The new forums will be named Coin Return (based on the most recent vote)! You can check on the status and timeline of the transition to the new forums here.
The Guiding Principles and New Rules document is now in effect.
So my mom and a friend are watching Hostel 2 and I'm trying to wonder after seeing a scene
some girl was hung upside down and some lady bathed in her blood after attacking her with a scythe.
what is the point of these movies?
To me all these seem like is fake snuff films. I see no advancement of movies or even real enjoyment of this kind of "entertainment". Video games are under fire because of violence and these movies have little semblance of a plot and just as much violence and just seem to exist for Eli Roth to money cause he is a sick fuck.
I really don't like the trend. I suppose I should at least be slightly greatful that people are getting the sadism rocks off at the movies watching fake snuff films rather than having a do-it-yourself go at it, but I'm unable to see a silver lining of this sadistic sentiment for the most part.
It's to freak yourself out, just like any scary movie. I haven't seen Hostel 1 or 2, but I've seen all the Saw movies, and I have to say I get chills just thinking about in Saw 2 when
when the girl gets shoved into the pit of syringes to find the key, and she still is sifting through looking for the key while screaming her lungs off
It's the same reasoning behind a roller coaster. Yeah, the lines are long, it costs too much, and it only lasts for like 20 seconds, but it's worth it for those moments when you're cringing in your chair. Maybe Hostel just sucks, but parts of Saw freaked me out with the gore and depictions of raw, unadulterated pain. If you can't react to that, I don't know what to say. I guess you don't find roller coasters fun because they strap you in.
I think people just watch movies like that for the shock value. Personally I can't make myself watch those movies but it dosen't surprise me that they do appeal to some people.
The trend towards more and more explicit violence and torture in horror films is pretty creepy, especially given how much of it is directed towards attractive women. This is why I find it hard to agree that all media should just do whatever it wants and there can never ever be consequences to violent films / games. Luckily I don't think it will last too long though - genuine horror in the form of suspense should prevail.
IMHO, you've pretty much nailed it. Yet according to people like Roger Ebert, Hostel is more art than, say, Shadow of the Colossus or Okami.
Ebert has odd views about video games, but I blame it on what generation he comes from.
He says that because the player has an effect on the outcome of the game, the player becomes the artist. I guess he doesn't understand that most games are linear and only have one plot outcome.
He does not, however, think highly of gore porn films. I give you his review for Wolf Creek:
I had a hard time watching "Wolf Creek." It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.
It has an 82 percent "fresh" reading over at the Tomatometer. "Bound to give even the most seasoned thriller seeker nightmares" (Hollywood Reporter). "Will have Wes Craven bowing his head in shame" (Clint Morris). "Must be giving Australia's Outback tourism industry a bad case of heartburn" (Laura Clifford). "Vicious torrent of bloodletting. What more can we want?" (Harvey Karten). One critic who didn't like it was Matthew Leyland of the BBC: "The film's preference for female suffering gives it a misogynist undertow that's even more unsettling than the gore."
A "misogynist" is someone who hates women. I'm explaining that because most people who hate women don't know the word. I went to the Rotten Tomatoes roundup of critics not for tips for my own review, but hoping that someone somewhere simply said, "Made me want to vomit and cry at the same time."
I like horror films. Horror movies, even extreme ones, function primarily by scaring us or intriguing us. Consider "Three ... Extremes" recently. "Wolf Creek" is more like the guy at the carnival sideshow who bites off chicken heads. No fun for us, no fun for the guy, no fun for the chicken. In the case of this film, it's fun for the guy.
I know, I know, my job as a critic is to praise the director for showing low budget filmmaking skills and creating a tense atmosphere and evoking emptiness and menace in the outback, blah, blah. But in telling a story like this, the better he is, the worse the experience. Perhaps his job as a director is to make a movie I can sit through without dismay. To laugh through the movie, as midnight audiences are sometimes invited to do, is to suggest you are dehumanized, unevolved or a slackwit. To read blase speculation about the movie's effect on tourism makes me want to scream like Jerry Lewis: Wake up, lady!
There is a line and this movie crosses it. I don't know where the line is, but it's way north of "Wolf Creek." There is a role for violence in film, but what the hell is the purpose of this sadistic celebration of pain and cruelty? The theaters are crowded right now with wonderful, thrilling, funny, warm-hearted, dramatic, artistic, inspiring, entertaining movies. If anyone you know says this is the one they want to see, my advice is: Don't know that person no more.
Oh, I forgot to mention: The movie doesn't open on Dec. 23, like a lot of the "holiday pictures," but on Christmas Day. Maybe it would be an effective promo to have sneak previews at midnight on Christmas Eve.
Note: As of Jan. 3, 2006, the Tomatometer reading for the
film had dropped to 51.
