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Spirited [Anime]

italianranmaitalianranma Registered User regular
edited April 14 in The Whirlpool
Sorry, (I'm not sorry) I'm going to chat about the objectively best isekai Spirited Away more.

train_14.png?w=1024

I was lucky enough to watch it in theaters in America. What struck me at first about it was just how much stuff is in it. Why do all the female bath house employees have the high painted on eyebrows popular in the Edo era? Was there some significance in the fact that it's a radish spirit who shares the elevator with Chihiro? Why is 油 (oil) so prominent on the bathhouse merch? I was dating a Japanese girl at the time and really grilled her on all these cultural things that I had no experience with because I so desperately wanted to understand everything about this film. Spirited Away by far is Miyazaki's movie with the highest density of symbolism, but I've learned over the years that not everything shown is symbolic or even significant. And I think the train scene embodies this best:

https://youtu.be/VbRmFSQYeac
(For listening: Joe Hisaishi The Sixth Station)

This is my favorite scene in the movie, and I can't understand exactly why that is. I get a similar feeling of melancholy from the underwater Hyrule scene in The Windwaker and exploring the outskirts of Hyrule in Breath of the Wild. Your Name also does this to a certain extent, but because the cause of sadness (loss of one's significant other) is known, it can't be properly described as melancholy. There's one additional experience that I'm always reminded of: back in 2005 I fled east from Hurricane Katrina to Jacksonville Florida, and on the way back home on Highway 10 I saw more than a few streets that were completely submerged in water in a very similar way to how the train tracks are shown in Spirited Away. After watching the movie again I decided to do a little more digging to see if there was more symbolism in that scene that I was missing out on.

I said it indirectly in my last post about it, but in many ways Spirited Away is a huge thematic departure from Miyazaki's previous works which focus primarily on achieving a balance between human achievement and harmony with nature. He said in an interview;
This movie is a story about a 10-year-old whose father and mother happened to eat something they shouldn't have, and so became pigs. The movie appears to be satire, but that isn't my purpose. I have five young female friends who are about the same age as Hiiragi-san*, and I spend every summer with them at my mountain cabin. I wanted to make a movie they could enjoy. That is why I started this film, and that is my true purpose.

*HIIRAGI Rumi, the 13-year-old voice actress of Chihiro. She was at the press conference during which this interview took place.

We have made "Totoro," which was for small children, "Laputa," in which a boy sets out on a journey, and "Kiki's Delivery Service," in which a teenager has to live with herself. We have not made a film for 10-year-old girls, who are in the first stage of their adolescence. So, I read the shoujo manga such as Nakayoshi or Ribon which they left at my mountain cabin.

I felt this country only offered such things as crushes and romance to 10-year-old girls, though, and looking at my young friends, I felt this was not what they held dear in their hearts, not what they wanted. And so I wondered if I could make a movie in which they could be heroines...

If they find this movie to be exciting, it will be a success in my mind. They can't lie. Until now, I made "I wish there was such a person" leading characters. This time, however, I created a heroine who is an ordinary girl, someone with whom the audience can sympathize, someone about whom they can say, "Yes, it's like that." It's very important to make it plain and unexaggerated. Starting with that, it's not a story in which the characters grow up, but a story in which they draw on something already inside them, brought out by the particular circumstances... I wanted to tell such a story in this movie. I want my young friends to live like that, and I think they, too, have such a wish.

Thematically Spirited Away is all about retaining one's identity even as one must adapt to the changing demands of the world, and specifically about doing so through adolescence. I think this is pretty well known, so I'm going to focus on that train scene because there's an elusive quality of it that relates to this theme. And for those who haven't seen it yet spoilers below:
train_05.png?w=1024

Going into this scene we've got a few things to review: we've just finished the climax of the movie: Chihiro has through her own power rescued Haku from death, absolved Noh-Face of greed, and in doing so saved Yubaba's bathhouse from destruction. She then embarks on her next selfless act which is to return Zeniba's hanko; a hanko is a personal seal used in Japan and constitutes your signature on legally binding documents. It is extremely symbolic of one's identity, and its abduction could be seen as a kind of identity theft. To even further understand the significance of this act in Japanese culture, Chihiro is accepting the Giri (a word that can be translated as debt, but has much deeper cultural significance) of Haku's theft in order to clear his name. Her belief that Haku is not a thief and the desire to make that true overrides her indebtedness even to her parents who are still pigs. This is implicitly stated by Kamaji as he points out that tickets are extremely rare and that the train only runs in one direction. It is in this scene that Chihiro has made her first decision completely independently of others that isn't driven by necessity or circumstance.

