danny Elfman
James Newton Howard
Thomas Newman
Jon Brion
Not a big fan of Zimmer, although I like his smaller stuff since he lays off the synths then. Horner's still around but doesn't do much and he's still plagiarizing his own stuff, but he's had a ridiculous amount of prep time for Avatar.
MICHAEL GIACCHINO
DAVID SHIRE
MICHAEL GIACCHINO AGAIN
JERRY GOLDSMITH
JOHN WILLIAMS
http://www.youtube.com/watch?v=H07wUcHDqyw
This is a better version of the video DrIan posted
http://www.youtube.com/watch?v=FcOt6mfjxeA
Klaus Badelt, yeah the movie sucked but the soundtrack was awesome:
http://www.youtube.com/watch?v=5vi9RJ-t7Wc
Yoko Kanno, the genius behind the acclaimed Cowboy Bebop score. Some of her purely classical compositions are stunning and deserve more recognition, such as this beautiful theme:
http://www.youtube.com/watch?v=bGoaRF4A55Y
Harry Gregson-Williams' soundtrack for Kingdom of Heaven is also nothing short of fantastic, blending middle-eastern horns with western choir and military drum beats.
http://www.youtube.com/watch?v=ydUXwRSZnK0
And who can forget the haunting Promentory from the climax of Last of the Mohicans:
http://www.youtube.com/watch?v=NoimNId0JJI
Goddamn, I can't believe I forgot to mention him. His opening for 25th hour, let alone the whole score, is one of my favorites of all time.