I believe that the first couple of sentences of the review apply quite aptly to the Hostel films.
I guess I don't view sadistic voyeurism as being comparable to a rollercoaster, and I think there's something unhealthy about people who do.
They're both fake. You're really not seeing people being tortured, and you're really not going to fall out of your rollercoaster and die during a loop-de-loop, but you can't help thinking that's how it really is.
I don't think it's really that entertaining, but I see how people get their kicks from it.
FirstComradeStalin on
0
AJRSome guy who wrestlesNorwichRegistered Userregular
edited August 2007
I saw the original hostel; I don’t think anything made me flinch. It’s pretty much just people being tortured for an hour or so, with a little prologue to introduce the characters. It seems Hollywood has two extremes, torture porn and PG-13 snooze fests, with anything in-between falling under the radar. It’s a shame really.
I'm pretty sure that the purpose of the majority of horror films is to enforce specific gender reactions and relationships; the guy acts all tough and manly by being casual about watching the slaughter, and the girl gets all scared and lets him grope her in exchange for comfort. Her heart beat being up, she is more inclined to think she -cares- about him or -lusts- after him, thus making her an easier lay.
Aside from that, it's the simple adrenaline rush and the release of tension, perhaps from people who have too mundane a lifestyle for their own tastes.
--
Personally, as someone who grew up hunting, and thus playing in animal guts, horror movies mostly bore me to death. Last time I went to one was at behest of an ex-girlfriend, and I'm pretty sure she was just looking for an excuse to put herself in the above situation; personally, -I- wanted to go see the movie with the tap-dancing Penguins. I saw it later, and it rocked so hard. The horror movie was stupid and boring.
I'm pretty sure that the purpose of the majority of horror films is to enforce specific gender reactions and relationships;
Yes, I'm sure that's exactly it. What a clever agenda. It can't possibly be because people just like to watch other people who are in perilously dangerous situations.
Violence in movies is just steadily getting worse and worse as each movie tries to set the bar higher and higher...everyone wants to make "the scariest movie of all time" and they think that tons of new interesting ways to make people suffer is the way to do that.
I don't agree that immersing a sadistic violent person in movies geared towards sadistic violent people is going to make them less sadistic and violent, or somehow satisfy their craving for it so they won't enact their violence in the real world. In my limited experience, when a pyromaniac goes to a bonfire they're just tempted to make a bigger one.
Yes, I'm sure that's exactly it. What a clever agenda. It can't possibly be because people just like to watch other people who are in perilously dangerous situations.
I guess I don't view sadistic voyeurism as being comparable to a rollercoaster, and I think there's something unhealthy about people who do.
They're both fake. You're really not seeing people being tortured, and you're really not going to fall out of your rollercoaster and die during a loop-de-loop, but you can't help thinking that's how it really is.
I don't think it's really that entertaining, but I see how people get their kicks from it.
One kind of thrill is not the same as another.
Rollercoasters aren't exactly "fake". I either don't get or don't buy your analogy in that respect. You're actually experiencing the speed and danger firsthand on a rollercoaster. If you want to compare movies, so we can better use the term "fake" to apply to the non-documentaries and the like, I still don't see how one thrill is analogous to another.
The thrill from seeing someone tortured and killed is only vaguely analogous to the thrill of seeing Bruce Willis jumping on top of an airplane.
Yes, I'm sure that's exactly it. What a clever agenda. It can't possibly be because people just like to watch other people who are in perilously dangerous situations.
What, like, Indiana Jones?
Sure, but it's not just limited to a genre or even movies in general.
If a guy (alive of course) was sort of hanging meagerly off the edge of a very tall building, I guarantee there would be a huge crowd watching to see if he falls or not. And I wouldn't doubt that you would watch too.
Sure, but it's not just limited to a genre or even movies in general.
It's the intensity of it is the thing.
If a guy (alive of course) was sort of hanging meagerly off the edge of a very tall building, I guarantee there would be a huge crowd watching to see if he falls or not.
That's still not the same as someone having their eyeball scooped out one section at a time or whatever.
By the end of the movie, you're happy for the heroine (almost always the heroine) because she finally acted as you think you would in that situation.
This leads to more questions. "Why heroine?" Also there is a difference between the logic of horror (which does seem to fit what you described) and the logic of non nc 17 porn (which may or may not fit the description but which will push the limits of the censors).
themightypuck on
“Reject your sense of injury and the injury itself disappears.”
― Marcus Aurelius
Path of Exile: themightypuck
0
JohnnyCacheStarting DefensePlace at the tableRegistered Userregular
edited August 2007
huh?
Dude, porn's pictures to beat off too. It doesn't have that much to do with anything.