train-conductor.png?w=1024&h=576
train_13.png?w=1024

On the train itself we see the large imposing figure of the conductor who silently and oppressively shreds her tickets as she boards the train. All the other figures here are shadowy, but unmistakably adults. Boh and the transformed bird hop excitedly at the prospect of being on a trip while Chihiro takes her place on the train stoically staring forwards, not looking back.

train_25.png?w=1024

The scene is heavy with metaphor: this one-way journey for Chihiro is the adolescent's journey to adulthood. The shadowy figures on the train are the random disassociated strangers of adult life. The isolated landscapes separated by oceans those places we inhabit in our humdrum routine: home, work, the trainstops between them. The shadowy girl who looks to be Chihiro's age is her own self as a child, left behind in this transition.

spirited-7-1024x507.png

The scene is heavy with something else, and this is what I couldn't quite put my finger on until I did the research behind it. Artists call it negative space, but the Japanese word for it is 間 (ma). When Roger Ebert told Miyazaki how he loved how motion is expressed in his movies he said, “...Instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra. Not to advance the story, but only to give the sense of time and place and who they are.”
We have a word for that in Japanese, it’s called ‘Ma’. Emptiness. It’s there intentionally...
he claps his hands three or four times
The time in between my clapping is Ma. If you just had non-sto action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.

The people who make movies are scared of silence, so they want to paper and plaster it over. They’re worried that the audience will get bored. They might go up and get some popcorn. But just because it’s 80% intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions - that you never let go of those.

What my friends and I have been trying to do since the 1970s is to try an quiet things down a little bit; don’t just bombard them with noise and distraction. And to follow the path of children’s emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don’t have to have violence and you don’t have to have action. They’ll follow you. This is our principle.

After Chihiro finds her place on the train and motions for Noh-face to sit beside her there is not a single word of dialogue spoken, or any action on her part (aside from looking forlorn out the window) for the next 2 minutes, not until she disembarks at Zeniba’s house. But this still speaks volumes about her character: she has gone from being a child, lounging in the back seat of her parents’ car, to being an adult taking responsibility for the three charges under her care. The carefree idleness of youth replaced by the anxious ambivalence of adulthood. I can’t take credit for this line, but it’s beautiful and I have to share it:
If My Neighbor Totoro is Miyazaki’s celebration of childhood, then Spirited Away‘s single train scene is a requiem: the ultimate depiction of a sad, lonely adult life devoid of joy and laughter. It is the death of youthful innocence; the sunset signaling the start of a long, dark night. Had it not been for Grave of the Fireflies, this single scene would have been the most grim and beautifully depressing thing to ever come out of the Studio–and it’s certainly the most grim and depressing to ever come out of Miyazaki.
3yp5o1vbsmiu.png

Of course Miyazaki isn’t the only director to use Ma & metaphor to capture the audience’s emotions. What other anime has spirited you away?

飛べねぇ豚はただの豚だ。
Chairman Meow on
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Posts

  • RadiusRadius Registered User regular
    edited September 2019
    Catching up on the One Piece manga (Whole Cake)
    Wow, I did not enjoy Whole Cake Island, it took so long and Big Mom is still a threat and i was not feeling the Sanji's abusive family redemption tour.

    Carrot, Duke Dogstorm, and The Three Dogstorm Musketeers are cool though

    Radius on
    Everyday we stray further from God's light
    Steam Switch FC: 2799-7909-4852
  • Bluedude152Bluedude152 Registered User regular
    is promare any good

    I have tickets already for tomorrow but there aren’t really a ton of reviews

    I dont think its really been viewable yet

    p0a2ody6sqnt.jpg
  • initiatefailureinitiatefailure Registered User regular
    I've been watching Sailor Moon because I wanted to remember my childhood innocence for a brief moment

    Jadeite just started yelling some ultra misogynist things and the scouts fucking murdered him. I'd like to hope this show instilled those values in me when I was young and impressionable.

