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Back in the 90's I was in a very famous TV show [BoJack Horseman]
Zonugal(He/Him) The Holiday ArmadilloI'm Santa's representative for all the southern states. And Mexico!Registered User, Transition Teamregular
Back in the 90's I was in a very famous TV show
I'm BoJack the horse (BoJack)
BoJack the horse
Don't act like you don't know
And I'm trying to hold on to my past
It's been so long I don't think I'm gonna last
I guess I'll just try and make you understand
That I'm more horse than a man
Or I'm more man than a horse
BoJack
The latest season just came out and y'all know the score. Is it impossibly sad? You fuckin' know it. Is it also really caring and clever and great? You better believe it.
So come on in and have some fun.
For those just getting into the show, get ready for some grad-a, weaponized sadness.
With that in mind, lets maybe keep the big heavy/twisty stuff from this current season under spoilers, but the last three seasons are open for all.
Besides that the only thing I can really think to say is... Suck a dick, dumb shits!
webguy20I spend too much time on the InternetRegistered Userregular
edited September 2017
Hooray Bojack thread!
I love over the seasons how they've developed Todd from the wacky Kramer/Joey character to one with some surprising depth and compassion. Todd bounces around a lot, but the man has his heart in the right place, maybe more-so than any other character.
Season 4 Todd Spoilers!
I loved the Todd episode. Especially the sympthony bit at the end, with the conductor smiling and nodding. Also I'm really interested to see where the relationship with him and the better business lady go.
i loved the "horse with no name" cover from this season
The only thing that I didn't like was that they burned it so early in the season
i know that sad horse covers are the thing for bojack finales, but all of season four had a deliberate "after the finale" feeling, so using it so soon was kinda perfect
+2
Baroque And RollEvery spark of friendship and loveWill die without a homeRegistered Userregular
When Hollyhock asks Bojack what he does all day, and his reply is that he just drives around, loiters in scenic areas, and drinks at the bar, that hit me hard. About six years ago, I went through a super rough and long period of depression, and that is exactly what I did almost everyday. Woof.
+2
Raijin QuickfootI'm your Huckleberry YOU'RE NO DAISYRegistered User, ClubPAregular
Vincent Adultman for best normal adult male character.
+2
Raijin QuickfootI'm your Huckleberry YOU'RE NO DAISYRegistered User, ClubPAregular
Honestly though... How the fuck has Will Arnett not won all of the Emmy's for his voice work?
Everyone is fantastic on this show but he is perfect. His voice sells every moment and emotion of BoJack beautifully.
I love how, although they mined comedy out of Todd learning about asexuality, being asexual itself was never treated as a joke and the show ended up actually being pretty informative on the subject. I'm actually legitimately looking forward to them potentially exploring an asexual relationship next season
I love love love that the animation in Bojack's story of Doing The Right Things for Hollyhock was the same as the depression inner monologue. It's like.. he did it not only for Hollyhock but it was also self care and affirmation for him that he can be OK. That and it ends on a such a nice smile.
I love love love the animation on Bojack's inner-thoughts.
I really enjoy stylistic stuff like this. They could have easily done it in the same animation style as the rest of the show and I wouldn't have batted an eye, but by changing it up they got some really cool extra stuff out there.
I love love love the animation on Bojack's inner-thoughts.
I really enjoy stylistic stuff like this. They could have easily done it in the same animation style as the rest of the show and I wouldn't have batted an eye, but by changing it up they got some really cool extra stuff out there.
It's a real sign of how strong the team is that not only are they willing to experiment with stuff a lot, but pretty much every one of those experiments has paid off. They aren't just throwing stuff at the wall to see if it sticks, they actually know what they want to do with all the stylistic stuff.
+3
QuetziHere we may reign secure, and in my choice,To reign is worth ambition though in HellRegistered User, Moderatormod
When Hollyhock asks Bojack what he does all day, and his reply is that he just drives around, loiters in scenic areas, and drinks at the bar, that hit me hard. About six years ago, I went through a super rough and long period of depression, and that is exactly what I did almost everyday. Woof.
Yup, likewise. I'd call out of work on the drive there and pick a random exit and drive until I got to dead end roads and just park for a bit.
One time a dude showed up at my window when I was doing this - he lived in the house across the street from where I was. I'd fallen asleep, and he knocked on my window. He explained to me that he had recently kicked his heroin addiction (and he assumed that I was in the same place he used to be). He handed me a full mug of coffee and a little package of Ritz peanut butter sandwiches and told me it would get better, and then he went back to his house.
I love love love the animation on Bojack's inner-thoughts.
I really enjoy stylistic stuff like this. They could have easily done it in the same animation style as the rest of the show and I wouldn't have batted an eye, but by changing it up they got some really cool extra stuff out there.
It's a real sign of how strong the team is that not only are they willing to experiment with stuff a lot, but pretty much every one of those experiments has paid off. They aren't just throwing stuff at the wall to see if it sticks, they actually know what they want to do with all the stylistic stuff.
While I was in Seattle we went to a pizza place where they were watching bojack, which was a hell of a thing to see. I didn't pay attention since I'm not caught up, but I did notice a Sorkin style hallway walk and talk and immediately became interested because that must've been absolute hell to animate.
rhylith on
0
Raijin QuickfootI'm your Huckleberry YOU'RE NO DAISYRegistered User, ClubPAregular
BoJack's version of the California flag is amazing.
+20
Zxerolfor the smaller pieces, my shovel wouldn't doso i took off my boot and used my shoeRegistered Userregular
BoJack's version of the California flag is amazing.