It's generally a heroine because if it's a man, fighting the killer as an equal, it becomes a different genre. An action movie, where a hero and a killer who are both supertough motherfuckers, beat on each other, you have a different empathy and different identification with the characters.
Dude, porn's pictures to beat off too. It doesn't have that much to do with anything.
It's generally a heroine because if it's a man, fighting the killer as an equal, it becomes a different genre. An action movie, where a hero and a killer who are both supertough motherfuckers, beat on each other, you have a different empathy and different identification with the characters.
Yeah I shouldn't have used the term "nc 17 porn". I didn't mean porn porn. It's just interesting that its a woman. I see what you are saying about different genres but it is interesting that in horror it's a girl is all. I haven't really thought on it.
themightypuck on
“Reject your sense of injury and the injury itself disappears.”
― Marcus Aurelius
There's a difference between even the extremely gory slasher flicks of the 80s and the shit coming out today.
Agreed. Today's stuff aren't horror movies. You don't get scared. It's just gory shit designed to make you feel squeamish. There's not much in the way of horror to it. Personally, I think they're trash.
Dude, porn's pictures to beat off too. It doesn't have that much to do with anything.
We aren't talking about that sort of porn.
You pay attention, I was making a point.
Porn's defined by its purpose, essentially. Deep throat is porn, brown bunny is art.
And I call bullshit on this "OMG this modern shit is shit old shit better"
I've watched a metric shitload of horror movies. Most of the old ones that scared you guys so much just don't hold up that great when re-watched, particularly the "gory 80s slasher flicks" that aren't actually one genre (urban splatterpunk, supernatural horror, science fiction, and serial horror all have different . . . roots? Triggers?) . . . I'd grant an exception to the Nightmare on Elmstreet movies, which made an attempt at real atmosphere, but by and large they have simpler plots, greater contrivance, and less character development then an Eli Roth movie.
I do think that there are, for lack of a better term, thrillers and horror movies.
Saw I was a thriller - it had a puzzle, psychology, genuine mystery as to the motive of the 'killer'
Saw II and III were horror movies, looking to get higher jumps by putting bigger blocks under the ramps.
The point of slasher/gore movies is to make a quick buck from tasteless visceral thrills. It isn’t easy to write, direct, and edit a good, thrilling, suspenseful movie. But anyone with some extra cash to throw around can toss a bad writer, a young director, unknown actors, and a hundred gallons of fake blood to create a movie that will at least turn a small profit from direct-to-DVD sales and rentals. And if said investor lucks out and finds a marginally capable director like Eli Roth, he might actually do pretty well when the film picks up a cult following.
supabeast on
0
JohnnyCacheStarting DefensePlace at the tableRegistered Userregular
edited August 2007
People out to make a quick buck make shitty comedies (wild hogs)
Eli Roth makes horror movies because that's what he's been doing since highschool.
Posts
It's the same reasoning behind a roller coaster. Yeah, the lines are long, it costs too much, and it only lasts for like 20 seconds, but it's worth it for those moments when you're cringing in your chair. Maybe Hostel just sucks, but parts of Saw freaked me out with the gore and depictions of raw, unadulterated pain. If you can't react to that, I don't know what to say. I guess you don't find roller coasters fun because they strap you in.
The harder the rain, honey, the sweeter the sun.
Hopefully.
Ebert has odd views about video games, but I blame it on what generation he comes from.
He says that because the player has an effect on the outcome of the game, the player becomes the artist. I guess he doesn't understand that most games are linear and only have one plot outcome.
He does not, however, think highly of gore porn films. I give you his review for Wolf Creek:
I believe that the first couple of sentences of the review apply quite aptly to the Hostel films.
Rock Band DLC | GW:OttW - arrcd | WLD - Thortar
They're both fake. You're really not seeing people being tortured, and you're really not going to fall out of your rollercoaster and die during a loop-de-loop, but you can't help thinking that's how it really is.
I don't think it's really that entertaining, but I see how people get their kicks from it.
Facebook
Twitter
Instagram
Aside from that, it's the simple adrenaline rush and the release of tension, perhaps from people who have too mundane a lifestyle for their own tastes.
--
Personally, as someone who grew up hunting, and thus playing in animal guts, horror movies mostly bore me to death. Last time I went to one was at behest of an ex-girlfriend, and I'm pretty sure she was just looking for an excuse to put herself in the above situation; personally, -I- wanted to go see the movie with the tap-dancing Penguins. I saw it later, and it rocked so hard. The horror movie was stupid and boring.
They're just torture porn.
There's an immense interest in stalking, captivity, torture, etc. judging by forums and RP areas I've run across in the last decade.
Yes, I'm sure that's exactly it. What a clever agenda. It can't possibly be because people just like to watch other people who are in perilously dangerous situations.
