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This is a question for any Indie publishers, or just Indie buffs out there:-
I think indie comics and indie products in general are largely labors of love that usually shine because of the effort and detail put into them. That being said, its a tough market out there and only a small piece of the pie will ever go to the indie publisher.
My question is for the Indie publishers out there: What is success for you? Is it crossing the line into mainstream? Breaking even? Just producing a quality product?
What keeps you up at 4am every night pounding away at your craft and when do you ease back and say, "Yes!" I've done it.
I personally would define success as getting an increasing fanbase. Your first issue might only sell a couple hundred issues (or less) but if you're able to increase your sales on issue 2, or by issue 5, I would consider that a success.
Getting people to notice your work, getting a following. If people have heard of you, it will always be much easier in the future to get those contracts with the big names.
Money is the only measure of success. Sure, there's the whole creative success where you are pleased with what you wrote, but, in theory, every new piece you release should in some way be a better than your last, creatively. If you don't enjoy doing the next book as much as the first or don't feel you put as much effort, you obviously shouldn't be doing it that way and it's not what I'd call a good measure of success.
As such, it all comes back to money. You don't have a salary or stable job. You get paid and live off what you sell in the indy world. If you are dumpster diving for food, you are failing. If you can maintain or improve your standard of living, that, to me, is a success. You don't have to make millions or something ridiculous, but if it's not a viable way to make money, it's a failure.
And I know there are starving artists and other stereotypes for creative pursuits, but my definition of success comes down to being able to make a living doing it.
even the best and highest paid writer in the comics industry probably ain't riding around in a dodge viper with platinum rims on his way to fuck and kill a stripper
if you're doing what you want to do, and make a little money on the side
even the best and highest paid writer in the comics industry probably ain't riding around in a dodge viper with platinum rims on his way to fuck and kill a stripper
if you're doing what you want to do, and make a little money on the side
you've done it
Morrison does have those swank Armani suits though. And Mike Allred has a bitchin' house.
Untrue. He spent half his fortune purchasing a Suicide Girl, who now acts as his personal chauffeur and bodyguard. Therefore, he had to settle for a silver house trimmed in gold.
I think success if when your creation can stand on its own feet. When it is earning enough that it supports itself.
However, hearing from fans definitely makes a big difference. I good review or comment by someone who enjoyed your creation really gives you a feeling of accomplishment.
I think success if when your creation can stand on its own feet. When it is earning enough that it supports itself.
However, hearing from fans definitely makes a big difference. I good review or comment by someone who enjoyed your creation really gives you a feeling of accomplishment.
I hear it's when you don't have three pages of people saying "oh god, this is the worst thing I have ever read and I feel bad for even getting it free" (hint: not you "Contract" chaps)
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That and not bankrupting myself.
Home to the Contagion Role-Playing Game! News about Corpus Christie and the Cape Girls.
Getting people to notice your work, getting a following. If people have heard of you, it will always be much easier in the future to get those contracts with the big names.
As such, it all comes back to money. You don't have a salary or stable job. You get paid and live off what you sell in the indy world. If you are dumpster diving for food, you are failing. If you can maintain or improve your standard of living, that, to me, is a success. You don't have to make millions or something ridiculous, but if it's not a viable way to make money, it's a failure.
And I know there are starving artists and other stereotypes for creative pursuits, but my definition of success comes down to being able to make a living doing it.
there is basically no fucking money in comics
even the best and highest paid writer in the comics industry probably ain't riding around in a dodge viper with platinum rims on his way to fuck and kill a stripper
if you're doing what you want to do, and make a little money on the side
you've done it
https://twitter.com/Hooraydiation
Morrison does have those swank Armani suits though. And Mike Allred has a bitchin' house.
Tumblr Twitter
Tumblr Twitter
However, hearing from fans definitely makes a big difference. I good review or comment by someone who enjoyed your creation really gives you a feeling of accomplishment.
WEBCOMICS: UPDATED EVERY FRIDAY!!!
I hear it's when you don't have three pages of people saying "oh god, this is the worst thing I have ever read and I feel bad for even getting it free" (hint: not you "Contract" chaps)
Home to the Contagion Role-Playing Game! News about Corpus Christie and the Cape Girls.
Or sign of being deluded.
Well, there is that...
I guess having the confidence to ignore the naysayers whilst cashing fat checks?
Do your thing. If people like it, sweet! Maybe you even make a buck or 2. If they don't like it, find out why and try to do better next time.
That is all the success you should ever need. Everything else is icing.
Home to the Contagion Role-Playing Game! News about Corpus Christie and the Cape Girls.
Thats awesome!
WEBCOMICS: UPDATED EVERY FRIDAY!!!