When they first showed the first glimpses of the flag, I was wondering exactly how they're going to depict the grizzly on it, and was not disappointed.
It really bothered me that there wasn't a single mention of the fate of Ethan Around.
I'd probably say this is my least favorite of the seasons so far. It's a bit too cerebral and obtuse for my tastes, but it was still damn good.
See you say cerebral and obtuse but there was a running gag in which an overly-serious politician's hands got crushed and he had to get ridiculous replacements.
I'm referring to Beatrice's ramblings. It's initially seems like she's just talking out of her head but once the big reveal happens everything takes on a new meaning and you have to practically rewatch the entire season to catch all of it.
I love love love the animation on Bojack's inner-thoughts.
I really enjoy stylistic stuff like this. They could have easily done it in the same animation style as the rest of the show and I wouldn't have batted an eye, but by changing it up they got some really cool extra stuff out there.
It's a real sign of how strong the team is that not only are they willing to experiment with stuff a lot, but pretty much every one of those experiments has paid off. They aren't just throwing stuff at the wall to see if it sticks, they actually know what they want to do with all the stylistic stuff.
While I was in Seattle we went to a pizza place where they were watching bojack, which was a hell of a thing to see. I didn't pay attention since I'm not caught up, but I did notice a Sorkin style hallway walk and talk and immediately became interested because that must've been absolute hell to animate.
it wouldn't be all that hard, depending on how many corners you're willing to cut
like, the characters are going to be the same relative size in the frame throughout the whole shot, so you can still animate them separately from the moving hallway, and you can set the shot up so you don't have to see their feet
but obviously yeah it could be a huge pain if you decide to knock the lamp
Posts
I love over the seasons how they've developed Todd from the wacky Kramer/Joey character to one with some surprising depth and compassion. Todd bounces around a lot, but the man has his heart in the right place, maybe more-so than any other character.
Season 4 Todd Spoilers!
Origin ID: Discgolfer27
Untappd ID: Discgolfer1981
I was so utterly destroyed by it.
My personal fave is the one from the last episode of Season 2:
https://m.youtube.com/watch?v=bcnIhzaDTd0
It follows one of the Top 5 powerful moments in the series. "You just have to do it everyday." Like, damn. I'm tearing up just thinking about it.
man
so so good, what a great show
The only thing that I didn't like was that they burned it so early in the season
i know that sad horse covers are the thing for bojack finales, but all of season four had a deliberate "after the finale" feeling, so using it so soon was kinda perfect
Not a week goes by without a new Courtney Barnett track popping up on my discover weekly playlist on Spotify.
SteamID: Baroque And Roll
Everyone is fantastic on this show but he is perfect. His voice sells every moment and emotion of BoJack beautifully.
What are YOU doinnggg here!
On the music front the one Teagen and Sara song (physical? Forget title) is a good one too.
Closer's the song. Got me to look up the album and get really into their stuff.
Got a 3DS?
For a character who is generally a giant doofus who is named "Mr. Peanutbutter," I always love when they give him moments to be insightful
Neither of them are ever plainly the bad guy and neither are totally innocent
Paul F. Tompkins and Alison Brie play their scenes together so so well, PFT especially is such a surprise when he nails the dramatic moments
I really enjoy stylistic stuff like this. They could have easily done it in the same animation style as the rest of the show and I wouldn't have batted an eye, but by changing it up they got some really cool extra stuff out there.
It's a real sign of how strong the team is that not only are they willing to experiment with stuff a lot, but pretty much every one of those experiments has paid off. They aren't just throwing stuff at the wall to see if it sticks, they actually know what they want to do with all the stylistic stuff.
One time a dude showed up at my window when I was doing this - he lived in the house across the street from where I was. I'd fallen asleep, and he knocked on my window. He explained to me that he had recently kicked his heroin addiction (and he assumed that I was in the same place he used to be). He handed me a full mug of coffee and a little package of Ritz peanut butter sandwiches and told me it would get better, and then he went back to his house.
It's a moment I think about a lot.
While I was in Seattle we went to a pizza place where they were watching bojack, which was a hell of a thing to see. I didn't pay attention since I'm not caught up, but I did notice a Sorkin style hallway walk and talk and immediately became interested because that must've been absolute hell to animate.
When they first showed the first glimpses of the flag, I was wondering exactly how they're going to depict the grizzly on it, and was not disappointed.
I'd probably say this is my least favorite of the seasons so far. It's a bit too cerebral and obtuse for my tastes, but it was still damn good.
Switch: 6200-8149-0919 / Wii U: maximumzero / 3DS: 0860-3352-3335 / eBay Shop
See you say cerebral and obtuse but
I'm referring to Beatrice's ramblings. It's initially seems like she's just talking out of her head but once the big reveal happens everything takes on a new meaning and you have to practically rewatch the entire season to catch all of it.
Switch: 6200-8149-0919 / Wii U: maximumzero / 3DS: 0860-3352-3335 / eBay Shop
I chose my wording carefully so I wouldn't need to.
Switch: 6200-8149-0919 / Wii U: maximumzero / 3DS: 0860-3352-3335 / eBay Shop
it wouldn't be all that hard, depending on how many corners you're willing to cut
like, the characters are going to be the same relative size in the frame throughout the whole shot, so you can still animate them separately from the moving hallway, and you can set the shot up so you don't have to see their feet
but obviously yeah it could be a huge pain if you decide to knock the lamp