  • GundiGundi Serious Bismuth Registered User regular
    kami bless mexico

  • ZandraconZandracon Registered User regular
    oh yeah, Beastars is Netflix, rip
    https://www.youtube.com/watch?v=pwgJBgrut5k

  • KamarKamar Registered User regular
    Since we were talking about adaptations, what's the worst adaptation of something you're familiar with that you've ever seen?

    I'm thinking Umineko no Naku Koro Ni, for turning a visual novel that consumed my life for a while into an awful anime only notable for its cast and memes.

    Thinking on it more. Two entire categories of bad adaptation come to mind.

    Any of those anime where they adapted a yuri or yaoi series but reduced text to subtext or stuffed in a male protagonist, which was happening a lot a few years ago for no reason I can understand. Akuma no Riddle is a particularly bad example of this, since it was a near-panel-for-panel adaptation with the extremely obvious exception of romantic scenes or lines.

    Incoherent ultra-compressed single-season advertisements for light novels/manga/games can be pretty bad too.

  • Moth 13Moth 13 Registered User regular
    What was wrong with the Umineko anime? I heard it was bad but I don't know the details.

  • KamarKamar Registered User regular
    Moth 13 wrote: »
    What was wrong with the Umineko anime? I heard it was bad but I don't know the details.

    Compressed too much into too little time, basically. And lots of wrong or changed details that add up to problems for the mystery component of the thing.

  • miscellaneousinsanitymiscellaneousinsanity grass grows, birds fly, sun shines, and brother, i hurt peopleRegistered User regular
    edited September 2019
    the higurashi anime having garbage looking characters was, charitably, keeping in the spirit of the original, but i find it actually unwatchable, they made things so much worse

    i can't recommend it to anyone

    miscellaneousinsanity on
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  • RadiusRadius Registered User regular
    Kupi wrote: »
    I'm watching Demon Slayer on this thread's recommendation.

    Episode 7:
    I gotta say, I wasn't expecting the whole "villain who knows how to fix my sister whom all the demons are too terrified to talk about" thing to resolve with "oh, he's right over there, that's cool". :lol:
    Sometimes the Fuhrer President King Bradley gambit doesn't pay off

    Everyday we stray further from God's light
    Steam Switch FC: 2799-7909-4852
  • KanaKana Registered User regular
    Thinking on it, I think the biggest waste of an adaptation that I cared about were the Berserk movies.

    Three full length, decent budget movies, just dedicated to the Golden Age arc, it really should've been dope. But their focus was all wrong, they included almost every single battle sequence from the manga (using kinda ugly, PS3-cutscene looking CG to be able to afford to animate all those battles), while excising a lot of the quiet character moments that actually matter to the story. Like the battles matter, sure, but you can mostly early-Game-of-Thrones them, just show them starting and then cut to the end. Yeah, Guts killed a bunch of dudes, again, we know. It's Guts, that's the thing he does.

    They're not like, actively -bad-, but they're just so lacking in artistic vision, they're taking extremely good material and making it entirely mediocre.

    A trap is for fish: when you've got the fish, you can forget the trap. A snare is for rabbits: when you've got the rabbit, you can forget the snare. Words are for meaning: when you've got the meaning, you can forget the words.
  • miscellaneousinsanitymiscellaneousinsanity grass grows, birds fly, sun shines, and brother, i hurt peopleRegistered User regular
    the golden age movies were alright

    maybe it's that i hold them in a little higher regard retroactively when stacked next to berserk '16

    but their real saving grace was the banging soundtrack

    https://www.youtube.com/watch?v=Mzc4mJNvvfc
    https://www.youtube.com/watch?v=OG8GxzJTBck

    uc3ufTB.png
  • KanaKana Registered User regular
    Kaguya 162
    Kaguya mindlessly blabbing away about how great kissing is is great... For everyone except Hayasaka.

    4m7voceidx37.jpg

    I'm impressed by the dedication to telling this whole smooching incident in reverse. We already had follow-up from this 10 chapters ago!

    A trap is for fish: when you've got the fish, you can forget the trap. A snare is for rabbits: when you've got the rabbit, you can forget the snare. Words are for meaning: when you've got the meaning, you can forget the words.
  • ThegreatcowThegreatcow Lord of All Bacons Washington State - It's Wet up here innit? Registered User regular
    I still can't get over
    how glam Innosuke is under the mask.
    That was an impressive twist.

    Also his "wha..." always makes me chuckle.