I don't agree that immersing a sadistic violent person in movies geared towards sadistic violent people is going to make them less sadistic and violent, or somehow satisfy their craving for it so they won't enact their violence in the real world. In my limited experience, when a pyromaniac goes to a bonfire they're just tempted to make a bigger one.
http://thornsbook.com online novel
What, like, Indiana Jones?
One kind of thrill is not the same as another.
Rollercoasters aren't exactly "fake". I either don't get or don't buy your analogy in that respect. You're actually experiencing the speed and danger firsthand on a rollercoaster. If you want to compare movies, so we can better use the term "fake" to apply to the non-documentaries and the like, I still don't see how one thrill is analogous to another.
The thrill from seeing someone tortured and killed is only vaguely analogous to the thrill of seeing Bruce Willis jumping on top of an airplane.
That's what confuses me. People's mothers watch this shit. My sibling got Saw for CHRISTMAS and she and my mom watched it.
I'm of the opinion that it's quite fucked up.
Sure, but it's not just limited to a genre or even movies in general.
If a guy (alive of course) was sort of hanging meagerly off the edge of a very tall building, I guarantee there would be a huge crowd watching to see if he falls or not. And I wouldn't doubt that you would watch too.
I do not enjoy torture porn.
There's a difference between even the extremely gory slasher flicks of the 80s and the shit coming out today.
Rock Band DLC | GW:OttW - arrcd | WLD - Thortar
― Marcus Aurelius
Path of Exile: themightypuck
It's the intensity of it is the thing.
That's still not the same as someone having their eyeball scooped out one section at a time or whatever.
You should probably read the quote in my sig. :P
We have a misunderstood hero who can't communicate.
We have horrible little people who can never hope to understand his genius.
When he tries to explain it to them, they scream and run and when he tries to make them be quiet he . . . just gets to vigorous and tragedy strikes
then it's either try to explain things to hostile law enforcement or just kill more people, and once you're warmed up, well, you know.
But seriously - it's a simple reassurance. You watch it, and you think "I wouldn't just fall down and scream. I'd fight. I'd scap. I'd run."
By the end of the movie, you're happy for the heroine (almost always the heroine) because she finally acted as you think you would in that situation.
I host a podcast about movies.
This leads to more questions. "Why heroine?" Also there is a difference between the logic of horror (which does seem to fit what you described) and the logic of non nc 17 porn (which may or may not fit the description but which will push the limits of the censors).
― Marcus Aurelius
Path of Exile: themightypuck
Dude, porn's pictures to beat off too. It doesn't have that much to do with anything.
It's generally a heroine because if it's a man, fighting the killer as an equal, it becomes a different genre. An action movie, where a hero and a killer who are both supertough motherfuckers, beat on each other, you have a different empathy and different identification with the characters.
I host a podcast about movies.
Yeah I shouldn't have used the term "nc 17 porn". I didn't mean porn porn. It's just interesting that its a woman. I see what you are saying about different genres but it is interesting that in horror it's a girl is all. I haven't really thought on it.
― Marcus Aurelius
Path of Exile: themightypuck
We aren't talking about that sort of porn.
Rock Band DLC | GW:OttW - arrcd | WLD - Thortar
Agreed. Today's stuff aren't horror movies. You don't get scared. It's just gory shit designed to make you feel squeamish. There's not much in the way of horror to it. Personally, I think they're trash.
XBL : lJesse Custerl | MWO: Jesse Custer | Best vid ever. | 2nd best vid ever.
You pay attention, I was making a point.
Porn's defined by its purpose, essentially. Deep throat is porn, brown bunny is art.
And I call bullshit on this "OMG this modern shit is shit old shit better"
I've watched a metric shitload of horror movies. Most of the old ones that scared you guys so much just don't hold up that great when re-watched, particularly the "gory 80s slasher flicks" that aren't actually one genre (urban splatterpunk, supernatural horror, science fiction, and serial horror all have different . . . roots? Triggers?) . . . I'd grant an exception to the Nightmare on Elmstreet movies, which made an attempt at real atmosphere, but by and large they have simpler plots, greater contrivance, and less character development then an Eli Roth movie.
I do think that there are, for lack of a better term, thrillers and horror movies.
Saw I was a thriller - it had a puzzle, psychology, genuine mystery as to the motive of the 'killer'
Saw II and III were horror movies, looking to get higher jumps by putting bigger blocks under the ramps.
I host a podcast about movies.
Eli Roth makes horror movies because that's what he's been doing since highschool.
I host a podcast about movies.
A generation is growing up thinking idiocy like Hostel is "horror." It's not.
It is lamentable.
Name some real horror then
please
I host a podcast about movies.