Some say late at night when the Keto bots are awake and the SSL errors roam free you can still hear Podly on the wind, the sound of a fiddle fed through a synth echoing across the desert.
Anyone miss 21st century? That sure was a loveable scamp.
They were history’s greatest monster
Every time I try to remember what 21st looks like I just see a pixelated blur like a hyper compressed JPEG that failed to load
Who was 21st
Why can none of us remember them
Bless your heart.
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AtomikaLive fast and get fucked or whateverRegistered Userregular
Everyone please make sure to give your cat a regular supply of new textured rectangles
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21stCenturyCall me Pixel, or Pix for short![They/Them]Registered Userregular
OK, so,
Yesterday i saw a classic absurdist play from 80s Quebec: Les Voisins.
It's.... well, i'll start off by translating the play's most iconic line: "Mayonnaise tastes so good. I can't tell what it tastes of. But it's good with anything."
That's the intensity it reaches.
It's basically a play about how devoid of meaning suburban life is. The main characters pretty much don't have character traits. Sure, they have likes and dislikes but calling them one-dimensional would be exaggerating their depth. One character can be described as "happy" and can basically speak only in meaningless pleasantries. It's like "what if King of the Hill, except literally nothing happens". Straight up half the script is awkward silences. It's somehow still very funny. I found it to be pretty genius how it worked out.
Like, 50% of the play is awkward silences and 40% is just lines completely devoid of meaning. stuff like the mayonnaise thing or exchanges like "I thought i looked bad in this dress" "Oh, it doesn't look it." OR "Well, been a while, eh" "Yeah, what have you been up to?" "Been to Canadian Tire" "You serious?" "I'm telling you"
There's two characters with any depth and they barely appear in the play. One's the daughter of one of the main characters and the other's a used car salesman who's womanizing and has a heart attack. The heart attack is pretty much glossed over entirely despite being one of the major events in the play.
The actors we pretty damn good, too. They were extremely stiff and looks uncomfortable as hell which worked marvelously.
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steroid shot this morning for bad bad eczema
hadn't kicked in yet by the time I got home
took 2 benadryl and a zyrtec
time to set a forwarding address
Because I’m a week late and now they’re on to dumplings
-Indiana Solo, runner of blades
I miss most of those people
Did we lose someone?
Check out my site, the Bismuth Heart | My Twitter
Check out my site, the Bismuth Heart | My Twitter
They were history’s greatest monster
we don't deserve scotland
@japan
Every time I try to remember what 21st looks like I just see a pixelated blur like a hyper compressed JPEG that failed to load
Who was 21st
Why can none of us remember them
Neco
Podly
SiG
Ludious
BeNarwal
Some others too
Yes. They certainly were history’s greatest.
Monster.
Check out my site, the Bismuth Heart | My Twitter
God bless
this makes it sound like they're dead
I don’t really go other places online, so
UNALIVE.
and the gengars who are guiding me" -- W.S. Merwin
I've been doing it for a week and I'm not sure if it's improving or if I just feel like it's improving
and the gengars who are guiding me" -- W.S. Merwin
twitch.tv/sniperguygaming
beacons:
She...just posted o.o
Sometimes it’s like I can even hear her name . . .
I can’t believe they did the impossible and made Star Wars good
so you're saying we need a NECOmancer?
...I'll see myself out.
this is great but also fuck you
No, we can't encourage this kind of rogue behavior
you just did 8-)
Yesterday i saw a classic absurdist play from 80s Quebec: Les Voisins.
It's.... well, i'll start off by translating the play's most iconic line: "Mayonnaise tastes so good. I can't tell what it tastes of. But it's good with anything."
That's the intensity it reaches.
It's basically a play about how devoid of meaning suburban life is. The main characters pretty much don't have character traits. Sure, they have likes and dislikes but calling them one-dimensional would be exaggerating their depth. One character can be described as "happy" and can basically speak only in meaningless pleasantries. It's like "what if King of the Hill, except literally nothing happens". Straight up half the script is awkward silences. It's somehow still very funny. I found it to be pretty genius how it worked out.
Like, 50% of the play is awkward silences and 40% is just lines completely devoid of meaning. stuff like the mayonnaise thing or exchanges like "I thought i looked bad in this dress" "Oh, it doesn't look it." OR "Well, been a while, eh" "Yeah, what have you been up to?" "Been to Canadian Tire" "You serious?" "I'm telling you"
There's two characters with any depth and they barely appear in the play. One's the daughter of one of the main characters and the other's a used car salesman who's womanizing and has a heart attack. The heart attack is pretty much glossed over entirely despite being one of the major events in the play.
The actors we pretty damn good, too. They were extremely stiff and looks uncomfortable as hell which worked marvelously.
I give it a 10/10.
Check out my site, the Bismuth Heart | My Twitter