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  • KamarKamar Registered User regular
    cj iwakura wrote: »
    Kamar wrote: »
    Moth 13 wrote: »
    What was wrong with the Umineko anime? I heard it was bad but I don't know the details.

    Compressed too much into too little time, basically. And lots of wrong or changed details that add up to problems for the mystery component of the thing.

    It also never finished the story. It's only Chapters 1-4, the 'Question' arc. 'Answer' was never adapted(probably for the best, in many ways).

    Why, you think it would have been a further embarassment? Or that a general audience may have handled certain revelations poorly?

  • Bluedude152Bluedude152 Registered User regular
    Kaguya is killing me

    Help

    p0a2ody6sqnt.jpg
  • EnlongEnlong Registered User regular
    Kaguya is killing me

    Help

    Should’ve gone for something easier than those shells.

  • Mr. GMr. G Registered User regular
    Zonugal wrote: »
    I finished the first "season" of JoJo's.

    Good stuff y'all...

    I think I might start Legend of the Galactic Heroes, as a sort of solo-watch while my roommates & I progress slowly through Dragon Ball Z

    Phantom Blood is good

    but Battle Tendency has Joseph Joestar, the king of kings and maybe my favorite protagonist ever

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  • Moth 13Moth 13 Registered User regular
    Just got back from the Promare premier. Damn, that was one Trigger-ass Trigger movie. What a blast.

  • WheatBun01WheatBun01 Face It, Tiger Registered User regular
    Promare was ... probably one of the least engaging things I've sat through in a long time. Way too long, the action scenes aren't particularly good (save for the first one) every character is a broad archetype and the plot was nonsensical in a way that ... wasn't really funny and actually kind of annoying considering how damn long the thing is.

    Also all of the CG stuff looked like Paw Patrol toys.

  • SorceSorce Not ThereRegistered User regular
    Still catching up on Boruto... how am I doing? Two clip shows in 6 episodes is how I'm doing.

    sig.gif
  • SorceSorce Not ThereRegistered User regular
    Sorce wrote: »
    Still catching up on Boruto... how am I doing? Two clip shows in 6 episodes is how I'm doing.

    What number are you on?
    Finished 119 this morning, with the arc about Konohamaru and the girl he likes.

    sig.gif
  • Butler For Life #1Butler For Life #1 Twinning is WinningRegistered User regular
    Speaking of one piece

    I keep seeing fans abbreviate Conqueror's Haki/Color of Conqueror's to CoC

    So folks will talk about Shank's powerful CoC or how we'll definitely see Zoro use CoC in wano

    I can't stop laughing and apparently I'm 11

  • MadicanMadican No face Registered User regular
    I read CoC with a much different, but no less crude, meaning

  • RadiusRadius Registered User regular
    Jragghen wrote: »
    So I saw a spoiler thread for upcoming One Piece.

    Very generic spoilers:
    We're having another intermission with reverie stuff.

    Peoples' heads are going to be exploding.
    kill me
    End my suffering
    What's wrong with the reverie? It was only six chapters last time.

    Everyday we stray further from God's light
    Steam Switch FC: 2799-7909-4852
  • MadicanMadican No face Registered User regular
    I am 100% okay with more Reverie chapters

  • mysticjuicermysticjuicer [he/him] I'm a muscle wizard and I cast P U N C HRegistered User regular
    C O C
    yeah you know me

    narwhal wrote:
    Why am I Terran?
    My YouTube Channel! Featuring silly little Guilty Gear Strive videos and other stuff!
  • RadiusRadius Registered User regular
    Zoro doesn't need Haki to power up, he needs
    Black Blade Wado Ichimonji

    Everyday we stray further from God's light
    Steam Switch FC: 2799-7909-4852
  • MadicanMadican No face Registered User regular
    edited September 2019
    Luffy definitely has that big D energy

    Madican on
  • LarsLars Registered User regular
    Beasteh wrote: »
    unknown.png
    unknown.png

    This post is from a few weeks ago, but I just started reading this manga a few days ago and just got to this scene and was like "Hey, I've seen that somewhere before."

    It's been an enjoyable read so far, but writing Raino out of the series was bullshit. Also I think the author forgot about the class rep character a long time ago (unless she returns in later chapters).

  • LarsLars Registered User regular
    Couscous wrote: »
    Rokudou no Onna-tachi is vastly less creepy than it could have been.

    I think the thing that helps is that the main character is actually extremely aware of how creepy his power could be, and so he does everything he can to not take advantage of anyone.

    I was actually surprised at how wholesome the series actually turned out. You know, except for all the violence and property destruction.

  • ElaroElaro Who am I? What do I want?Registered User regular
    Lars wrote: »
    Couscous wrote: »
    Rokudou no Onna-tachi is vastly less creepy than it could have been.

    I think the thing that helps is that the main character is actually extremely aware of how creepy his power could be, and so he does everything he can to not take advantage of anyone.

    I was actually surprised at how wholesome the series actually turned out. You know, except for all the violence and property destruction.

    Is it slapstick violence, at least?

    Children's rights are human rights.
  • LarsLars Registered User regular
    Elaro wrote: »
    Lars wrote: »
    Couscous wrote: »
    Rokudou no Onna-tachi is vastly less creepy than it could have been.

    I think the thing that helps is that the main character is actually extremely aware of how creepy his power could be, and so he does everything he can to not take advantage of anyone.

    I was actually surprised at how wholesome the series actually turned out. You know, except for all the violence and property destruction.

    Is it slapstick violence, at least?

    For the most part, though at one point a character has his fingers broken with a bottle cap opener, but it happens off-panel. That was probably the worst case, it's mostly people getting slammed into walls really hard and passing out instead of anyone getting maimed or anything. No gore aside from the occasional blood running down the forehead bit.

    Also there's lot of bad language. Forgot to mention that.

    Also plenty of threats.
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  • EnlongEnlong Registered User regular
    Jragghen wrote: »
    Whippy wrote: »
    Kyougu wrote: »
    Holy shit, there's 119 episodes of Boruto? Fuck.

    adjectiveless naruto was 220 episodes and naruto shippuden was 500. i don't know what you were expecting really

    I mean the manga is only on chapter 36, so....

    Most of the anime is a prequel to the manga.

  • Moth 13Moth 13 Registered User regular
    Jragghen wrote: »
    Whippy wrote: »
    Kyougu wrote: »
    Holy shit, there's 119 episodes of Boruto? Fuck.

    adjectiveless naruto was 220 episodes and naruto shippuden was 500. i don't know what you were expecting really

    I mean the manga is only on chapter 36, so....

    Well they are monthly chapters.

  • LarsLars Registered User regular
    Lars wrote: »
    Couscous wrote: »
    Rokudou no Onna-tachi is vastly less creepy than it could have been.

    I think the thing that helps is that the main character is actually extremely aware of how creepy his power could be, and so he does everything he can to not take advantage of anyone.

    I was actually surprised at how wholesome the series actually turned out. You know, except for all the violence and property destruction.

    I think they make the protagonist pay lip service to the idea that it's creepy and bad without actually doing anything to address it in the story. Probably so that they can leave that plot thread dangling until they need to finish the series up. So it feels like a have-cake-and-eat-it-too condemnation. It's actually more jarring to me that the protagonist seems to realize his relationship with the main heroine is based on fucked up mind control magic that forces her to like him and just sort of shrugs his shoulders and says "oh well" and has a fun time living a lie. I had a theory they were going to resolve it by saying that she was never affected by the curse in the first place, for some comedic reason like she's too dumb to even understand good and evil, and thus she must genuinely like him on her own. But then they doubled down on the idea that she's THE MOST affected by evil-affecting things by showing the evil-suppressing beads making her basically brain-dead.

    Going to spoiler my reply since it's getting later into the manga and a part I just got to.
    For a while I thought they were going with her being an emotionless psychopath before the magic caused her to feel love as the first real emotion she'd ever felt, but then they revealed that apparently she was completely evil before as opposed to emotionless. However, I don't think the protagonist is just paying lip service or having his cake and eating it too as he refuses to date any of the women effected by the magic and does everything he can to protect their feelings and try to improve their lives. He's also routinely gotten the shit kicked out of him for doing so. The only thing he should be doing more is looking into how to break the spell (I was kind of surprised they never brought it up with the priest who had the beads), but I assume that's being saved for the ending (along with the mystery of his supposedly-dead grandpa).

    However, I read the scene where Ranna had the beads placed on her differently. We were previously shown when Ling had the beads placed on her and turned good, she no longer had feelings for Rokudou. When Ranna goes catatonic with the beads, however, we are shown that she is dreaming about spending time with Rokudou, and as soon as he disappears from the dream she immediately wakes up and shatters the beads. That seems to show that she already loves Rokudou whether she's good or evil, but there's no way for the rest of the cast to know that yet.

    Plus since day one it's been practically guaranteed that the series is ending with him losing his powers and making us think Ranna hates him only to pull a fakeout and show she still loves him. I'd almost put money on that.

    Overall, there have been 8 main girls effected by his power (and a bunch of generic background ones with no real story). Tsubaki barely even acts like she was ever in love with him and is just a friend now. Same with Osanada. Azami rarely shows up and has an obvious love interest of her own now. Yashiya just seemed to be a villain so Rokudou would have someone to face as the party was battling their way up the tower to face the Shishio guy. Raino initially fell for him because of the magic but I think she's one that you could break the spell right now and she'd still love him (which is probably why she was the only one to be written out instead of getting to stay at the school). I've just finished the arcs with Minami and Ling so I'll need to see how it is once they fully integrate at the school.

    That just leaves Ranna, whose personality seems to most wildly be effected by the magic. The generous read on that is because it's the first time she's ever been happy and this is just how she acts when allowed to be happy. After all, nobody else suffered a personality shift from the magic. We'll have to see how things are resolved to know if that's really the case though.

  • SorceSorce Not ThereRegistered User regular
    Sorce wrote: »
    Sorce wrote: »
    Still catching up on Boruto... how am I doing? Two clip shows in 6 episodes is how I'm doing.

    What number are you on?
    Finished 119 this morning, with the arc about Konohamaru and the girl he likes.

    How can you endure it? I noped out halfway through the recover Mitsuki arc. Everything seems like filler quality stuff.
    I actually kind of liked that Arc, because Mitsuki has just kind of been there and didn't really have any motivation other than "wants to bang Boruto but doesn't understand that's what he wants". Don't get me wrong, a lot of it does feel like filler, but at least the stuff with the kids is still more entertaining than any time the adults and their plot stuff is involved. And I like seeing how the kids are both the same and different from their parents.

    Relatedly, I am really surprised there are this many adults from the last series that are still alive and or uninjured. Guy is in wheelchair, because one of his legs no longer works, and Sasuke is missing an arm. This doesn't stop either of them in any way shape or form, which is amusing, but that's the worst that anybody has gotten in the extended cast. Even the two elders that were the squad members with the Third Hokage are still alive and being pains in the ass to everybody in Konoha.
    Enlong wrote: »
    Jragghen wrote: »
    Whippy wrote: »
    Kyougu wrote: »
    Holy shit, there's 119 episodes of Boruto? Fuck.

    adjectiveless naruto was 220 episodes and naruto shippuden was 500. i don't know what you were expecting really

    I mean the manga is only on chapter 36, so....

    Most of the anime is a prequel to the manga.
    There are 53 episodes before the movie, which I've heard is around the beginning of the manga?

    The episode count is actually higher than 119 (and still ongoing), but like I said I'm catching up.

    sig.gif
  • LarsLars Registered User regular
    Read a few more chapters of Rokudou no Onna-tachi and...
    Oh shit, Raino's back after having been gone for like 60 chapters. Then they go out of their way to prove that she's not even effected by the spell anymore and still loves him. I'm curious how this is going to pan out now as I was convinced she'd been written out because she'd be too hard to keep around if she truly loved Rokudou without the spell.

    They also confirmed that Osanada hasn't been effected by the spell in a long time. Based on that you could probably debate about Azami since thrillseeking isn't inherently bad and she's not a vigilante anymore and is law-abiding aside from speeding. Though strangely they did confirm Tsubaki is still a considered bad (for vanity and bad temper I guess?) though she hasn't acted attracted to Rokudou in forever.

  • MadicanMadican No face Registered User regular
    Maddoc wrote: »
    Boruto is also TURRIBLE

    Naruto varied on quality pretty wildly over the course of its run, but even at its absolute nadir it is so much better than Boruto

    You can't take the joy of watching Himari suckerpunch Naruto with the Gentle Fist for a 1HKO away from me

  • EnlongEnlong Registered User regular
    Remember when Boruto spent 3 episodes fighting for the class rep’s life and freedom without once saying her name?

This discussion has been closed.